Indian 2

Never thought it would be torture to sit through a Shankar movie, but it has happened. Probably his weakest, sorry, cringeworthy movie.

Right from the start, the story wanders here and there, as if Shankar's trying too hard to be modern and Pan-Indian. Script wise, Senapathy's character is irrelevant and unwanted, but what's more bad is the direction, the manner in which hero kills the wrongdoers scream cringe and outdated, executed terribly on the screen.

Don't know how he has okayed, but the getups of Kamal Hassan looked goofy, feast for trollers, nothing to write acting as well. Siddharth tried hard as the second lead, but the writing offered him nothing, except for one emotional scene. Simha's character was laughable, Rakul hardly shows up on the screen, and it's a bad sendoff to legends like Vivek and Nedumudi Venu.

Cinematography by Ravi Varman is superb, but bad writing and editing by Sreekar Prasad runis that. Anirudh's work is disastrous, both album and score, not even 0.00001% of what ARR did in the first part, production values were good.

Shankar still hasn't come up in terms with modern day filmmaking, looks lost of ideas, even the grandeur in his direction looks outdated as well. High time he updates himself or else, Shankar the great director will be a thing of the past.

7 years in production. Budget issues. Prosthetic makeup issues. Crew member deaths. Covid & deaths of Vivek & Nedumudu Venu (latter being a key figure since the 1996 film.)

What did we get? A confused 2 track vigilance film that doesnt present anything new to us & poor tamil dubbing of Senapathy's killings in Surat & Punjab. Senapathy's character mimics the Anniyan by replace Garuda Puran with different Varmams, but even his rambling on them goes overboard. Siddharth and his YT team are the Anti corruption force cleaning up the mess in their homes. After 3/4 of the film stops being padded with back and forth scenes, Shankar remembered he has a Part 3 to build up & leaves the film with a trailer which looked more interesting with Veerasekharan's story. But otherwise, the film hardly keeps you engaged and the making is outdated.

There's nothing redeeming in Indian 2 that convinces the viewer to watch part 3. Would have suggested to cut out the songs of the model and that anthem of senapathy as they added no value to the movie.

Senapathy character of Indian 1995 was a legendary vigilante who even sacrificed his own sin to uphold justice. Sequel seems to be a mix-up of grandeur visuals of "I" (2015) and pathetic mockery of Senapathy, sadly by Shankar- Kamal Haasan team itself. This is not a sequel but self-degradation.

The makeup is inferior. The action scenes primitive and even the setup of action scenes seems cartoonish. The OG character was a senile person who resorts to Varma Kalai as a quick effective method to win over the young antagonists. Here he shows off his six pack abs and a well built body to fight off multiple goons. Shankar messed up so badly, he couldve just introduced Kamal as a new character and setup everything as a new vigilante movie instead of insulting the OG character.

The amount of negatives in the film- the dialogues, the representation of "corrupt " rich people, the over acting of characters, the inefficient CBI, pathetic AI face replacement of Vivek and Nedumudi Venu.. the list goes on. Kamal Haasan got an industry hit with Vikram and Shankar kicked him back to rock bottom with this. Least interested for Indian 3 and Game Changer. Shankar needs to re evaluate himself. I, 2.0, Indian 2- absence of Sujatha is evident and understandable but how can he irritate audience with cringe making; his pupil Atlee hasn't irritated people even with average scripts.

Kamal Haasan should focus on collaborating with young filmmakers more else his film career will meet same fate as his political career.

I watched "Indian 2" with low expectations, especially after the lackluster trailer and songs. I was worried they'd ruin the original, and they came close.

For starters, there's no direct continuation from the first part, they just borrowed the theme and our beloved main character Senapati for this new story.

The plot has its ups and downs- few good, and a few unconvincing and silly moments.

The screenplay follows suit, featuring few engaging sequences, a lot of dull scenes, and cringe-worthy ones.

Kamal Hassan, as always, delivers a stellar performance. His dedication, hard work, and love for cinema shine through.

I wasn't a fan of his makeup in the trailer which reflected in the film as well.

Siddharth plays his part perfectly, and it's heartwarming to see Vivek and Venu back on screen, Priya and others did fine in their roles.

The cinematography is top-notch, with fantastic sets and rich locations.

While the songs are average, the background score is fine.

The fight scenes are a bit over the top, but that's to be expected.

Shankar's direction remains impressive in few scenes, and this is his weakest work till date.

The film is lengthy.

I've got a feeling the third part will have more potential.

Complete failure-a disorganised jumble!

A very worthless and repulsive film. Kamal exhibited no acting at all! He simply arrived, as if he were in BiggBoss, spoke, and left. It appears that he is already retired and is not in the mood to put himself under pressure; he simply shows up as a guest, speaks his lines, and leaves.

The choreography for the THATHA VARARU song was the WORST; it resembled the simple hand and leg movements of schoolchildren. It's unbelievable that Shankar paid so much for crew, paint, and sets only to perform those ridiculous dances. The entire film is set in the past, with many hilarious situations, particularly the ones when the bad guys jump like horses and escape.

It's unbelievable that three different people wrote the dialogue for this film, which has no dialogue at all.

If you admire Shankar's work, you have to come to terms with the fact that he DID NOT make this movie. I'm hoping that Indian 3 will restore Shankar's standing.

It's obvious that we miss RAHMAN, SUJATHA (for dialogues), and the lovely makeup artist. This sinking ship is too big even for the greatly acclaimed, beloved, and "past decades talented" Kamal Haasan to salvage. His portrayal lacks the complexity and depth that made him a legend, and instead seems to be a replay of his earlier parts. The supporting cast doesn't do much better and utterly fails to make an impression. I find it hard to believe that this film required a whooping 700 crores to make!