A teenage girl struggles to survive and to find her younger sister during the July 2011 terrorist mass murder at a political summer camp on the Norwegian island of Utøya.A teenage girl struggles to survive and to find her younger sister during the July 2011 terrorist mass murder at a political summer camp on the Norwegian island of Utøya.A teenage girl struggles to survive and to find her younger sister during the July 2011 terrorist mass murder at a political summer camp on the Norwegian island of Utøya.
- Director
- Writers
- Stars
- Awards
- 4 wins & 13 nominations total
Ingeborg Enes
- Kristine
- (as Ingeborg Enes Kjevik)
Karoline Petronella Ulfsdatter Schau
- Sigrid
- (as Karoline Schau)
Yngve Berven
- Police Officer
- (voice)
Belinda Sørensen
- Mother
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Excellent and disturbing description of the attacks on Norway students on the island Utoya in July 2011.
The film is told out of the perspective of a fictional victim of the attack and follows the circumstances and 72 minute crisis in real time.
The magic of the film is that its done as a one-shot piece . The camera hectically follows the victims. This gives you the impression to be in the middle of everything and offers the film a very authentic touch. You really feel like you are in the middle of everything and just like those students captured on the island.
The film works because it portrays fear with its deepest core. The characters more and more become hopeless and so does the audience. You never know where the attacker is you never know who his next victims will be. The acting is very good, especially by the lead actress Andrea Berentzen who brilliantly portrays Kaja.
The characters are fictional but they are based on the true stories of the survivors.
It is creepy, it is moving and it is often hard to watch. One person in the cinema fainted. But its an important film because it brings back the memories of this terrible and sick happening. Absolutely worth to see.
This movie really allows you to sink into the movie and get a feel for the vibe that was there when it really happened.
The movie is shot in 1 take, no scene cuts.
The young actors impressed with powerful performances worth of recognition.
All in all the movie succeeded in portraying the horror that was 22. Juli, 2011.
The movie is shot in 1 take, no scene cuts.
The young actors impressed with powerful performances worth of recognition.
All in all the movie succeeded in portraying the horror that was 22. Juli, 2011.
U - July 22 is an extremely difficult film to judge. Based on the horrific events that occurred on Utøya island in Norway, were one man shot and murdered 69 people, most of them youngsters (in addition to being responsible for a bomb attack in Oslo earlier that day). Norway is quite a safe place to live, so that something as gruesome as that happened here is confusing, shocking and something that I'll never truly be able to understand. It's therefore a difficult film to judge because the events are still close to heart. It's, as I'm writing this, been close to seven years since the attacks, which kinda feels like no time has passed at all. So from the moment the film start, you've already brought in your feeling of sadness to the film.
But I do think this is a good film. I think its made with dignity and respect, and I think its importance come across very well. It's a film that we need in order for us to, if not fully, at least be able to understand a little bit about how it was like for the people who were trapped on Utøya during the shooting. How brutal, unforgiving, isolated and meaningless it all was. The film doesn't shy away from the brutality of it, and I'm glad that it didn't. It had to be brutal in order to convey the feeling of how it was like. It had to be violent in order for us to understand it. The film does a good job of translating the feeling to the viewers.
Shot entirely in one-take on the island itself with unknown actors and lasting exactly as long as the shooting actually did, the film feels as real as it possibly could have. There's not much focus on the perpetrator, yet his presence is felt throughout the entirety of the film. The loud and uncomfortable sound of shots being fired is constant and the shrieking of scared teens is uncomfortably present. The panic, confusion and anxiety is all over the place. There are no moments to rest, and the film is exhaustingly intense and difficult to watch. Once the film ended the cinema was filled with silence. No one made any noise and it was quite simply put a powerful experience.
There are certain moments in it that feels slightly artificial, though it's hard for me to know that for sure, as I wasn't there during the attack. Yet, some parts didn't fully convince me. This might be because some of the acting isn't the strongest. Which is a bit of the risque you run when shooting a film in one-take. Andrea Berntzen is however a star. Her performance is outstanding. The camera follows her throughout the entire film, and she perfectly manages to capture and convey every emotion you would imagine someone going through in a situation like that.
This is not a film for everyone, but for me, as a Norwegian, it's essential viewing due to how close it is. In a world where violence happens every day and we've somehow gotten used to reading about, a film like this is important. If only to make us understand a little bit more. If only to make us feel a lot more.
( Review also posted on Listal and letterboxd)
But I do think this is a good film. I think its made with dignity and respect, and I think its importance come across very well. It's a film that we need in order for us to, if not fully, at least be able to understand a little bit about how it was like for the people who were trapped on Utøya during the shooting. How brutal, unforgiving, isolated and meaningless it all was. The film doesn't shy away from the brutality of it, and I'm glad that it didn't. It had to be brutal in order to convey the feeling of how it was like. It had to be violent in order for us to understand it. The film does a good job of translating the feeling to the viewers.
Shot entirely in one-take on the island itself with unknown actors and lasting exactly as long as the shooting actually did, the film feels as real as it possibly could have. There's not much focus on the perpetrator, yet his presence is felt throughout the entirety of the film. The loud and uncomfortable sound of shots being fired is constant and the shrieking of scared teens is uncomfortably present. The panic, confusion and anxiety is all over the place. There are no moments to rest, and the film is exhaustingly intense and difficult to watch. Once the film ended the cinema was filled with silence. No one made any noise and it was quite simply put a powerful experience.
