Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.
- Awards
- 8 wins total
Miklos Königer
- Trashman
- (archive footage)
- …
Henry Akina
- Dress Shop Owner
- (archive footage)
- …
Sushila Day
- Mannequin Arm
- (archive footage)
- …
Emil Kio
- Lady in Dress Shop
- (as Kio)
- …
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This charming and beautiful fairytale of a movie tells its story in an unusual fashion. Our attention gets drawn to every day sights and sounds that are put together in a way that lets us rethink our own perception.
This works out particularly well because there is hardly any dialogue.
The contrast between the unique subject matter and the quiet dramaturgy is quite compelling and the music very much adds to the dreamlike quality.
Let this film take you on a wild journey and within the strange Berlin city life you will find the beauty of a fairy tale.
This is a cool, expressionistic arthouse film. Definitely a head scratcher, but in a good "I've gotta watch it again" way. Like other reviews have noted it seems to use silent film stylings, but it isn't entirely silent, there is dialogue. I'm impressed at how they captured the look of european grindhouse films from the 60's & 70's.
Read on FB that this is a movie the director started sometime in the 80's before film schooling and went back to finish just now in 2019. If that isn't strange enough, wait until you see this weirdly wonderful movie. The music, the extraordinary visual interplay between the two misfit characters and the obvious references to the silent film era and the French surreal master Cocteau and even Bunuel make this a true delight and a really fantastic little discovery.
The film is a crazy ride of loneliness, jealousy, betrayal and loss... but told in an almost upside down way, with the female lead being played by a mannequin. There is nothing predictable about this film. It pays homage to many art films of old, and is clearly helmed by a very talented director.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
This is very much an art house film, but with a strong and compelling narrative. The sparse use of dialogue, the 4:3 aspect ratio that's acknowledged by the curtains ...and the freaking cat which I love!!!... celebrates the medium of film.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
Did you know
- TriviaSteve Buscemi, visiting Berlin with his girlfriend at the time, spent a quiet evening alone with Bartlett reviewing early footage of what would become today's The Berlin Bride. Bartlett's apartment was on Seesener Strasse, No. 23, where the young director not only lived but also where most of the film's interiors were shot. Buscemi, a street performer and off-Broadway actor at that time, sat with Bartlett on the carpet, a few beers between them, watching the rough 16mm footage Bartlett had copied to VHS tapes for review. Bartlett was preparing for another project when a friend, who had caught Buscemi performing in New York, thought he might be good for the lead in the new film. Nothing ever came of the new project, just good memories of a fun evening in West Berlin.
- ConnectionsEdited from Konzert für die rechte Hand (1987)
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