Tumbbad

This movie is great,has eye catched VFX, Great & Original Story line .. This kind of cinema should be appriciate by indian audience becuase this kind of movie should be made..& this is only possible if Indian Audiences welcome this kind of different & intellectual & Great cinema ..Hatts of to the Producer.. This movie does not do well in box office & the biggest reason behind this is the Taste of Indian cinema that is so poor & the Movie is very rich in every way.....must watch movie..

TUMBBAD is a small village in India where a shrine was built for a god named Hastar. He was the greedy, malevolent offspring of the goddess of prosperity, and was only spared from obliteration by the other gods, on the condition that he never be worshiped.

This is not a spoiler, since it is told in the first few minutes of the film.

What follows is the story of what happens when human and demonic desires intersect. Hastar's temple is said to contain a vast fortune in a secret chamber. Needless to say, circumstances arise which stir Hastar from his long slumber.

Enter Vinayak Rao (Sohum Shah), a man so driven by his lust for gold that he returns to TUMBBAD fifteen years after a terrible event, in order to find and abscond with Hastar's treasure.

This isn't a good idea. At all.

Rao is an astoundingly single-minded, repellent character, willing to do anything to get what he wants. He truly believes that he can trick a god to attain his riches. His family suffers much for his stubborn folly.

TUMBBAD is no mere monster movie, though the creature is impressive. It's a fantasy / horror fable, much like something from Guillermo del Toro, giving us something to think about while being scared. Some of the plot twists are inspired, especially near the end.

This movie deserves a much wider audience...

The film begins with top notch cinematography.

The story is unique, bringing mythology n the moral subject of human greed.

The story is based on the spooky Indian mythology/horror folktale of a demon who is loaded with gold but deprived of food.

One family has been able to revive the demon by building a temple inside an isolated n creepy mansion. Cos of this the family is ostracised.

The mansion is huge with big doors n fort like walls n only the old father resides in the mansion. The wife/mistress do visit the mansion everyday to give the old husband a hand-job n while she gives him the hand-job, she asks him to hurry up, to which the oldie replies in a funny way.

The wife also inquires about a gold coin which is kept near the demon's idol.

The house of the family is walking distance away from the mansion which is inhabited by the wife n her two kids along with the great great grandmother of the old husband who is being cursed to live forever after the bite of the demon n the old hag needs to be fed regularly while she is asleep or she might resort to cannibalism.

The house is a striking image on top a hill, reminding viewers of isolation in the countryside.

There are no close-by neighbors, as the family is on their own after their ostracisation.

There is something very trance like feel in this movie, especially the weather n the locations.

The constant rain and vivid, well filmed local landscapes are characters themselves.

It is dark n claustrophobic with palpable atmosphere.

Kudos to the cinematographer n director, they did a fantastic job in creating a perpetual and palpable sense of tension and fear.

The director also did a nice job of building a concrete, hypnotizing story without ever having to sacrifice pacing.

The story takes place in a span of thirty years n the details r appropriately handled.

If u notice the mansion in the beginning n after fifteen years, u will see all the details.

Attention has been paid in the local ethnic details, the time period, costumes n architecture.

Also the moral subject of greed n lust are handled very well.

The subject of Sati n female subjugation are sprinkled but not explored.

Soham Shah and the kids gave noteworthy performances.

Appreciate Soham n the producers for producing such a good horror film.

Kudos to the director for a fantastic twist ending.

Love to see a prequel or sequel with more emphasis on the true horror Sati n the demon's backstory.

Tumbbad

With this movie , indian film making has definitely gained a certain level of maturity . I have lost my faith in horror cum thriller zone movies which are produced in india, in past all they do is cut copy paste. This movie is definitely original. They do not use sudden creepy sound effects or the old tricks of moving camera over the shoulder. The director completely relies on the story to work and it works. The camera lenses are well used to portray the claustrophobic scenes . The production value is top notch , totally uplifts the movie. Most of the scene includes rain , the greens and a dark environment which works superbly . Director duo do not try to scare you through formula film making methods. They don't even try to do that ,it's the story and the environment which worked for them. Most of the scenes are designed in low light conditions but the contrast is high enough to attract your eye's attention towards the character. Actors have pulled there character successfully specially Soham Shah who is also the producer. A thousand year old myth , greed, deep dark corner of a humen's psyche , a monster (within and out too), ajay atul's precise background score , the spellbound scenic value and a world class direction . There is so much more this movie has to offer. The masala movie watcher may not able to appreciate the movie as it must be but this movie definitely deserves a sensible class of audience.

We dont deserve movies like Tumbbad. There is no khan in this movie, no item songs, and no big stars. Do yourself a favor by watching #Tumbbad this week. Brilliant direction and breathtaking cinematography. Breaks my heart to see an empty theater on day 2. Contribute to meaningful cinema by watching it in theaters or keep complaining about movies like race3.#TumbbadWinningHearts