Funny Pages

I totally appreciate the bizarre vibe and humour.

I was chuckling every time a new character appeared (nothing worth a loud laugh though..).

Unfortunately, besides a couple good scenes, there's nothing else than a collection of really freaky looking and acting people, that don't have much to do throughout the movie.

The beginning makes the viewer think that the main character will be fighting hard to get what he wants, which is very clear, but he only goes around not doing much to achieve his goal, chasing an absolutely obnoxious character who never get what he deserves.

The ending is so bland and anticlimactic that I couldn't help but feeling that this was a complete waste of a chance as a movie.

The cinematography adds to the retro vibe, but it's nothing new and it doesn't help to redeem the lack of an actual story.

There are a few interesting scenes, but the weirdness of characters push too much to the side of boredom more than entertaining, funny awkwardness.

Wouldn't recommend it.

"Funny Pages" is a movie about a boy that decides to leave school, in order to chase his dream to become a professional comic book artist. The trailer is very misleading: I thought that this was going to be some sort of coming of age comedy, with a nice plot. Nothing really happens in one hour and a half: there is no character development, no story evolution and no interesting or useful messages. Some scenes are just messy and poorly directed and the story does not make any sense. The ending is so disruptive and I wondered what was even the point of this film. I could not empathize with the protagonist that for the whole time was just behaving like a spoiled brat, I really hated him. Acting was sloppy, not even Josh Pais, who took part in important projects such as "The Joker ", could not save this mess. Out of this experience, I just understood that the director deeply hates the world of comics. He painted all the fans of this media like losers that do not have any ambition in life. I don't know the comic book industry well, but I am pretty sure that there are many talented and successful artists that have brilliant careers. This stereotypification of the nerd culture is old and pretty annoying. There is not one single person that is normal in this film, they are all social misfits.

I appreciate the fact that A24 is giving the chance to beginner directors to show their work to the world, but I think that there should be a better quality check when they decide to distribute something, because honestly it is becoming harder and harder to justify these awful releases.

In the early 2000's when I was the same age as the protagonist in the film, the world of underground comic books was a universe I loved dipping my toes into. The grot, the beauty and the ugliness of Weirdo magazine and Bagge, Clowes, Pekar and Crumb. It's an enchanting scene, full of strange curmudgeons, men who smell and collect jazz records. I used to love going to a now defunct "comic-mart" convention, marvelling at the stench of body odour, the lack of civility and obsessed desperation of the men that permeated these events, despite being the privileged youth who went back home afterwards to a clean, household of love and affection. To say this film resonated with me is an understatement.

At times hilarious and ridiculously niche, a really interesting little film that makes me excited to see what Owen will create next.

Daniel Zolghadri ("Robert") is really quite good in this short drama. He is a budding cartoonist who is arrested breaking into the home of his recently deceased and inspirational art teacher. That all goes away, but the public defender who represented him takes a bit of a shine to his refreshingly candid style of drawing, and that is where he is introduced to another of her clients "Wallace" (Matthew Maher). Here is an interesting fellow. Eccentric to say the least, it transpires that he once worked on comic-book illustrations and so the young man determines to befriend and learn from this man. To be honest, some of the scenarios are a bit far fetched - especially the ones in the pharmacy and in his parents bathroom at Christmas, but for the most part this is an engagingly entertaining mix of the eclectic and the aspirational as seen through the eyes of a seventeen year old man. The production is pretty basic, but at times it is funny. Not laugh out loud, no - but in an observational way that might resonate with many a parent dealing with a teenage child who has all of the answers (but few of the questions). His basement flatmates "Barry" (Michael Townsend Wright) and his rather curious pal "Steven" (Cleveland Thomas Jr) add a quirky element to the already rather surreal plot that meanders all over the place before an ending that is both horrific and funny at the same time as his acne-ridden best mate "Miles" (Miles Emanuel) discovers a new use for a pen-nib! Will he find his soul? Well I'd recommend you watch and find out - it's well worth ninety minutes of your time.

Look, I can appreciate a bizarre movie. It's weirdness is why I give it the initial 4 stars, but there's not much else I enjoyed about it.

I'm not sure how this movie is considered a comedy, unless you describe it as "less funny haha, more funny peculiar". I'm not sure what anyone could have laughed at here, as it felt like no jokes were made.

We meet a cast of strange characters (or caricatures), but no one seems to make any sense at all. And that's fine, some of the characters are intended to be "unhinged", but even the main character, his parents, and his friend's decisions seem devoid of logic. It's like a slice of life story, except with a boy constantly finding himself in weird situations that he just kind of loafs around in.

The "climax" felt unsurprising (though visually disconcerting). The ending felt like they just got bored filming. Ultimately I don't feel like I gained anything besides a sense of "huh, that was weird and made me a little uncomfortable".

I guess I should have known what to expect after the first 10 minutes.