Mrs Lowry & Son

I got very lucky on this one as I wandered into a senior cits viewing. At the beginning they tittered and the ones who felt they always should get their money's worth - guffawed. Oh, she was so sweet & humorous the old Lady in the bed with just harmless jibes at her son. But then when it never stops, and we hear things like (to paraphrase): "it is important to always be seen in a good light by your neighbours" as well she only began to see her son's talent when a recently entrenched neighbour with bourgeois pretensions said his seaside painting was delightful - did she then consider it. This is a deeply ingrained bourgeois-ism in the English psyche and not say like Gerard Depardieu not wanting to appear in a Truffaut movie because he felt he had 'gone bourgeois' - you don't go bourgeois - it is a heavily sanctioned part of the society you grow up in. Luckily through all the turmoil he kept at his painting because near the end of his life they were worth a fortune. And as we learn about how little support he had as an artist the audience quietened down considerably - reflecting you would think on bourgeois pretensions of their own.

If you go to see this... see it for the performances, and know it's one of those films which will stick with you more than when you viewed it itself- if that makes sense. It's a worthy film alone if you're also an art fan. The film mostly takes place in one room and with that most of its merit I feel is born.

See Spall in his better artist film 'Mr. Turner', however if you must see more- this is a nice companion piece of sorts.

7/10. (Maybe 7.5 ;)

This is a simple and quite short film that brings to life one of Britain's most beloved artists and the life that he endured waiting hand and foot on his elderly mother.

Although the film is quite basic the acting of Timothy Spall and, to a degree, Vanessa Redgrave makes the film great. Spall now seems to be able to morph into any different British character, whether real or fiction, and completely make them his own. He must be one of the most understated great actors of our time.

I would like to have seen more of how Lowry came to paint such classics but the film does have a good angle and is really enjoyable.

This marvelous film is steeped in Beckettian tropes and style. The mother son relationship is akin to Hamm and Clov in 'Endgame', or it might be Winnie in 'Happy Days'.

Even the reality of Lowry and his mother is not so far from Beckett and his own fractious relationship with his mother. Vanessa Redgrave even resembles Beckett as an old man with his spectacles.

The film echoes Beckett's maxim, 'to fail again, fail better' almost with the same sense as Lowry follows his own path against the odds and faces years of rejection and hostility, not the least from his mother who lacks imagination and only understands what she sees, not the meaning. Indeed the film has a very strong layers of social history in it as it reveals the neuroses and social anxieties of the period in England.

The excellent script is matched by admirable directing and editing together with technical features to make the 1930s flat and town vivid.

And then there are performances from Spall and Redgrave which are the pinnacle of skill and empathy. It is a consummate and perfectly poised interaction between the two.

If only other films gave their audience as much.

Timothy spall in particular was fantastic as in fairness he always is in portraying the raw emotion of his character through with Redgrave not far off. In honesty I enjoyed this film but could not get over excited about it as it is ultimately a series of often mundane bedroom conversations between a bitter mother and loving son. The fact it kept my attention in this setting was an achievement in itself. I would personally have liked to seen more focus on the art itself in between or a larger portion of his life but for what it was the performances really maximised it's entertainment level and make it a worthwhile and interesting hour and a half despite its limitations.