Leonardo
- TV Series
- 2021–
- Tous publics
The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment... Read allThe series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment of a man obsessed with attaining perfection.The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment of a man obsessed with attaining perfection.
- Awards
- 8 wins & 3 nominations total
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Featured reviews
Visually stunning to look at & Aidan Turner perfectly conveys the sometimes tortured soul of the genius that was Leonardo da Vinci. The chemistry between him & Matilda de Angelis, who plays Caterina, is wonderful. Unfortunately, Freddie Highmore as the detective Giraldi, is totally miscast. It's important to remember it's a drama about Leonardo's life, not a documentary, so don't expect 100% historical accuracy in this series, there are some glaring distortions of the truth. However it is an enjoyable series & certainly worth watching.
Very interesting show. Well cast except for Freddie Highmore. He seems to be playing a renaissance Shawn Murphy (The Good Doctor) with a beard and a British accent. His character just doesn't fit in. Is it nepotism if you are the executive producer? Selfotism? Please Freddie, you are a great actor, just not in this role.
Really enjoyed this series, the only let down was Freddie Highmore. He just doesn't fit in.
There bas been much debate about how this series has been fictionalized, with any drama you have to accept that this is a story, and it does not have to be100% accurate, in the way that a documentary is. I really do not understand people who will score a series only one, when if you split apart the components that go to make a series like this, you would score way above that. It pays not to have unrealistic expectations when you approach something historical. The other thing is of course that although Leonardo Da Vinci left some amazing artworks, we know surprisingly little about his life.
I really enjoyed this series. You don't have to be artistic to appreciate the loving detail that went into creating the stories around each of his artworks, and the immense talent he undoubtedly had. Aidan Turner embraced the challenge wholeheartedly, and whilst he probably won't get nominated for any major awards, he can be proud of his work, as can the supporting cast. They created an interesting story, with beautiful sets and an appreciation for the depth of his contribution to art, and I think that counts for a lot.
I really enjoyed this series. You don't have to be artistic to appreciate the loving detail that went into creating the stories around each of his artworks, and the immense talent he undoubtedly had. Aidan Turner embraced the challenge wholeheartedly, and whilst he probably won't get nominated for any major awards, he can be proud of his work, as can the supporting cast. They created an interesting story, with beautiful sets and an appreciation for the depth of his contribution to art, and I think that counts for a lot.
Rating 6.5/7
There's nothing wrong with fictionalizing the life of famous people long ago or with creative anachronisms. When done well, that's absolutely great. So, I have no great sympathy for those who condemn this solely on the basis of fictional licence.
But, for the life of me, I cannot see why this show is even linked to the life of Leonardo. It's not as if it gives any insight into the nature of art, artistic compulsion, sponsorship or even the making of Leonardo's works. Strip away the famous name (and other names of the time) and what you have is a so-so costume mystery about a murder.
The mystery itself--who killed Caterina--scarcely works, in significant part because Freddie Highmore is poorly cast as the inquistor, Stefano Giraldi--a matter of age, script and, perhaps, performance.
Aidan Turner, fine looking and competent actor though he is, also seems miscast, particularly for the young Leonardo in the earlier episodes. He looks too old and he doesn't convey the passion, innocence and hopefulness of a young man embarking on his career. Nor is there any nuance to his responses to the various opportunities and disappointments to come to him. His scenes with Caterina are often awkward or overblown.
To be fair to the cast, they're not given a lot to work with.
So, if you want to see lots of good looking people in luscious costumes and settings, this may be for you. But, that's about all you'll take away from it.
But, for the life of me, I cannot see why this show is even linked to the life of Leonardo. It's not as if it gives any insight into the nature of art, artistic compulsion, sponsorship or even the making of Leonardo's works. Strip away the famous name (and other names of the time) and what you have is a so-so costume mystery about a murder.
The mystery itself--who killed Caterina--scarcely works, in significant part because Freddie Highmore is poorly cast as the inquistor, Stefano Giraldi--a matter of age, script and, perhaps, performance.
Aidan Turner, fine looking and competent actor though he is, also seems miscast, particularly for the young Leonardo in the earlier episodes. He looks too old and he doesn't convey the passion, innocence and hopefulness of a young man embarking on his career. Nor is there any nuance to his responses to the various opportunities and disappointments to come to him. His scenes with Caterina are often awkward or overblown.
To be fair to the cast, they're not given a lot to work with.
So, if you want to see lots of good looking people in luscious costumes and settings, this may be for you. But, that's about all you'll take away from it.
Did you know
- ConnectionsFeatured in Jeremy Vine: Episode #4.85 (2021)
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- Леонардо
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