Chiisana eiyû: Kani to tamago to tômei ningen
IMDb RATING
6.6/10
3.4K
YOUR RATING
An anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.An anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.An anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.
Todd Haberkorn
- Dad
- (English version)
- (voice)
- …
Henry Kaufman
- Shun (segment "Life Ain't Gonna Lose")
- (English version)
- (voice)
Yuri Lowenthal
- Sato (segment "Invisible")
- (English version)
- (voice)
Liam O'Brien
- The Invisible Man (segment "Invisible")
- (English version)
- (voice)
Joe Odagiri
- Tômei ningen (segment "Tômei ningen")
- (voice)
- (as Jô Odagiri)
Maggie Q
- Mom (segment "Life Ain't Gonna Lose")
- (English version)
- (voice)
Featured reviews
In their little nature, these segments reveal a simple, but no less deep and entertaining.
KANINO AND KANINI: The most intriguing aspect was surely the world-building, which kinda reminded me of ARIETTY, from Studio Ghibli.
I also appreciated how they used just that invented language, but managing to still make everything understandable and sweet.
I almost wish we could see a full movie out of it, let's hope Yonebayashi will eventually consider doing it XD
LIFE AIN'T GONNA LOSE: I'm pretty sure this will be the most relatable to many people.
Even I was touched in a kinda personal way, because even my mother suffers from allergies, although thankfully she never went into serious troubles because of it.
But I really enjoyed the realism of Shun's frustration, and the way his mother is constantly worried about him.
I could perfectly sense the pain, both physical and spiritual, and that's no easy task, in animation.
I think it's something it should be showed to everyone, kids and adults alike
INVISIBLE: The darkest of the three, though not in a too heavy way.
The idea is not fully original, given how the metaphor of "invisibility" to show the alienation from society has been used many times in books, movies and comic books.
But despite that, here it is shown in a very spectacular and effective way thanks to the animation and the visuals, almost like a live-action, like only Japanese animes can do.
The way the body transmits all the necessary feelings without any of it is just amazing and, again, full of true pain, it deserves all the appreciation it can get.
KANINO AND KANINI: The most intriguing aspect was surely the world-building, which kinda reminded me of ARIETTY, from Studio Ghibli.
I also appreciated how they used just that invented language, but managing to still make everything understandable and sweet.
I almost wish we could see a full movie out of it, let's hope Yonebayashi will eventually consider doing it XD
LIFE AIN'T GONNA LOSE: I'm pretty sure this will be the most relatable to many people.
Even I was touched in a kinda personal way, because even my mother suffers from allergies, although thankfully she never went into serious troubles because of it.
But I really enjoyed the realism of Shun's frustration, and the way his mother is constantly worried about him.
I could perfectly sense the pain, both physical and spiritual, and that's no easy task, in animation.
I think it's something it should be showed to everyone, kids and adults alike
INVISIBLE: The darkest of the three, though not in a too heavy way.
The idea is not fully original, given how the metaphor of "invisibility" to show the alienation from society has been used many times in books, movies and comic books.
But despite that, here it is shown in a very spectacular and effective way thanks to the animation and the visuals, almost like a live-action, like only Japanese animes can do.
The way the body transmits all the necessary feelings without any of it is just amazing and, again, full of true pain, it deserves all the appreciation it can get.
Modest Heroes is an anthology movie. The first segment is about tiny little crab people or something. Two crab people lose their father and have to find him. For some reason, it drove me nuts. I hated how there was dialogue, but the characters only ever said each other's names or grunted/laughed/used other non-words. It was just something on a gut level that made me unjustifiably angry. I wish they'd either talked properly or said nothing at all. It looked nice visually but the no man's land when it came to communication bothered me non-stop.
The second film is a lot more grounded and moves away from fantasy. It's about a young boy who's allergic to eggs, and looks at the stresses of raising a kid who could well die if they're exposed to something they shouldn't eat. It sort of works emotionally, but the way it escalates at the end felt a bit contrived. I didn't entirely buy it. Maybe shortcuts have to be taken for some short stories to work, but eh(gg).
The third film gets fantastical again, being about an invisible man who finds himself becoming even more invisible, losing his grip on the world and becoming less able to interact with it. It's easily the most visually engaging of the three, and I think it has the most interesting premise, too. It's definitely a highlight and saves Modest Heroes somewhat. To consider it as one whole, it's not bad for something that's just an hour long and the presentation is strong, but the storytelling - outside that final short - is kind of lacklustre.
