Wilfred Owen returns to the Somme against the advice of his mentor Siegfried Sassoon, determined to follow his subject 'The Pity of War' to the very end.Wilfred Owen returns to the Somme against the advice of his mentor Siegfried Sassoon, determined to follow his subject 'The Pity of War' to the very end.Wilfred Owen returns to the Somme against the advice of his mentor Siegfried Sassoon, determined to follow his subject 'The Pity of War' to the very end.
- Awards
- 16 wins & 9 nominations total
Featured reviews
A tapestry woven with well-chosen snippets of Owen's poetry, tasteful cinematography, superlative performances and a script that somehow echoes the poetic form itself, this film succeeded where so many other war films fail. A delicate balance of brutality and sensitivity between scenes sets us up for the gut punch finale. On the one hand, we marvel at the eloquence of Owen and his poetic comrades even as they wax lyrical over a few pints whilst on leave; on the other, we're shocked at the horrors these men must endure and inflict on the battlefield. Like Owen himself, we are led inexorably to an ending that starkly evokes the ruthlessness, absurdity and of course, the pity of war.
This film bears witness to the story of Wilfred Owen and his contemporaries with fresh insight and empathy. The senseless brutality of World War 1 is strikingly juxtaposed with Owen's personal journey of enlightenment, and in particular with his creative and loving relationship with Siegfried Sassoon. The writing, direction, cinematography, production and above all the acting are consistently superb, and the synergy they create is seamless and at times exquisite.
Through re-imagining the remembrance of Owen's life, The Burying Party has resonance and relevance for the here and now, and should be experienced by as wide an audience as is possible.
Through re-imagining the remembrance of Owen's life, The Burying Party has resonance and relevance for the here and now, and should be experienced by as wide an audience as is possible.
An extremely passionate film covering the last 12 months of Owen's life. The cinematography is outstanding and Weston manages to capture a number of emotional scenes that portray Owens shell-shock then determination to be seen as worthy to achieve similar goals to his peers - several handkerchief moments and the viewer is encouraged to explore more of his poetry - I can't read The Show without the emotion getting to me - try to see this gem
Beautifully shot and fantastic movie!! I think the film and the director will go a long way! This is something to stand behind!
10hilsax
Watching this film on the centenary of Owen's death was incredibly moving and yet the director and cast managed to get over the fun that can sometimes co-exist with horror. The relationship with Sassoon is explored in detail, showing the various aspects and dynamics as Owen goes from being the acolyte at the door to the respected poet. A fitting tribute.
Did you know
- TriviaWilfred Owen was Born in Oswestry on 18th March 1893. He grew up in Tranmere, Wirral living in Wilmer Road and then the nearby Elm Grove. He was one of the Birkenhead Institute old boys and the local streets where the school once stood are named after him.
- GoofsOwen and Sassoon are shown wearing modern shirts with attached collars.
- Quotes
Robert Graves: Tell me, what is it you're interested in?
Wilfred Owen: The pity.
Robert Graves: Hmm?
Wilfred Owen: I am interested in the pity of war.
Siegfried Sassoon: To the pity.
- ConnectionsFeatured in Good Morning Britain: Episode dated 11 June 2018 (2018)
Details
Box office
- Budget
- £30,000 (estimated)
- Runtime
- 1h(60 min)
- Color
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