Aniara : L'Odyssée stellaire

This is based on a much-loved poem in Swedish written in 1956 (when my school debating club seriously considered "That man will never reach the moon"). Bear that in mind and much makes sense - more sense than the poem ever did to me when I first tried to read it. Much that purports to be science is just poetry. The film-makers have made some attempt to update the plot and the setting, bearing in mind that we have all seen 2001: a Space Odyssey..

The science is still cheesy. The ship has lost all its fuel, but power is uninterrupted and water is abundant (there is not only an extended lesbian shower scene, but a 20m swimming pool!). The architecture of the ship is absurdly angular, but nothing ever springs a leak. The ship's interior has been compared to a shopping mall and a cruise ship, but manufactured goods never show any sign of running out, and the whole thing seems absurdly understaffed.

It's basically an exploration of how an isolated group of people copes when it is cut off from Earth, its memories and hope. The main characters are sufficiently well drawn to explore these themes in, for me, a satisfying way. On those terms, it does well and is worth watching, though you must fill the hints in the chapter headings with your own deductions.

One of those spot films that have an undeservedly low rating. Not just "well, it could have been higher," but precisely "why the hell is it so low?" For 2018, the graphics are probably not the best where it is needed, and the staging of the entire action of the film a little bit falls, but this is not Hollywood either. For Sweden, I think this is a very, very high level of the film. But this is so small thing... in comparison with the most important thing in that film: the story itself. It's great. Saturated with an extremely correct vision of what would happen to people if they were in a similar situation. And the end, although it was expected, but... The last scene was just very dense and strong.

This is a type of apocalyptic storytelling that is so beautiful. It doesn't hinge on false futurisms or morality - it is based on the sorrows that define our lives when we lose all hope. A slow burn that is so worth the indulgence.

Toward the end of "Aniara" I kept thinking: thank god Bergman never made a science fiction movie. If you think Mother Earth is bleak, wait until you get lost in space, like the characters in "Aniara" do. And you truly do feel as though you're lost with them.

There are few ideas more appalling than drifting inexorably through the infinite blackness of space, not knowing if you're ever going to stop. "Aniara" provides a bleak portrait of people losing their minds as this goes on, resorting to cults, orgies and suicide.

It's a bit like "2001: A Space Odyssey" in reverse. That was about the development of the human species from pre-sapien species to our becoming one with the stars. "Aniara" begins with the stars, rejects oneness, and shows our utter devolution in space.

I say check it out.

The name Aniara comes from the ancient Greek for "sad and despairing" and it lives up to the title. I haven't read the poem that it is based on, but it is a really solid sci-fi. The acting is good throughout, and I never felt that I was watching a low budget movie. This is a perfect example of what independent films should be.