Jonas

The texture of the film kinda reminds me of Halt and Catch Fire. Jonas's seek for reconciliation with himself parallels with his search for his lover. Actually I don't think they went as far as lovers, and they were more like teenage crush, but his hallucination of Nathan is still poignant. It's more about how an incident in your teenage years, how some people at that time, are going to determine your emotional reaction to subsequent events in those years leading to your adulthood, even to your middle age. They are haunting you at the most nonchalant or irrelevant moment of your life.

"TV movie" conjures up all manner of negative judgements for me. I may need to revisit that because if I'd "gone with my head" on this, I wouldn't have watched this and I'd have missed out sorely.

This is quality. A really interesting story that touches you. Superb direction and all of the actors are so natural that I wanted more, so much more.

That moment when the two timelines get linked was a 'whoa' moment for me.

I must single out Félix Maritaud as Jonas for some fantastic acting but to a greater extent Nicolas Bauwens as young Jonas. He's effortless in the role. I hope to see him in many more films.

This is a movie that I wish I hadn't seen, for the simple reason that I wish I could get to enjoy it all over again for the first time!

It wasn't the happy, colourful film of teenage love I was lead to believe by the picture chosen to advertise it on Netflix, but it was a very interesting and rewarding story. I actually liked it, despite the complete lack of nudity.

The twinned stories surrounding the main character, Jonas are brought together brilliantly and I would have liked to have seen more of both, perhaps it could have been a two part film, because I think there was a lot more to say. Regardless of that it still worked very well and I thought it was directed tastefully and with care.

There were no stand out performances from anyone, because it's just not that kind of film. They are all exactly what the roles needed.

I did feel sorry for Jonas, nothing went right for him and I think that is something we can all relate to, as well as feel judged by.

I did miss one or two bits as I was on eBay looking for a Gameboy with Tetris!

I was very impressed and moved by this film. It's just "small", I mean: just a few actors, a simple albeit poignant story, no big settings or effects. But it all fits perfectly, and the director effectively makes us jump forwards and backwards in the chronology of the story, to make us gradually aware of what happened in the past that has made the adult Jonas the complicated and almost self-destructive man he is.

The being gay of the main characters is not so much an issue here; although the scenes during high school at first seem to go in that way, it's basically about a teenage love as any other, so don't expect some coming-out movie. The main premise is having to live with an overpowering feeling of guilt and shame on account of some terrible incident that concerned the person on whom at that moment all your new and hopeful love was focused.

Adult Jonas is played by Félix Maritaud, I saw him recently in Sauvage (2018), and he is equally impressive here as a man tormented by his memories. But young Nicolas Bauwens as the teenage Jonas is just as impressive in his straining part and more than once moved me to tears.

The ending is rather abrupt but it fits the story and although nothing is actually stated that way, it does leave the impression of some redemption for Jonas, a hint at the start of a happier future.

Beautiful cinematography, admirable performances, bitter story, inspired storytelling, admirable performances. And a story about fall, secret and fight for survive. Almost a pretext for a touching portrait about ages and experiences of a young man in war with his past. It is one of films who could be defined as good or bad for the measure who you recognize parts of biography of yourself in its scenes. Because, at sin or virtue, it did not gives a specific story. Only embroidery of facts from past and consequances of present , without a clear connection. So, just a film who I love. First for great job of Felix Maritaud. Being subjectiv in profound sense.