Pense à moi

A fair portrait of family , together to commemorate the memory of one of its late members. The brother, the sisters, the boyfriend, the stap mother, the grand mother, the pastor and his girl friend and the father.

Secrets and hidden sufferences, attitudes, secrets and options. And, sure, vulnerabilities.

A beautiful film , not only for image or acting but, first, for the problems explored in fair - honest manner. Admirable portrait of Mason , remembering, in some measure, Conrad from Ordinary People by Robert Redford , offered by Noah Urrea , smart craft of tension and beautiful, realistic image of precociious child - Molly - In fact, the realism is the basic source of seduction of this just touching film.

One gets the impression about half way in that this film would make an interesting novel. It fails, however, as a motion picture. The beginning scenes portend a focus on two brothers that merges abruptly into a diffuse family situation with everyone deeply involved in his or her own complicated personality. This is the stuff of a really good read on the beach or cruise ship, not an engaging visual or lively movie or stage play. The theme of death hangs over every character's place in the narrative, like a recurrent suffocating blanket or some other senselessly futile motif. An appearance at one point of a Ouija board lacks the comic response it merits, and is presented seriously. Still, there is merit in some of the performances, and visuals are generally good.

This movie was good. The family comes together at the request of the youngest child (who I think has OCD) to honor Mitchel who has passed potentially via suicide. Mason is trying to connect with his dead twin brother, however, he can. There are family issues with the the father afraid to face the truth, the stepmother who appears cold, the alcoholic older sister, the boyfriend, etc... it felt real without being exhaustive or extremely heavy. In the end you realize we're all people trying to get through it.

This style of story is always hard to tell... this moved me so much as someone who tried to take their own life and having seen it aswell.

It will always be a hard topic to show off well and there are a few faults that is for sure but I think the writing was generally good and it showed the real fundamental things even if harsh which shows how others and how they behave push us to the edge of darkness. The acting was alright it wasn't the greatest but this had a lot of heart and it deserves a lot of props for that. It might be one of my favourite attempts to broach a really dark subject material.

Too many characters in this story, distracting from the main drama: the death of a twin, which seems almost an afterthought. Instead of concentrating on that and the relationship of the 2 siblings (and the one's love interest) their family become the relevant focus, which might make sense....but! The problem is that for no particular reason a large amount of time is spent around the little annoying sister; she's not fun, nice, key to the story or the narrative; so is the grandma, a conservative religious woman dressed -why?- for a kinky party. The main characters, the living twin, and the dead-twin-boyfriend, have a limited, fragmented time, where we understand little and wish for much more, to no avail. Even the last scene, at the cemetery, where we expect something to happen, is interrupted after 1 minute by: the grandma, the little horrible sister, the other sister fresh of an intercourse in a car, and her uber-boyfriend. A movie with a great potential, but a poor direction. BRAVO to Noah Urrea for his portrait of Mason, but unfortunately, he cannot alone save the movie. A suggestion: do not use smart kids in films, they are often unbearable. That little girl is the perfect example of what one should never do in a movie. Over the top, and incredibly ANTIPATICO.