The Body Remembers When the World Broke Open

Two young First Nations women meet at an east Vancouver bus stop: Rosie (Violet Nelson) is pregnant, poor, and trying to get away from her common-law boyfriend who has beaten her; Aila (Elle-Maija Tailfeathers, one of the film's writer-directors) lives independently and does not have the hardships that Rosie has. Aila does all she can to rescue Rosie from her situation.

Writer-directors Tailfeathers and Kathleen Hepburn made a clever choice in filming most scenes in real time while occasionally keeping the camera focused on only one character for several minutes. The impact is strong while such choices often fail in other films.

Aila is a genuinely helpful person whose great intentions may not succeed. In real life, they rarely do. It doesn't help that Rosie does some shocking things that show great ingratitude to the generosity Aila gives her. Further credit to the filmmakers on this characterization: Rosie's victimization in life causes her to act in harmful ways toward others even those who want to help her.

The highlight of the film is a visit to a women's shelter in which two of the support staff (played by Charlie Hannah and Barbara Eve Harris) interview Rosie. The caretakers show an exemplary combination of compassion and intelligence. They avoid flinching when Rosie casually tells them details of her very difficult life situation. Instead, they respond with calmness and warmth as they continue to ask her questions. They are the kind of people any one of us would want be on our side during difficult times.

There is no doubt that real-life shelter workers are as remarkable as those portrayed in this film. One reason this scene is so exceptional is that women's shelters are rarely, if ever, settings in movies. Further to that, the movie stands out overall as it humanizes those whose hardships are often merely summarized statistically in newspaper headlines. And let's not forget: the cast is great. - dbamateurcritic

Some amazing acting! Violet Nelson is just remarkable, as is her co-star/writer/director Elle-Máijá Tailfeathers. The real-time plot line makes this even more riveting. Don't approach the movie wanting some fast action, but with a sensibility for real-life interactions.

I'll have to say; it is not easy to watch this movie, because of the sensitive subject matter. The plot is real and gritty. The interactions deeply felt and heart-wrenching.

There is so much depth to this film. There is such truth it is a must-see film in my estimation. I am glad I stepped out of my comfort zone and did not pass by this gem. I hope to see much more from both of these amazing women and the co-director/writer Kathleen Hepburn.

They shot the film in real time, in a single continues take and that's so rare because it takes a lot of work at choreographing everything at the smallest details, but regardless of the effort I don't think that they managed to achieve something special with the way they shot it. There is a lot of black shades that prevent you to see the faces of the actors at some scenes, so nice effort but it could have been much better. The cast did a very good job. The two main actresses are very good here, but then again that's to be expected when in a film planned with this much detail. Overall I really liked the movie although there are a few scenes when they drag it a bit and as intimate as the movie is at saying this small story, the message of the film it's universal and important.

This is cinema-verite of the perils of a native woman trying to adjust to living in a large city - in this case Vancouver. The strength of this film is that there is no glamorization. Rosa is both victim and predator. And Aila as the Good Samaritan is more a victim.

Also the film is complex, no easy solutions are offered.

The film is slow-paced with no histrionics.

If you are a fan of action films then better to skip this.

One of the most incredibly close, really personal films I have ever seen. Sensory and emotional realism in every frame.