Judy & Punch
- 2019
- 1h 45m
IMDb RATING
6.1/10
3.1K
YOUR RATING
Seaside (nowhere near the sea), puppeteers Judy and Punch are trying to resurrect their marionette show in an an anarchic town on the brink of mob rule.Seaside (nowhere near the sea), puppeteers Judy and Punch are trying to resurrect their marionette show in an an anarchic town on the brink of mob rule.Seaside (nowhere near the sea), puppeteers Judy and Punch are trying to resurrect their marionette show in an an anarchic town on the brink of mob rule.
- Awards
- 5 wins & 26 nominations total
Featured reviews
A really great ride. Such a fantastically well-realised medieval style of world that really sucks you in from the beginning. That may have been the best thing for me - its style and atmosphere was really engrossing and the score and music choices really helped that. Visually the film was very striking too. The main performances were excellent - the two leads, the small girl, the old man and the constable stand out. A really unique and well-thought take on punch and judy - it was clever how all the links to the show were brought in (many of which I didn't realise at the time). There were a couple of issues - a few performances here and there I didn't like that much - but overall it was really great and I look forward to seeing it again.
A black reimagining of the classic seaside children's puppet show, Judy And Punch is as deliciously dark as you can imagine, featuring an immensely enjoyable mix of hilarious black comedy and intriguing, unsettling drama throughout. Couple that with a really striking period setting that both looks pretty and plays a unique role in the story, as well as two great lead performances, and you've got a brilliantly unorthodox hit, and one of the most unashamedly entertaining dark comedies you've seen in quite a long while.
Of course, dark reimaginings of classic fairytales, children stories and such have been in fashion for a good few years now, but they almost always seem to be hijacked by dull, grim blockbuster ideas. Take a film like Hansel & Gretel: Witch Hunters as an example, which has a brilliantly weird premise, and seems to open up all the opportunities for a hilarious and exciting dark comedy, but is suffocated under the spectre of predictable, dumb and excessively action-oriented filmmaking.
Judy And Punch, on the other hand, is a far more measured and intelligent approach to a dark reimagining of the classic puppet show. Not only impressing throughout with its genuinely hilarious humour, the film is a thoroughly engrossing watch thanks to its intelligent and unique ideas surrounding not only the origins of the eponymous puppet show, but also the medieval world of witch hunts.
It's an unorthodox but genuinely entertaining combination that works really well right the way through, only helped more by the film's capacity for humour and to take what at times does feel like a rather dark and even unsettling tale a little lighter than you may expect, and seems to be the case in so many other films of the same ilk.
As a result, there's complex and intriguing ideas at play that go far beyond what at times eventually boils down to a rather simple revenge story, and it really makes a vibrant world out of the setting created for the origins of Punch & Judy, furthered yet more by the excellent costume and production design and cinematography that make such a vivid portrayal out of this isolated medieval town, all brought together in brilliant style by director Mirrah Foulkes.
And finally, on top of all of that, you've got a pair of great lead performances from Mia Wasikowska and Damon Herriman as Judy and Punch themselves. Finding a fantastic balance between pure, crazed comedy and heavy, dark drama (something that is absolutely no mean feat), the pair are great to watch from beginning to end, and although they find their characters dealing with very different obstacles throughout, they're an excellent double act that play off one another with just as much humour and domestic unhappiness as the famous puppets themselves.
Overall, then, I had a great time with Judy And Punch. An unexpected surprise that takes an unorthodox angle on a well-known property, the film is full of both fantastically funny humour and exciting dark drama, brought together brilliantly by director Mirrah Foulkes with interesting and intelligent ideas that bring its story and setting to life in vibrant fashion.
Of course, dark reimaginings of classic fairytales, children stories and such have been in fashion for a good few years now, but they almost always seem to be hijacked by dull, grim blockbuster ideas. Take a film like Hansel & Gretel: Witch Hunters as an example, which has a brilliantly weird premise, and seems to open up all the opportunities for a hilarious and exciting dark comedy, but is suffocated under the spectre of predictable, dumb and excessively action-oriented filmmaking.