The second film is a lot more grounded and moves away from fantasy. It's about a young boy who's allergic to eggs, and looks at the stresses of raising a kid who could well die if they're exposed to something they shouldn't eat. It sort of works emotionally, but the way it escalates at the end felt a bit contrived. I didn't entirely buy it. Maybe shortcuts have to be taken for some short stories to work, but eh(gg).
The third film gets fantastical again, being about an invisible man who finds himself becoming even more invisible, losing his grip on the world and becoming less able to interact with it. It's easily the most visually engaging of the three, and I think it has the most interesting premise, too. It's definitely a highlight and saves Modest Heroes somewhat. To consider it as one whole, it's not bad for something that's just an hour long and the presentation is strong, but the storytelling - outside that final short - is kind of lacklustre.
The core concept behind this movie is sweet, wonderful and touching. There are small things in everyday life that takes a great deal of courage and fortitude. There are "modest heroes" out there who deserves our recognition and I'm sure that we all know quite a few of them. Unfortunately, the three stories told here struggle to do justice to this idea. They range from meh to sort of ok-ish. On top of that, the music and the animation are often just too weak to support the narrative ambitions of this title. There are a couple of good ideas here and there, but the of lack pathos, weight and artistic direction results in a mediocre rendering of those ideas.
3 short series made into a movie. Not a fan of kanino&kanini as it was boring to watch compared to invisible and life aint gonna lose. Love the 2nd short and adore the 3rd. Recommended for family viewing.
I disagree with the other reviews. These three shorts were well animated, had very different plots and can be enjoyed on a relaxing family evening.
The first story focuses on a brother and sister who find their courage after their family has been torn apart and they are forced to face their greatest fear. Their heroic gesture reunites the family, and the two grow up in the process. The second story deals with the theme of food allergies and how deadly they can be. It was an eye opener as it isn't something often dealt with in media in general. The little hero of this tale has had it rough his whole life but decides not to give up and through this act, he shows his bravery and will to fight. The last story depicts the life of a lonely man who has become so invisible to everyone around him that he appears to have lost all substance. Despite his struggles, he finds his courage after being shown kindness by two characters who don't exact judgement upon him. Through his act of heroism, he regains his substance. This one is the most allegorical of the three.
Don't go into this expecting a Studio Ghibli film. Rather, enjoy these shorts for what they are and the lessons young and old can learn from them. The animation is flawless, the stories are well rounded, they are all suspenseful with happy endings, and are overall very cute. Little slices of life with sound morals.
The first story focuses on a brother and sister who find their courage after their family has been torn apart and they are forced to face their greatest fear. Their heroic gesture reunites the family, and the two grow up in the process. The second story deals with the theme of food allergies and how deadly they can be. It was an eye opener as it isn't something often dealt with in media in general. The little hero of this tale has had it rough his whole life but decides not to give up and through this act, he shows his bravery and will to fight. The last story depicts the life of a lonely man who has become so invisible to everyone around him that he appears to have lost all substance. Despite his struggles, he finds his courage after being shown kindness by two characters who don't exact judgement upon him. Through his act of heroism, he regains his substance. This one is the most allegorical of the three.
Don't go into this expecting a Studio Ghibli film. Rather, enjoy these shorts for what they are and the lessons young and old can learn from them. The animation is flawless, the stories are well rounded, they are all suspenseful with happy endings, and are overall very cute. Little slices of life with sound morals.
Did you know
- Trivia"Invisible" is the sophomore directorial work of veteran animator and supervising animator Akihiko Yamashita, the first being the Ghibli Museum-exclusive short film Chûzumô (2010), premiered eight years prior, and his debut as a writer.
- SoundtracksPonoc Tanpen Gekijô no Têma'
(Ponoc Short Theatre Theme)
(opening theme)
Performed by Kaela Kimura
Lyrics by Kaela Kimura, Shinobu Watanabe & Studio Ponoc
Music & Arrangement by Shinobu Watanabe
Courtesy of ELA/Victor Entertainment
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Details
Box office
- Gross US & Canada
- $178,027
- Opening weekend US & Canada
- $178,027
- Jan 13, 2019
- Gross worldwide
- $178,027
- Runtime
- 53m
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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