Dead Pigs

In 'Dead Pigs', we see a world where everyone is a liar and everything is faked and hyped. Everything that is real is dying off or being torn down, or at the least is undervalued. It's obviously a metaphor for modern Chinese society -- no, make that modern society in general. But the characters are vivid enough to ignore symbolism and enjoy the film at face value.

The only holdout is Candy Wang (played by Vivian Wu from 'The Joy Luck Club'), a cranky, shrill middle aged eccentric who is refusing to sell the family house to make way for a major new development.

We also follow a number of other characters, including the American architect for the development, who is portrayed in a surprisingly sympathetic light (even though he is as much of a fake as everyone else).

The only false note is a short stretch of sing-a-long karaoke. Maybe that is more meaningful to the Chinese audience. But overall, this is a good movie, well worth watching.

Little bit this, little bit that, this was a working script with all tragic-comic characters and events rolls on to growing upper capitalism in China. There's nothing new in this heart warming joint; gives you enjoyable watching. Could be bit shorter, bit less melo-dramatic

Dead Pigs is quirky and vibrant where the characters collide through their personal turmoils and as their city undergoes big changes. Crazy salon bird lady steals the show defending her house from developers.

As a local Shanghainese, this film perhaps means a little more to me than others. Dead Pigs is more about the city than any characters, it is a biopsy on one of the fastest growing and changing cities in the World, and what it opens is a group of really interesting characters who represent each sectors of Shanghai society relatively well while also painting a picture of how the city affects these people both mentally and physically. Cathy Yan does a great job at constructing these societal issues into her film, but unfortunately while the formula is right, the ingredients feels forced. The biggest issue of all is the casting of Mason Lee who is very obviously an ABC and simply does not fit in the film. The film might work better for a Western oriented audience as it does feel disconnected from local culture (even though it does address societal issues very well, but feels very much through Western lenses), but at the same time Western audience would certainly have trouble understanding the nuisances which places the film in an awkward conundrum. Nevertheless, the film explores unique issues and documents a very unique period of city development of my hometown.

I watched this film on a transatlantic flight having never heard of it before and choosing solely based on having heard the director being in charge of the upcoming DCEU venture. Overall, it paints a satirical picture of Chinese society, though you can't help feeling that the generic nature of the stories comments on societal paradigms globally. Certainly, many of the situations, actions and reactions would be quite commonplace in India. The cinematography was so amazing I felt annoyed watching it on a small screen, and the over the top acting was befitting the satirical nature of the piece. The recurring motifs of contamination and destruction really hit home, while carefully not banging you over the head with their message. If you can seek it out, definitely worth a watch