Judy And Punch, on the other hand, is a far more measured and intelligent approach to a dark reimagining of the classic puppet show. Not only impressing throughout with its genuinely hilarious humour, the film is a thoroughly engrossing watch thanks to its intelligent and unique ideas surrounding not only the origins of the eponymous puppet show, but also the medieval world of witch hunts.
It's an unorthodox but genuinely entertaining combination that works really well right the way through, only helped more by the film's capacity for humour and to take what at times does feel like a rather dark and even unsettling tale a little lighter than you may expect, and seems to be the case in so many other films of the same ilk.
As a result, there's complex and intriguing ideas at play that go far beyond what at times eventually boils down to a rather simple revenge story, and it really makes a vibrant world out of the setting created for the origins of Punch & Judy, furthered yet more by the excellent costume and production design and cinematography that make such a vivid portrayal out of this isolated medieval town, all brought together in brilliant style by director Mirrah Foulkes.
And finally, on top of all of that, you've got a pair of great lead performances from Mia Wasikowska and Damon Herriman as Judy and Punch themselves. Finding a fantastic balance between pure, crazed comedy and heavy, dark drama (something that is absolutely no mean feat), the pair are great to watch from beginning to end, and although they find their characters dealing with very different obstacles throughout, they're an excellent double act that play off one another with just as much humour and domestic unhappiness as the famous puppets themselves.
Overall, then, I had a great time with Judy And Punch. An unexpected surprise that takes an unorthodox angle on a well-known property, the film is full of both fantastically funny humour and exciting dark drama, brought together brilliantly by director Mirrah Foulkes with interesting and intelligent ideas that bring its story and setting to life in vibrant fashion.
The movie has a vaguely historical setting, but no historical accuracy.
Some aspects seem like fantasy, but are then rooted in real history and geography.
The violence is played for laughs, but is the also meant to be poignant.
Either go full Punch and Judy, like a fantastical Falling Down, or make a gritty piece about the realities of a harsh life in the Early Modern period, but don't vacillate between the two. As released this film doesn't work as either of those things.
Some aspects seem like fantasy, but are then rooted in real history and geography.
The violence is played for laughs, but is the also meant to be poignant.
Either go full Punch and Judy, like a fantastical Falling Down, or make a gritty piece about the realities of a harsh life in the Early Modern period, but don't vacillate between the two. As released this film doesn't work as either of those things.
Really enjoyed this movie. Great cinematography. Acting and score were engaging. It's violent but an insightful look at existing social norms and how important it is to question and challenge them in order to break down accepted stereotypes. Interesting contrast was how on the one hand alcohol was shown as a clear link to male aggression and violence. But on the other shown as a grease for social cohesion and supportive of fun and community. Unconscious biases are under the spotlight. As is ignorance. Power to Judy. Punch continues the chauvinistic dream albeit divorced from his new reality.
It is quite a gruesome story. It is a tough watch, so be psychologically prepared for disturbing content before you watch it.
Did you know
- TriviaPunch's wife was originally called Joan. In the British Punch and Judy show, Punch speaks in a distinctive squawking voice, produced by a contrivance known as a swazzle or swatchel which the professor holds in his mouth, transmitting his gleeful cackle. This gives Punch a vocal quality as though he were speaking through a kazoo. Joan's name was changed to Judy because Judy was easier to enunciate with the swazzle than Joan.
- GoofsThe film is set in 17th Century England and London is referred to as "the Big Smoke". However, it didn't earn this nickname until the 19th Century, due to the coal then being used to heat Londoner's homes producing large amounts of smoke.
- Crazy creditsThe cast are credited with either 'Ms' or 'Mr' in front of their names.
- ConnectionsSpoofs Gladiator (2000)
Details
Box office
- Gross worldwide
- $199,360
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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