La fille au bracelet

That's a question some of us parents are sometimes asked by our children. Children demand for privacy and we accept. But privacy turns into secrecy and our acceptance turns into ignorance at times bordering indifference. One horrible day, your world comes crashing down when you discover that your child isn't exactly what he/she you thought he/she was. Now, what would you choose to do? Still standby or abandon that child? This movie poses that question to you. Whatever you choose to do, I feel, you should be absolved of any blame. Because it is one hell of a question. As a father of a rebellious daughter, I shuddered when the movie was over. My world hasn't yet come down crashing. But that's something I dread everyday. Secretly. This movie made me face my fear. A very well made movie. Kudos to the entire team.

Near to the start, the victim's mother describes huge amounts of blood. With only the face being spared a savage attack. But during the trial, the scene-of-crime photos show no sign of any blood at all; just a few neat wounds. This dichotomy is so extreme that this viewer was entirely distracted from watching the remainder of the movie with any interest. What did it mean? Was it some sort of 'high art' concept? Was it the start of some sort of science fictional adventure? Do the French police wash bodies, launder bed-clothes and wash walls before taking a literally sanitized picture? What does it mean?

You need to temper your expectations. This is not a whodunit or a thriller or a suspense. This is not even a courtroom drama for that matter (although it pretends to be one)!!

This is purely a girl and her family's experience when she's accused of murder.

Shows you, that as parents, we know very little about our kids' lives. Which was personally very connecting to me.

I liked the courtroom scenes but I didn't like that prosecutor one bit because she came across as being unprepared for the trial. She just made lots of sensational claims without any basis for them.

Other than that, i loved the mood of the movie throughout.

I usually find with French courtroom dramas a refreshing lack of formality and deference. That's not to say that it's a free for all, but the ebbing and flowing of testimony and barrister intervention seems to me far more likely to facilitate a more accurate verdict. "Lise" (Melissa Guers) has been arraigned on a charge of the murder of her best friend "Flora". She was found stabbed multiple times in a bed they had shared the night before. The prosecutor (Anaïs Demoustier) is alleging that a leaked, intimate, video of "Lise" and their friend "Nathan" (Mikaël Halimi) was the source of the violence but she denies that. As the investigation proceeds, we begin to realise that nothing is simple here. "Lise" turns out to be a sexually active girl and the trial sort of shifts from an evaluation of her guilt and innocence into one of youth, profligacy, morals and behaviour. At that, it's quite provocative and the young Guers delivers well. She portrays the character convincingly, lacking in confidence and emanating quite a genuine sense of bemused bewilderment coupled with a remarkable degree of self-control. It's quite clear that as her parents learn a little more of their daughter's peccadilloes that they, too, have demons to face - and at times you do wonder if her dad "Bruno" (Roschdy Zem) is entirely sure of her innocence. Annie Mercier is also quite effective as the girl's legal counsel presenting a far less confrontational style then the prosecutor and for the bulk of this ninety minutes, we have quite a decent drama that does ask you not just whom you believe, but also - what were you like at that age. The trial itself seems a little weak, but as a vehicle for quite a characterful performance from Guers it's worth watching.

Completely free of any dramatic tension, a girl is tried for the murder of her best friend. The difference between an adversarial and inquisitorial justice system makes interpretation of the process a bit challenging but the prosecutor seemed to be saying since you can't prove it wasn't you it must have been you. All the old tropes of "she wasn't a virgin so she must have been a murderer" We've all seen Spiral so we know about investigating magistrates so it's still difficult to understand how this one made it to trial