La fille au bracelet

Somewhere among the end titles we are informed that the script by director Stéphane Demoustier has been "librement adapté du scénario original de Acusada écrit par Gonzalo Tobal and Ulises Porra Guardiola." In fact, this film is a remake of Acusada (The Accused) a 2018 Argentine movie.

The subject in both movies is the trial of the post-adolescent daughter of upper middle class parents as the main suspect in the murder of her best friend. The depiction of the trial, however, is different. In Acusada, the point was to show that truly competent/unscrupulous lawyers (generally, only accessible to the rich) can confuse the issues in a criminal trial, using all means at their disposal including the news media. The resulting uncertainty makes a reasonable verdict unlikely, which brings to mind real life examples such as O. J. Simpson's trial. In this movie. however, lawyers' behavior is unimpeachable and not the source of the uncertainty at the end. Another (minor) difference is that in Acusada the verdict is decided by a panel of judges (as customary in Argentina) rather than by a jury as in France and many other countries. Finally, episodes that were creepy in Acusada are toned down here.

This said this movie (remake or not) deserves a viewing. Lisa, the accused, is played to perfection by Melissa Guers. Except for television interviews this is her only acting credit so far and most likely the beginning of a brilliant career. Roschdy Zem and Chiara Mastroianni show their usual excellence as Lisa's parents, and so does Anaïs Demoustier as the prosecuting attorney. Script and direction are smooth and seamless. The differences with Acusada may justify to tell the story a second time.

You need to temper your expectations. This is not a whodunit or a thriller or a suspense. This is not even a courtroom drama for that matter (although it pretends to be one)!!

This is purely a girl and her family's experience when she's accused of murder.

Shows you, that as parents, we know very little about our kids' lives. Which was personally very connecting to me.

I liked the courtroom scenes but I didn't like that prosecutor one bit because she came across as being unprepared for the trial. She just made lots of sensational claims without any basis for them.

Other than that, i loved the mood of the movie throughout.

Near to the start, the victim's mother describes huge amounts of blood. With only the face being spared a savage attack. But during the trial, the scene-of-crime photos show no sign of any blood at all; just a few neat wounds. This dichotomy is so extreme that this viewer was entirely distracted from watching the remainder of the movie with any interest. What did it mean? Was it some sort of 'high art' concept? Was it the start of some sort of science fictional adventure? Do the French police wash bodies, launder bed-clothes and wash walls before taking a literally sanitized picture? What does it mean?

"La Fille au Bracelet" narrates the final phases of a legal process against Lise Bataille, a young teenager accused of murdering her best friend. The director told the story almost like a documentary, and as a person that watched some courtroom recordings of famous cases, I have to say that the movie was realistic and immersed me in the plot. It also explores the relationship between the girl and her parents that need to go through this difficult and long procedure that will consume them, creating tensions between different family members. The psychology of the main character is very well developed, and she was very consistent for the whole length.

I personally think that there were a few scenes that were very boring and were dragged longer than necessary. Even though I was genuinely curious to see how it ended, I think that Stéphane Demoustier and the cast could have done a better job in order to create more tension and keep the audience more engaged. Probably this has to do with the chosen narration style, which wants to emulate as much as possible the reality, however the acting could have been a bit more dramatic and expressive in my humble opinion. If you like European cinema you should definitely give this a shot. It is overall a solid drama with good characters and nice acting.

I usually find with French courtroom dramas a refreshing lack of formality and deference. That's not to say that it's a free for all, but the ebbing and flowing of testimony and barrister intervention seems to me far more likely to facilitate a more accurate verdict. "Lise" (Melissa Guers) has been arraigned on a charge of the murder of her best friend "Flora". She was found stabbed multiple times in a bed they had shared the night before. The prosecutor (Anaïs Demoustier) is alleging that a leaked, intimate, video of "Lise" and their friend "Nathan" (Mikaël Halimi) was the source of the violence but she denies that. As the investigation proceeds, we begin to realise that nothing is simple here. "Lise" turns out to be a sexually active girl and the trial sort of shifts from an evaluation of her guilt and innocence into one of youth, profligacy, morals and behaviour. At that, it's quite provocative and the young Guers delivers well. She portrays the character convincingly, lacking in confidence and emanating quite a genuine sense of bemused bewilderment coupled with a remarkable degree of self-control. It's quite clear that as her parents learn a little more of their daughter's peccadilloes that they, too, have demons to face - and at times you do wonder if her dad "Bruno" (Roschdy Zem) is entirely sure of her innocence. Annie Mercier is also quite effective as the girl's legal counsel presenting a far less confrontational style then the prosecutor and for the bulk of this ninety minutes, we have quite a decent drama that does ask you not just whom you believe, but also - what were you like at that age. The trial itself seems a little weak, but as a vehicle for quite a characterful performance from Guers it's worth watching.