Cola de Mono

Two brothers "Vicente" (Santiago Rodríguez Costabal) and "Borja" (his real life brother Cristóbal) are gearing up with their mother "Irene" (Carmina Riego) to celebrate their first Christmas without their father. As the family assembles, the drink flows and the claustrophobic environment takes hold and the young "Borja" begins to let the badger loose a little. His hither-to repressed sexuality begins to take hold and he also makes rather a startling discovery when exploring the drawers (furniture) of his elder brother. What now ensues is a sort of uncomfortably constructed family melodrama with very little dialogue and, for me anyway, very little purpose. It has vaguely incestuous undertones - and there is plenty of nudity (active and passive) but the story and the characterisations are woefully undercooked. What drama there is seems to be contrived, repetitive and as it rumbles on there is a frankly ridiculous scene with their mother and the ending just really doesn't deliver. It is curious to see to siblings working together with some pretty honest intimacy but otherwise this is a poorly paced and rather lacklustre story, prone to stereotype, that you will instantly forget. The soundtrack isn't bad, though!

The story was OK, but the real reason to watch is the hot guys!

"Cola de mono" does have its moments, but it is a not very good little film about two brothers coming to terms with their homosexuality, on Christmas night 1986, in Santiago de Chile, after drinking too much 'cola de mono' (a strong sort of eggnog). Sexy it is, especially in all the scenes where brother Borja appears, very well played by young actor Cristóbal Rodríguez Costabal as the intense, clever and often funny bad apple of what is left of the Díaz family. However, the melodrama went beyond my tolerance level, the more so when credibility was badly affected by an unusual accumulation of secrets, male butts and people with knives, blades and hurting things of all sorts. Other sources list 102 minutes as running time, but I saw this 98 version (with all explicit scenes) and it seemed interminable. Fans of 'queer cinema' would surely rise the rating a bit.

This movie is a hodgepodge of misguided ideas. Filled with cliches. There is not a good development to be able to connect with the characters, especially with the mother. The only good thing about the film is the music and Cristóbal Rodríguez Costabal (Borja) who made a very good performance since he is not a professional actor, the only thing that kept me captive to the film was him, since the film became endless and halfway through I wanted it to end. It shows too much Alberto Fuguet got excited with him and that's why he gave him the main character. Alberto Fuget should thank him for being the only good thing about his movie. 5/10

The performance by one of the young leads was great ...everyone else was "blah." This had potential, but the plot was rather far-fetched and difficult to take seriously. Ending is ruined by another ridiculous plot twist.