Leonardo
- TV Series
- 2021–
- Tous publics
The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment... Read allThe series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment of a man obsessed with attaining perfection.The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous, through the stories hidden within those works, revealing little by little the inner torment of a man obsessed with attaining perfection.
- Awards
- 8 wins & 3 nominations total
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Featured reviews
Really enjoyed this series, the only let down was Freddie Highmore. He just doesn't fit in.
Very interesting show. Well cast except for Freddie Highmore. He seems to be playing a renaissance Shawn Murphy (The Good Doctor) with a beard and a British accent. His character just doesn't fit in. Is it nepotism if you are the executive producer? Selfotism? Please Freddie, you are a great actor, just not in this role.
I am only half-way through but enjoying this series tremendously. Firstly, the history. Having studied the life and works of Leonardo Da Vinci, I know more than many about his life. I discovered some time ago that there are not even two academic books which interpret the man or his work in matching ways. This is because Leonardo is an immensely difficult character to pin down due to scant primary sources. Therefore, I am impressed by how the creators have taken the few historical details available to us of Leonardo's life and personality and built a psychological profile of a living, breathing character in order to access the mind of the genius. It's very cleverly done and mostly seems to be inspired from his diaries and notebooks. Some viewers have forgotten this is a drama not a documentary therefore it must have a beginning, middle and end with twists and turns like all great dramas do. I believe the producers have captured a fascinating version of the spirit of Leonardo as well as portraying many little known facts and events of his life. Secondly, the drama itself: beautiful, passionate and human, just like the man. What a marvellous series to lose yourself in.
Reviews on this have been love or hate. I'm hoping to go for something more balanced.
Let me get a few things straight.
I don't dislike this series because it's "woke." There's evidence to suggest Leonardo was gay, and portraying him as such is entirely justified.
I don't dislike this because it's a fusion of bio pic and murder mystery. That was a bold idea that might have worked.
I don't dislike this because it takes dramatic license with historical truth. We know that anything historical is a version of the truth and that this is not a documentary. We get that.
No, the reason I dislike this is that its bold ambition doesn't work. The script is poor. Exposition is simplistic and anachronistic - at one point, Leonardo compares his mental state to a black hole! But worse than that there's no subtext. Things are made explicit in the script in a way that reflects soap operas, not real life. "You were a mistake," his father tells Leonardo. One wonders whether da Vinci Senior was actually that crass, or whether the script writer just wasn't up to the task.
Aidan Turner looks wonderful, from the young apprentice to the old bearded maestro, but aside from a few touching moments, this is not his best performance. Acting props go to James D'Arcy's Ludovico Sforza, played with a masterly blend of camp and menace, and to Carlos Cuevas, who is perfectly cast as Salai. Freddie Highmore, on the other hand, is badly out of his depth.
It looks beautiful, with many frames set up almost as masterpieces in their own right. I'd be happy just to watch as his works of art took shape, but you can't get an 8-part series out of that. My heart sinks to hear of a second series. What are they going to do - accuse him of murdering someone else? It's a strange way to treat one of history's greatest geniuses.
Let me get a few things straight.
I don't dislike this series because it's "woke." There's evidence to suggest Leonardo was gay, and portraying him as such is entirely justified.
I don't dislike this because it's a fusion of bio pic and murder mystery. That was a bold idea that might have worked.
I don't dislike this because it takes dramatic license with historical truth. We know that anything historical is a version of the truth and that this is not a documentary. We get that.
No, the reason I dislike this is that its bold ambition doesn't work. The script is poor. Exposition is simplistic and anachronistic - at one point, Leonardo compares his mental state to a black hole! But worse than that there's no subtext. Things are made explicit in the script in a way that reflects soap operas, not real life. "You were a mistake," his father tells Leonardo. One wonders whether da Vinci Senior was actually that crass, or whether the script writer just wasn't up to the task.
Aidan Turner looks wonderful, from the young apprentice to the old bearded maestro, but aside from a few touching moments, this is not his best performance. Acting props go to James D'Arcy's Ludovico Sforza, played with a masterly blend of camp and menace, and to Carlos Cuevas, who is perfectly cast as Salai. Freddie Highmore, on the other hand, is badly out of his depth.
It looks beautiful, with many frames set up almost as masterpieces in their own right. I'd be happy just to watch as his works of art took shape, but you can't get an 8-part series out of that. My heart sinks to hear of a second series. What are they going to do - accuse him of murdering someone else? It's a strange way to treat one of history's greatest geniuses.
Maybe, it is not the biographic series who you expect. But it is beautiful and well acted and comfortable and far by huge innovations. Not the accuracy of events, not pledge for a theory or other, not the eulogy of the great genius are purpoises of it. But a honest story around a presumed murder, having as basic virtue the beautiful cinematography and the inspired work of Aidan Turner. Sure, many sins, from too sentimental scenes to not the best dialogues in some episodes or the torture for brave Freddie Highmore in the most bizarre role of his career. But it is beautiful, for so many motives, it is just beautiful. Not impressive, not great, not memorable. Only the honest sketch who reminds, give some smiles, propose not the most convincing but not so bad explanations, reminds the war between artist and world, reminds the miracle of beauty around us and becomes, episode by episode, a sort of oasis, with flavour of old fashion series. So, real beautiful sketch.
Did you know
- ConnectionsFeatured in Jeremy Vine: Episode #4.85 (2021)
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