Undergods

I once read a John le Carré novel in which, early in the action, a spy, who was gut-shot and bleeding out on someone's carpet, was first and foremost profoundly apologetic about the mess, more than he was concerned with his own demise. Carré painted this as a quintessentially English approach to being in a state of profound distress. I must say: a fair enough stereotype, at least in those awkward cases where the carpet might be antique, and even for the aspirational masses too.

During the first ten minutes of this movie, I wasn't sure if I was watching something good. If you watch you'll see why--although the acting was really great then and throughout. Things were just so uncomfortable, inhibited, and so obviously sure to turn out badly in a predictable way. However, suddenly the movie took various hard, unexpected, and pleasantly intriguing turns. The slow start became, for me, canvas and backdrop to some actual stories. What ensued was actually pretty interesting and unpredictable.

Ultimately, despite the uncomfortably dystopian mess it drops on your proverbial carpet, this film owes you no apologies beyond the naked grotesqueness of it's own dark, forlorn, and pathological message. To me it's quite the interesting, last-minute suicide note of the languishing English soul.

My final verdict: well acted, interestingly plotted, very stark and dystopian, and it even offers a bit of futurist s/f backed up by completely convincing special effects. Absolutely worthy of a watch.

Cinematography and visual effects: stunning.

Wardrobe and backdrops/sets: jaw-dropping perfection (I wanted much more of the crumbling dystopian cityscapes).

Casting and performances: exceptional.

Music/score: on point.

Directing and camera angles/shots: great (especially for a newb).

The overall feel and tone as a dark dystopian science-fiction fantasy: outstanding.

Newb filmmaker Chino Moya certainly is a visionary, and sharing his breathtaking vision through his eyes was a huge success. His style and design of the film is to be admired and marveled at.

But his writing was rather dull and random, with stories that don't go anywhere, feel disconnected, and have an uneven narrative that made them feel incoherent. I do get his many dark-humor satirical metaphors, and although ambitious, the underwhelming domestic anthology dramas leave you with more questions than answers. His stories had plenty of style, but not much substance, and what was under the surface, needed much finessing and attention.

Overall, there were so many brilliant qualities to Moya's feature film, that it would shame some seasoned filmmakers recent films. I just wish his screenplay was just as great. Nevertheless, a must watch for dystopian/sci-fi fans, even if just for the atmosphere and visuals.

The movie is about how dysfunctional families ruin eachother and ultimately end up ruining the entire society by proxy.

Visually this movie is aesthetically interesting

the storyline is ultimately a satire on how society really is at times

a mosaic of various different occurences in different lives that ultimately is self destructive in whole

it shows how a persons life can be destroyed from having people in families that ultimately dont really care for eachother

this movie can be heart breakingly tragic to those that actually lived similar occurences in their personal lives and might rub the wrong way psychologically

in my experience most families have good bonds and support eachother in real life

so the ultimate premise of this story is that families ruin everything and from thenforth ruins an entire society because these families are what constructs as little pieces of a company, a neighborhood and ultimately an entire city. What i took from my viewing and perhaps someone else viewing this film might be different.

Thought provoking and visually striking

but overall a grim look at humanity as an inevitable downward spiral

would be 10/10 except it kind of leaves you with a disgusting after taste that somehow makes you resent humanity for its inherent flaws.

This film is a dark satirical dream of interwoven stories within a dystopian hellhole. It's a grim fairytale book of Orwellian doom yet oddly hilarious at times. Undergods is flawlessly written, perfectly casted, creatively scored and a true hidden gem of cinema. The world parallels our own with its depiction of "normal" society in which a mistake could easily kill you or throw you into the dark hell of society's underbelly. A place unthinkable until you are trapped within that nightmare. I truly hope that one day this beautiful masterpiece will find its proper place within the halls of cult cinema.

First and foremost, acting is good and directing is excellent. So it has a solid foundation. The story is an anthology that loosely threads together tales of suffering manifesting within different environments. I'm still unsure if I enjoyed it. Perhaps some films are not meant to be merely enjoyed but to arouse contemplation. Either way, I'm interested to see what Chino Moya makes in the future, provided there is one.