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IMDbPro

Bellingcat, les combattants de la liberté

Original title: Bellingcat: Truth in a Post-Truth World
  • 2018
  • TV-PG
  • 1h 28m
IMDb RATING
7.3/10
803
YOUR RATING
Bellingcat, les combattants de la liberté (2018)
NewsDocumentary

Bellingcat: Truth in a Post-Truth World explores the promise of open source investigation, taking viewers inside the exclusive world of the "citizen investigative journalist" collective know... Read allBellingcat: Truth in a Post-Truth World explores the promise of open source investigation, taking viewers inside the exclusive world of the "citizen investigative journalist" collective known as Bellingcat.Bellingcat: Truth in a Post-Truth World explores the promise of open source investigation, taking viewers inside the exclusive world of the "citizen investigative journalist" collective known as Bellingcat.

  • Director
    • Hans Pool
  • Writer
    • Hans Pool
  • Stars
    • Eliot Higgins
    • Jay Rosen
    • Claire Wardle
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    803
    YOUR RATING
    • Director
      • Hans Pool
    • Writer
      • Hans Pool
    • Stars
      • Eliot Higgins
      • Jay Rosen
      • Claire Wardle
    • 4User reviews
    • 9Critic reviews
    • 79Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 5 nominations total

    Photos1

    View Poster

    Top cast24

    Edit
    Eliot Higgins
    • Self
    Jay Rosen
    • Self - Professor - NYU
    Claire Wardle
    Claire Wardle
    • Self - First Draft
    Veli-Pekka Kivimäki
    • Self - Bellingcat
    Aric Toler
    • Self - Bellingcat
    Timmi Allen
    • Self - Bellingcat
    Hadi Al-Khatib
    • Self - Bellingcat
    Alexa Koenig
    • Self - Human Rights Center UC Berkeley
    Christiaan Triebert
    • Self - Bellingcat
    Aidan White
    • Self - Ethical Journalism Network
    Vidmantas Purlys
    • Self
    • (as Vidmantas)
    Gert-Jan Dennekamp
    • Self, journalist, Nederlandse Omroep Stichting
    Wilbert Paulissen
    • Self - JIT MH17
    Moritz Rakuszitzky
    • Self - Bellingcat
    Paul Eldering
    • Self, journalist, De Telegraaf
    Mahmoud Al-Werfalli
    • Self - Libyan commander
    • (archive footage)
    Anastasia Churkina
    • Self - Reporter
    • (archive footage)
    Jennifer Hurst
    • Self - JIT MH17
    • (archive footage)
    • Director
      • Hans Pool
    • Writer
      • Hans Pool
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews4

    7.3803
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    Featured reviews

    5Cinemaginarium

    Ironically, most of the title is misleading

    Putting too much 'message' in a documentary can be a dangerous thing, but after watching this I've learned that the opposite may be even worse.

    Given that the phrase 'post-truth' is part of the title, I expected this phenomenon to at least be addressed at some level in this doc. Unfortunately, it is not - it isn't even mentioned once. Instead, we are treated to a fairly disjointed collection of heads talking about some aspects of the Bellingcat investigative platform and some of their investigations without ever getting the full picture. There are some interesting snippets of information, but no apparent point or conclusion. In the end, this feels more like a project a film student might have shot for a local TV station; mildly diverting but not particularly insightful.

    If you'd like to learn more about 'truth' and information in the modern media landscape, 'The Social Dilemma' (2020) has much more to say.
    1bheydam

    Absolute Garbage

    Bellingcat is a garbage propaganda organization designed to disseminate false information on behalf of the US imperialist government. In the NYT news article, they describe the skills of the chief editor as being derived form "playing video games." I am actually not joking. The only people that would find this "documentary" entertaining are the most poorly informed and unintelligent among us. Skip this garbage and watch a real documentary instead, like recent Exterminate All The Brutes series.
    8JvH48

    Informative documentary, also showing risks and counter forces. Only touching some problems needing a solution in the long run

    Seen at IDFA 2018, the International Documentary Festival in Amsterdam. It provides for a good understanding of what Bellingcat entails, more accessible than I had imagined beforehand. I had feared ample techno babbles and screens full of gibberish that frighten people on average, turning them away from the subject at hand. The film makers even left out the seemingly inevitable images of busy data centers, flashing lights and network cabling as usually shown on IT-related news item.

    By showcasing a number of well-known high-profile cases, the movie succeeds in keeping any viewer interested. The film makers are also honest in discussing counter forces that go at any length to discredit their initiatives, thus downplaying their reports, by portraying Bellingcat as amateurs or armchair investigators. In other words, using any argument to suggest their results cannot be relied upon. And with powerful adversaries against you, mostly state supported actors or with deep pockets, this is not something to ignore. In passing, some of the personal risks for the contributors (and their families) are mentioned, which is not to be neglected either, and can be a deterrent for new volunteers to participate.

    A nice example of what they can accomplish was their investigation of a photo showing the aftermath of an apparently regular car bomb explosion with many dead/wounded lying around. They established that it was a fake, starting with a car exploding on an empty square, after which the "bodies" walked in, to be randomly scattered around, all ready for shocking pictures to be taken. Of course, the original (fake) was picked up by the media. It took a lot of effort to let the news outlets (like Reuters, CNN etc) retract their original report. And even when publicly withdrawn, the damage to the public opinion cannot that easily be repaired.

    There is one thing that worries me. The movie mentions it yet without badly needed emphasis: how to archive all material so that it will sustain a court case, and cannot be dismissed by lawyers?? The underlying information can disappear, due to being deleted by the author, on his own initiative or due to pressure. Or it can be removed by the platform (Facebook, Twitter, Youtube etc), due to being too graphical or not politically correct. It should actually be sealed (as I call it loosely) to prevent it from being altered, and this "seal" has to be resistant against critical lawyers when the case is presented in court at a later stage.

    All in all, this movie offers a fascinating insight in recent initiatives, where technical knowledge, lots of time and ample motivation to chase for the truth, is invested in fact-checking. This is desperately needed as powerful parties and even state sponsored actors do their best to create their own "fake" news that better serves their interest, better for them than the real facts. However, there is also such a thing as responsibility to protect your sources, like witnesses and leaked documents, and premature naming and shaming of alleged perpetrators and their family, who have done nothing wrong but can be threatened or involuntarily damaged. And finally, can Bellingcat ever be wrong, in spite of their good intentions?? I don't have the answers, and neither has the movie.

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    Storyline

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      Referenced in Second Tour (2023)

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    Details

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    • Release date
      • November 15, 2018 (Netherlands)
    • Country of origin
      • Netherlands
    • Official sites
      • Official Facebook
      • Official Website
    • Languages
      • English
      • Russian
      • Dutch
      • Ukrainian
      • Arabic
    • Also known as
      • Bellingcat: Truth in a Post-Truth World
    • Filming locations
      • Leicester, England, UK
    • Production company
      • Submarine
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 28m(88 min)
    • Color
      • Color

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