There are certain moments in it that feels slightly artificial, though it's hard for me to know that for sure, as I wasn't there during the attack. Yet, some parts didn't fully convince me. This might be because some of the acting isn't the strongest. Which is a bit of the risque you run when shooting a film in one-take. Andrea Berntzen is however a star. Her performance is outstanding. The camera follows her throughout the entire film, and she perfectly manages to capture and convey every emotion you would imagine someone going through in a situation like that.
This is not a film for everyone, but for me, as a Norwegian, it's essential viewing due to how close it is. In a world where violence happens every day and we've somehow gotten used to reading about, a film like this is important. If only to make us understand a little bit more. If only to make us feel a lot more.
( Review also posted on Listal and letterboxd)
How do I even begin to explain my feelings about this movie. It´s a really really good movie. Just the way it is shot and made, the actors, the feeling you get as a audience, is just breathtaking. As a person that hasn´t lost anyone in the shooting that day, this movie made me care about the lead role, Kaja (Andrea Berntzen). I felt desperate, and helpless since I couldn´t intervene and help out. Not to say for certain, but that is probably what many felt when they were running for their lives.
Eirik Poppe made this movie all about "Kaja" and her mission on finding her sister. It is based on true stories that has been told by the youth that were there, which gives the movie a more believable plot that strikes where it hurts. The movie is a one-take film that lasts as long as the attack did in real life, and that gives a you another perspective on how long it took for the help to come.
I just wanted the movie to end after a little while to be honest, because the movie just really struck me and it got too real at times. This is not a movie I would recommend to everyone. If you want to watch it, just remember that this all happened for real. You might not be as tough as you think, I know I was certainly wrong about that. If you were there or have experienced something like that before, I would not recommend you seeing it, but of course you should decide that for yourself. Don´t get me wrong, this is a really good reminder of what happened 7 years ago and how it all went down, and I totally understand why this movie was made, but there is no way for me to say that this movie didn´t make me feel bad. It made me feel like shit, and nauseous all at once.
Eirik Poppe made this movie all about "Kaja" and her mission on finding her sister. It is based on true stories that has been told by the youth that were there, which gives the movie a more believable plot that strikes where it hurts. The movie is a one-take film that lasts as long as the attack did in real life, and that gives a you another perspective on how long it took for the help to come.
I just wanted the movie to end after a little while to be honest, because the movie just really struck me and it got too real at times. This is not a movie I would recommend to everyone. If you want to watch it, just remember that this all happened for real. You might not be as tough as you think, I know I was certainly wrong about that. If you were there or have experienced something like that before, I would not recommend you seeing it, but of course you should decide that for yourself. Don´t get me wrong, this is a really good reminder of what happened 7 years ago and how it all went down, and I totally understand why this movie was made, but there is no way for me to say that this movie didn´t make me feel bad. It made me feel like shit, and nauseous all at once.
I'd already watched Paul Greengrass' film 22 July. Despite Utoya July 22 being about the same atrocity, you could not get 2 different films. Whilst Greengrass gave Brevik a platform and invited viewers to try and comprehend his actions, perhaps in an attempt to learn and move on, Erik Poppe's Utoya instead focuses entirely on the victims - the young Labour Party members camping on the island. In a poignant start to the film, the main lead, Kaja, looks directly into the camera and says "you'll never understand" (it turns out she's talking to her mum on the phone).
There is some debate as to whether either of these films should've been made at all. As harrowing as they are, I think they both have their place in trying to enhance our understanding of the horror of terrorist attacks such as these.
In a very clever piece of technical direction, it looks like the film is shot 'live' in one single take to mirror the horror of the 72 minutes of the young people's terrifying ordeal, whilst Brevik was attacking them.
Did I enjoy the film? No. Am I pleased I watched it? Yes. Would I recommend it? Most certainly. Does it, along with Greengrass' July 22, enhance our understanding? The jury's out. 7 out of ten
There is some debate as to whether either of these films should've been made at all. As harrowing as they are, I think they both have their place in trying to enhance our understanding of the horror of terrorist attacks such as these.
In a very clever piece of technical direction, it looks like the film is shot 'live' in one single take to mirror the horror of the 72 minutes of the young people's terrifying ordeal, whilst Brevik was attacking them.
Did I enjoy the film? No. Am I pleased I watched it? Yes. Would I recommend it? Most certainly. Does it, along with Greengrass' July 22, enhance our understanding? The jury's out. 7 out of ten
Did you know
- TriviaThe entire movie is a one-take. Even though there could have been cuts when the camera was put on the ground. Erik Poppe had five days to try to get the perfect take and could not attempt more than one take a day. The take from the fourth day has been used for the final movie.
- ConnectionsFeatured in Front Row: Episode #3.7 (2018)
- SoundtracksSnakke Litt
Lyrics by Philip Boardman
Music by Carl Hovind & Eigil Berntsen
Performed by Philip Boardman (as Admiral P)
Emilie listens to the song on her phone when Kaja confronts her in the tent.
- How long is Utoya: July 22?Powered by Alexa
Details
- Release date
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- Also known as
- Utoya: July 22
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross worldwide
- $3,738,618
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 16 : 9
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