After his teenage daughter goes missing, a widowed surgeon begins uncovering dark secrets of the people closest to him.After his teenage daughter goes missing, a widowed surgeon begins uncovering dark secrets of the people closest to him.After his teenage daughter goes missing, a widowed surgeon begins uncovering dark secrets of the people closest to him.
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It's not a bad show....the acting is better than average. Dexter is good. The end is a twist....honestly I liked it and I'm tired of picking shows apart....I binge watched it in two days and I enjoyed it all...
It's not the best plot but it keeps you guessing....character development is rapid and fails in many ways...
It's not the best plot but it keeps you guessing....character development is rapid and fails in many ways...
This series had me hooked after episode one which is rare for me. It reminded me a great deal of Broadchurch in relation to the twists and the possibility that anybody could be the perpetrator(s).
Some strong acting really drove the suspense and it was nice to see M C Hall's strengths as an emotional actor which is the complete opposite to his character in Dexter.
Overall I would give this an 8 out of 10. It kept me entertained and I watched all episodes in one sitting. My only slight grief I can not explain without spoilers so will leave it there.
Give it a go if you liked Broadchurch.
Some strong acting really drove the suspense and it was nice to see M C Hall's strengths as an emotional actor which is the complete opposite to his character in Dexter.
Overall I would give this an 8 out of 10. It kept me entertained and I watched all episodes in one sitting. My only slight grief I can not explain without spoilers so will leave it there.
Give it a go if you liked Broadchurch.
I am an addict of thrillers, mysteries, whodunits, and it's fair to say they've declined in number and quality. Then came Safe, and I have to be honest, I loved from start to finish, it was gripping, intelligent, thrilling, and at times very uncomfortable viewing. As has been mentioned, similar to Broadchurch, but slightly more of a thriller feel to it, more action then Broadchurch.
Two episodes stand out, the finale is brilliant, so action packed, so gripping. The best viewing comes from Part 4, which is intense, dramatic, and features a scene which in today's climate holds perhaps a little too much realism.
It's multi layered, the writing is superb, I'm hoping we get more of this style of show in the future. Amazing acting throughout, plaudits to Michael C. Hall, who is superb from start to finish. Amanda Abbington, Audrey Fleurot and Marc Warren also stand out.
I was a bit dubious, but do yourself a favour, watch it, it's fantastic drama. 9/10
Two episodes stand out, the finale is brilliant, so action packed, so gripping. The best viewing comes from Part 4, which is intense, dramatic, and features a scene which in today's climate holds perhaps a little too much realism.
It's multi layered, the writing is superb, I'm hoping we get more of this style of show in the future. Amazing acting throughout, plaudits to Michael C. Hall, who is superb from start to finish. Amanda Abbington, Audrey Fleurot and Marc Warren also stand out.
I was a bit dubious, but do yourself a favour, watch it, it's fantastic drama. 9/10
Safe is about a family living in a sort of a community. After the loss of his wife, he is trying to move on with his daughters and new girlfriend. But everything falls apart when is daughter turns out missing after a party, and everyone seems to have one small bit of a puzzle, which is otherwise also connected to a mysterious shared past.
Michael C Hall plays the father who was never there, and is now desperately searching for his daughter in a series that brilliantly merges flashbacks with strong storytelling. Besides Hall, the supporting cast is amazing as well.
The minus, is the stupidity that appears more and more. Decisions like confronting bad people alone, instead of informing the police, thrusting unknown people and not your own family, not recognizing blatant lies etc. etc. All this is used to create tension and momentum, but wouldn't it be refreshing if series depended less on stupid decisions and find more creative ways to expand a story? Still, this series is interesting and exciting and absolutely worth a watch.
Michael C Hall plays the father who was never there, and is now desperately searching for his daughter in a series that brilliantly merges flashbacks with strong storytelling. Besides Hall, the supporting cast is amazing as well.
