A jaded assassin assigned to target a yakuza clan has 24 hours to find out who poisoned her and get vengeance before she dies.A jaded assassin assigned to target a yakuza clan has 24 hours to find out who poisoned her and get vengeance before she dies.A jaded assassin assigned to target a yakuza clan has 24 hours to find out who poisoned her and get vengeance before she dies.
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The world works in a kind of spiral, where everything 30 years ago becomes popular again, with small alterations. Kate is a story of a perfect assassin, betrayed and raising hell in the name of vengeance as poison is slowly killing her. Stylish, with Japanese neo-noir design, involving the Yakuza and greedy Westerners, it is a return to the 90s stories, where lone gunmen (people?) were dealing their own brand of justice in a corrupt and decadent world full of greed and inequality. Of course, the main character is female now, but you've seen this film before, a few times perhaps, and everything is pretty standard.
What shines trough the bland plot is the acting of Mary Elizabeth Winstead, who singlehandedly carries the film through. In fact, every other actor is an extra in the plot anyway, so she either made this film work or not. And it works. Kudos also to Jun Kunimura, who can, with a slight adjustment of body posture and a couple of facial expressions, tell an entire story in a second.
Bottom line: a predictable story from start to finish, but made well and acted well. Ridiculous body count which could have, with small changes to the plot, be significantly reduced and the time gained spent on storytelling.
What shines trough the bland plot is the acting of Mary Elizabeth Winstead, who singlehandedly carries the film through. In fact, every other actor is an extra in the plot anyway, so she either made this film work or not. And it works. Kudos also to Jun Kunimura, who can, with a slight adjustment of body posture and a couple of facial expressions, tell an entire story in a second.
Bottom line: a predictable story from start to finish, but made well and acted well. Ridiculous body count which could have, with small changes to the plot, be significantly reduced and the time gained spent on storytelling.
So ok this is my take. Every year the big studios are handed scripts, many scripts and many are rejected. How many scripts with the whole "trained assassin" have we seen? Netflix must get thousands with the same bloody main plot, and reject them. Warner Bros, Sony probably do too and keep maybe 2 out of a hundred. Netflix, on the other hand, get (say) a hundred of these assassin scripts and keep 50, and seemingly work through them making movies to fill a need. They love them. They tolerate much more, lame and average scripts, than you would expect a movie studio to... but then they are essentially a TV station, and have more time to fill.
This film is your typical double-hard assassin movie. Well made - I like the lead and supporting cast - plus it looks good, is watchable, but ultimately is generic and predictably unoriginal. The plot will have no surprises, and will be the least interesting aspect, but it won't offend you too much either. Maybe as a slightly older person, I have seen too many movies like this to be involved and excited by it. Were I half my age, with less experience of such film, I might have better things to say. As it stands, if you like this kind of assassin getting revenge movie, you'll have a good time. Just do not expect anything new here.
This film is your typical double-hard assassin movie. Well made - I like the lead and supporting cast - plus it looks good, is watchable, but ultimately is generic and predictably unoriginal. The plot will have no surprises, and will be the least interesting aspect, but it won't offend you too much either. Maybe as a slightly older person, I have seen too many movies like this to be involved and excited by it. Were I half my age, with less experience of such film, I might have better things to say. As it stands, if you like this kind of assassin getting revenge movie, you'll have a good time. Just do not expect anything new here.
There's actually a lot more to like in this new Netflix offering than one would expect: Mary Elizabeth Winstead makes a surprisingly capable action heroine, and the fight scenes are very well-staged and exciting. She goofs enough times, and faces enough adversity, to protect her from any accusations of being a Mary-Sue, and as a result we buy into her journey an awful lot more than we would a Rey, a Captain Marvel or Black Widow.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
Majority credit to her ability to feel her role, to empathise with the story and deliver humanity through her character. She was just as impressive in Fargo, where I first encountered her. It takes true talent to convince ME that your character is simultaneously cold blooded and warm hearted.
As for the flick itself, the action is real enough in that the protagonist displays the ability to f-s-up but will fumble with fatigue and sickness, misjudge enough to be outweighed by an opponent not necessarily of an equal skill set.
The usual sacrifice of substantial plot and believability of her opponents' characters remains as with any martial arts snd/or action flick, which isn't necessarily something to frown upon. In fact if the opposite were the case it would be an instant 10 stars.
As for the flick itself, the action is real enough in that the protagonist displays the ability to f-s-up but will fumble with fatigue and sickness, misjudge enough to be outweighed by an opponent not necessarily of an equal skill set.
The usual sacrifice of substantial plot and believability of her opponents' characters remains as with any martial arts snd/or action flick, which isn't necessarily something to frown upon. In fact if the opposite were the case it would be an instant 10 stars.
This was a La Femme Nikita/DOA situation filtered though live action anime with touches of the current slate of action movies like Atomic Blonde, Hardcore Henry, The Raid, and John Wick.
I guess I don't get the critics being harsher on this than any other action movie of late. Stuff happens. Action happens. Some more stuff happens. Some more action happens. It's a fun romp that dosnt outstay it's welcome. And you get to see a unique fight haircut.
I guess I don't get the critics being harsher on this than any other action movie of late. Stuff happens. Action happens. Some more stuff happens. Some more action happens. It's a fun romp that dosnt outstay it's welcome. And you get to see a unique fight haircut.
Did you know
- GoofsKate is poisoned by Polonium-204, which the movie seems to suggest is more deadly than Polonium-210 (the more common isotope), but this is wrong. Polonium-210 is an alpha-particle emitter, while Polonium-204 is a beta emitter. Alpha particles (helium nuclei) are far more destructive inside the human body than beta particles (electrons). Kate would probably have survived Polonium-204 poisoning, but not Polonium-210.
- ConnectionsFeatures San ku kaï (1978)
- How long is Kate?Powered by Alexa
Details
Box office
- Budget
- $25,000,000 (estimated)
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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