In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. But their quest to find out why turns into a bizarre and sin... Read allIn 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. But their quest to find out why turns into a bizarre and sinister mystery.In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. But their quest to find out why turns into a bizarre and sinister mystery.
- Director
- Writers
- Stars
- Nominated for 3 Primetime Emmys
- 12 wins & 58 nominations total
- Self
- (as Bobby Shafran)
- Self
- (archive footage)
- Self
- (archive footage)
- Self - President, Louise Wise Services
- (archive footage)
- Director
- Writers
- All cast & crew
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Featured reviews
Ultimately, I think the testament of a great, well told story is that it leaves you asking yourself big questions. The subject matter of the film leaves you wondering that, but the ethics behind it does not make it right and it just amazes me that it was ever allowed to happen and who was ultimately accountable for that.
The story is told quite sequentially, and, again, that is in service of providing more drama as the Doc unfolds. Because the events go back to the 60s, many of the participants aren't around any longer to speak for themselves. Still, Wardle and his team managed to assemble a good cross-section of survivors to go on the record. Because the story was such a cause celebre in the early 80s (and in the NYC area to boot) we are also able to see a decent amount of historical footage of the triplets and their rise to fame including trips to the Today show, Donahue and a brief cameo in Susan Seidelman's DESPERATELY SEEKING SUSAN (supposedly at the behest of star Madonna). Some fairly minor dramatic re-enactments are also employed, and aren't distracting (Wardle also maintains the proper aspect ratio in much of the vintage footage - to his credit).
As the true tale turns darker, a few issues with the filmmaking arrive. I won't delve into spoilers (I avoided them myself in order for the Doc to have maximum impact), but, the old Nurture vs. Nature debate becomes a key point of contention - as it does with all of these 'separated at birth' cases. Because of the way Wardle structures his editing, we mostly get the 'Nature' perspective until very late in the process. Further, a major cache of evidence is dropped in at the very last moment, and isn't sufficiently analyzed. It's understood that after five years in the making, Wardle, Raw, Neon and other production entities wanted to get their movie done and released, but one can't help but feel the editing was wrapped up in order to get a prized Sundance Film Festival spot. Wardle also includes a couple of curious montages repeating what we've seen earlier as if he had an eye on TV showings (CNN is set to show it). But, these problems pale compared to Wardle's casting a light on some highly unethical behavior that effected the triplets' lives.
These relatively minor issues aside, THREE IDENTICAL STRANGERS again shows why there is a bit of Documentary boom going on. In a cinema dominated by Superhero and Animated flicks, there is a yearning among some adults for movies of substance and reality. STRANGERS is a true emotional roller-coaster.
Yes, things do not all turn well after the initial exaltation over their finding each other. The doc expertly distributes the dark revelations as if we were their friends slowly learning astonishing facts about the triplets from separation to owning a restaurant called, what else, Triplets. Not only do we see the nuances of differences among the triplets, but we also get tantalizing looks into the machinery of adoption, not all happy to be sure.
As adults, Robert Sheridan, David Kellman, and Eddy Galland are outgoing and articulate (only two are talking heads, while Eddy's part is archival footage). Good for director Wardle letting them tell the story without prompting, for effective docs mostly let the camera roll and the subject talk. This doc will grab you and not let you go-you'll hunger for more.
As the background of the adoption and the testimony reveals startling information, our natural inclination is to contrast the three different social backgrounds to see the effects of nature vs. nurture. Indeed social scientists are here plying their trade, sometimes in unethical ways yet food for the thriller part of this engrossing film.
Although the nature/nurture debate is never fully deconstructed, I was pleased with the taste of it, as most social scientists must be in such a delicious dramatic stew. I'm done writing for fear of spoiling one of the delights of this documentary: What comes next?
Don't even Google because you can find the details there. Most desirable is to witness how artfully through excellent film you can find in reality that truth can be stranger than fiction. And definitely not fake.
Three Identical Strangers is one of the year's best documentaries. It has it all but the definitive answer to the central mystery. Learn more by seeing it, not Googling it.
One of those documentaries that very carefully balances the emotional temperatures of the subjects discussed.
Very honest directing and as perfect an editing job as I can imagine.
These guys are at the top or their profession.
Thank you both the director and editor for coming to Hot Docs 2018
Did you know
- TriviaThe movie that the triplets had a cameo in is Recherche Susan désespérément (1985).
- GoofsBobby owned a 1970 Volvo. In archive footage it's shown to be a Volvo 164 but in the reenactment scenes set in 1980 it's a newer Volvo 244.
- Quotes
Robert Shafran: When I tell people my story, they don't believe it. I guess I wouldn't believe the story if someone else were telling it, but , I'm telling it and it's true, every word of it.
- ConnectionsFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- SoundtracksSince You Been Gone
Written by Russ Ballard
Performed by Rainbow
Published by Union Square Music Songs Ltd., a BMG Company
Courtesy of Polydor Records (US)
Under license from Universal Music Operations Ltd.
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Vidas separadas
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $12,320,845
- Opening weekend US & Canada
- $171,503
- Jul 1, 2018
- Gross worldwide
- $13,448,497
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.85 : 1