A young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn ... Read allA young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn of the Screw."A young governess is hired to look after an orphaned girl, but the return of the girl's problematic brother uncovers secrets from their past. A modern take on Henry James' novella "The Turn of the Screw."
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Complete waste of time. I was close to walking out but I was hoping it got better. The ending confirmed that I should have walked out.
I'm irritated I lost precious time to go see this train wreck.
I'm irritated I lost precious time to go see this train wreck.
It was like watching an hour and a half movie trailer. You get left wanting to know what happens...
I sat through that whole movie and I still can't tell you what happened. It's literally the most forgettable movie ever.
"The Innocents" (1961) is an ambiguous ghost story with the magnificent Deborah Kerr in the lead role. "The Nightcomers" (1971), with Marlon Brandon, explains the behavior of Flora and Miles in "The Innocents". Unfortunately, "The Turning" is a poor remake of "The Innocents" without any explanation of the original story. The conclusion is ridiculous (or inexistent) and never provides the ambiguity of the original film to the viewer. The performances are not bad but the screenplay is terrible and forgettable. If the viewer seeks out an explanation for the story, reads the plot and reviews of the original film to understand the plot. My vote is three.
Title (Brazil): "Os Orfãos" ("The Orphans")
Note: On 11 December 2024, I saw this film again.
Title (Brazil): "Os Orfãos" ("The Orphans")
Note: On 11 December 2024, I saw this film again.
I like horror movies and thrillers, I like modern takes on period pieces and classics, and I like the cast and am a fan of the director's music videos and earlier film work (i.e. The Runaways). So I expected to enjoy this update on The Turn of the Screw. I did not enjoy it, I'm sad to report. There was too little story or suspense to hold one's attention throughout, and that's a shame.
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
Did you know
- TriviaThis is one of two adaptations of Henry James' novella "The Turn of the Screw" released in 2020. The other is the Netflix mini series The Haunting of Bly Manor (2020) by Mike Flanagan. Both adaptations are produced by Amblin Entertainment.
- GoofsThe 1994 lesson book for Flora identifies February 28th as a Tuesday and March 1st as a Wednesday. In 1994, those dates were a Monday and Tuesday, respectively.
- Crazy creditsThe end credits sequence shows Kate's hand dragging across the walls as the credits roll. Halfway through, it cuts to blue figures dancing.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Turning (2020)
- SoundtracksThe Brakes
Written by Theresa Wayman (as Theresa Baker-Wayman), Emily Kokal, Jenny Lee Lindberg (as Jennifer Lindberg), Stella Mozgawa
Performed by Warpaint
Courtesy of Warpaint and KRO Records
Details
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- Countries of origin
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- Also known as
- Presencias del mal
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Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $15,472,775
- Opening weekend US & Canada
- $6,950,045
- Jan 26, 2020
- Gross worldwide
- $19,428,166
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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