The minus, is the stupidity that appears more and more. Decisions like confronting bad people alone, instead of informing the police, thrusting unknown people and not your own family, not recognizing blatant lies etc. etc. All this is used to create tension and momentum, but wouldn't it be refreshing if series depended less on stupid decisions and find more creative ways to expand a story? Still, this series is interesting and exciting and absolutely worth a watch.
I'm amazed that so many people have slated this series.
I'm a pretty discerning viewer, with high standards in regard to production values, quality of writing directing and performance, and overall technical and artistic excellence. I'm a stickler for detail, violently object to having my intelligence as a viewer insulted, and am very critical of everything that I watch. But after avoiding this series (due to bad reviews) for some time, I eventually decided to watch it, expecting the worst.
Perhaps, then, my lowered expectations were partly responsible for me enjoying it so much. It certainly wasn't perfect, but I was gripped from beginning to end, and was very well satisfied with the overall quality of the production and all the elements I listed earlier.
I did feel that the last episode was a little rushed, and rather desperately flailed around trying to tie-up all the various narrative threads, but it was a satisfying (if somewhat predictable) conclusion.
My main concern before watching, having read numerous comments and reviews about it, was Michael C. Hall's accent. I have been a huge fan of his through Six Feet Under and Dexter, but had very low expectations of him being able to pull-off a convincing British accent. (Americans doing bad British accents is also a big pet peeve of mine!)
So I was frankly astonished at how well he did it. I am British, and speak with basically the same accent as his character. He sounded just like me, consistently and throughout, apart from two very brief and minor slips - neither of which would have betrayed him as an American (more likely a Brit with a regional accent who's had elocution lessons to sound less provincial).
Anyone knocking his accent in this is either just looking for ways to attack and fixing on an obvious target (though an unwarranted one) or else is unable to properly recognise or analyse accents because of their own poor ear for such things.
In my opinion, this was very much an above average series, and Hall was fabulous in it.
I'm a pretty discerning viewer, with high standards in regard to production values, quality of writing directing and performance, and overall technical and artistic excellence. I'm a stickler for detail, violently object to having my intelligence as a viewer insulted, and am very critical of everything that I watch. But after avoiding this series (due to bad reviews) for some time, I eventually decided to watch it, expecting the worst.
Perhaps, then, my lowered expectations were partly responsible for me enjoying it so much. It certainly wasn't perfect, but I was gripped from beginning to end, and was very well satisfied with the overall quality of the production and all the elements I listed earlier.
I did feel that the last episode was a little rushed, and rather desperately flailed around trying to tie-up all the various narrative threads, but it was a satisfying (if somewhat predictable) conclusion.
My main concern before watching, having read numerous comments and reviews about it, was Michael C. Hall's accent. I have been a huge fan of his through Six Feet Under and Dexter, but had very low expectations of him being able to pull-off a convincing British accent. (Americans doing bad British accents is also a big pet peeve of mine!)
So I was frankly astonished at how well he did it. I am British, and speak with basically the same accent as his character. He sounded just like me, consistently and throughout, apart from two very brief and minor slips - neither of which would have betrayed him as an American (more likely a Brit with a regional accent who's had elocution lessons to sound less provincial).
Anyone knocking his accent in this is either just looking for ways to attack and fixing on an obvious target (though an unwarranted one) or else is unable to properly recognise or analyse accents because of their own poor ear for such things.
In my opinion, this was very much an above average series, and Hall was fabulous in it.
Did you know
- TriviaFilming locations were in Manchester, Liverpool and Cheshire, UK.
- GoofsA civil servant like Sophie could not afford the extensive Botox treatments like she has had.
- ConnectionsFeatured in WatchMojoUK: Top 10 British Netflix Originals (2018)
- SoundtracksGlitter & Gold
(uncredited)
Written by Barns Courtney
Performed by Barns Courtney
Under Licensce from ASCAP, Sony ATV Publishing, SOLAR Music Rights Management, UBEM, Kobalt Music Publishing, and 7 music rights societies
[Intro song]
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Безпека
- Filming locations
- Stockton Heath, Warrington, Cheshire, England, UK(Tom's gated community home)
- Production company
- See more company credits at IMDbPro
- Runtime45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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