3 from Hell

I thoroughly enjoyed House of 1000 Corpses and The Devil's Rejects, Rob Zombie's first two outings for his murderous Firefly clan, but this third chapter is further proof that the rock star turned director has nothing new up his sleeve, and, worse still, seems to have lost all idea of what made his first couple of films so enjoyable in the first place.

3 From Hell is, as expected, violent, trashy and exploitative, but it is also unfocused, badly written, poorly acted, and not in the least bit shocking, everyone trying far too hard this time around, with Zombie's wife Sheri Moon being the worst offender: putting in a grating performance that is about as subtle and nuanced as a lump-hammer to the skull, she gurns and grimaces wildly throughout, her over-the-top 'acting' (for want of a better word) making this supposedly brutal bloodbath far too comical for its own good. Even with a better script, 3 From Hell was always going to fail so long as Rob insisted in putting his wife front and centre.

The plot - for what it's worth - sees the Fireflies sent to death row, having miraculously survived the shootout at the end of The Devil's Rejects. Captain Spaulding is executed by lethal injection (a shame, as he is far and away the best of Zombie's characters), but Otis (Bill Moseley) escapes, teaming up with Winslow Foxworth Coltrane (Richard Brake) to try and break Baby (Sheri Moon) out of jail. After successfully freeing Baby (don't ask how - it's dumb), the trio of killers head for Mexico (somehow avoiding capture at the border) where they are hunted by a team of luchador assassins led by Aquarius (Emilio Rivera), vengeful son of criminal Rondo (Danny Trejo), who was killed during Otis's escape.

In typical Zombie style, there's lots of cussing, plenty of nudity, and an excess of spurting, bloody wounds, with an overuse of slow motion accompanied by cool rock music, some occasional trippy imagery (including a head-scratching dancing cat scene), and a consistently grimy white-trash aesthetic (there's even a three-legged dog; it doesn't get more white-trash than that!). But more importantly, there's no heart, no originality, no sense of excitement, and no character progression.

As for disturbing... well, Clint Howard playing a clown is surely the stuff or nightmares, but everything else is just too contrived and cartoonish to be taken seriously.

Zombie is a very talented person and I'm a extremely big horror buff but I can't say many good things about this movie. Let's start with the good. Theres a lot of Blood and profanity BUT no matter how much of that you toss into a movie it doesn't make it any better. This is by far one of his worst movies ( and that's coming from someone who found enjoyment in 31 and lords of Salem ) Here's the bad. The plot has little to no meat on it, the zoomed in angles makes it hard to enjoy the violence cause all you see at times is a cheekbone, then blood, palm, then blood and so on. The characters you want to see more of have little to no screen time, and everything is so exaggerated that you really have to suspend ALL DISBELIEF while watching.

Save your money and rent it in a couple of weeks cause yes......this is a straight to DVD kinda movie that stole people's money for a 3 day release.

Disappointed, hoped would be better. Baby Firefly way over the top to the point of being frustratingly annoying. Otis still very much the same, thankfully. Foxy was a welcomed addition.

I attended the 3rd and final night of the film's theatrical presentation. The 3rd night happened to be a double feature featuring The Devil's Rejects leading right into it's sequel. I think this was unfortunately a fatal decision since it truly shows how inferior of a film this is to its predecessor. From incredible first act problems to 75% of plot points being rehashed from the previous film, 3 From Hell falls flat. Imagine a car continuously stalling, it gets so close to taking off, but perpetually stalls. This film lacked that dirty, nasty, gross taste we expect with a Rob Zombie film and instead replaces it with silly silly humor and Hollywood production. The film gradually feels more Hollywood and standard as we approach the third act which presents itself like one big reshot 3rd act almost completely separate from themes and character arcs presented in the first half of the film. While it was a joy to see the Firefly family once again, I feel this film ultimately tarnishes the image of the first two thirds of this trilogy. Predictable and tame; two words I'd never expect to describe a sequel to The Devil's Rejects.

I guess you just can't go back and re-capture that magic and honesty of House of 1,000 Corpses and the superior The Devil's Rejects. I give kudos to Rob for giving it a go but this movie just plain fell flat. All the ingredients were there...Gore, blood, guts, filth, profanity, humor, revenge. I just was not able to get excited scared or involved with the film. It wasn't slow, it was just meh. Granted, I have never been a fan of Sheri Moon and I think she has taken every movie down a notch or two that Rob insists on including her in. Verily, her scenes are like some sort of music video with her prancing around all "evil" and cutesy in slow motion. She's clearly the centerpiece here and that's a shame because Bill Moseley is the king of horror and although he does his best with the material at hand, he can't salvage the script and the overall "story". New guy, Richard Brake the "brother in law" does a decent job filling the gap left by Sid Haig (who does have a brief appearance in the film), but it all feels very forced and lacks overall conviction. It's just "meh" and I really wanted it to be Rejects part 2.

I realize we aren't dissecting the works of Shakespeare here. It's a Rob Zombie horror film. Those that love everything he does, will love it. I personally think he got it right with House of 1,000 Corpses and The Devil's Rejects, but ever since then...he's been trying to recapture that glory and has failed to do so.