In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, wi... Read allIn Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.
- Director
- Writer
- Stars
- Awards
- 11 wins & 31 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sheila (Marianne Jean-Baptiste) is looking for a dress for a blind date. The shop assistant Miss Luckmore (Fatma Mohamed) a lady with a thick east european accent and a peculiar way of talking sells her an artery red dress with a mind of its own. It also is a bearer of bad fortune.
Sheila gets a rash and the washing machine dismantles when washing the dress. She has strange dreams and maybe her work is being affected. Sheila is a bank clerk who seems to be having weird appraisal meetings which includes being criticised that she has not shaken hands properly with someone.
Later the story switches to Reg (Leo Bill) and his fiance Babs (Hayley Squires.) Reg wore the dress as a prank for his drunken stag night and again they seemed cursed. He gets a rash, the washing machine falls apart. Reg who is a washing machine repairer gets fired by his employer for fixing his own machine without permission. Something about they provided him with the training.
In Fabric is a strange surreal film with influences that range from David Lynch, Dario Argento, Terry Gilliam to Ken Loach. It is set in some undefined time, but it looks like the 1980s. It makes a statement about consumerism and working in nightmarish bureaucratic organisations. The low cost airline Ryanair charge their pilots for their training. One day the pilots might go and work for someone else with the training they have provided to them.
The second half is certainly weaker and the change of cast is jarring. At times it is too weird for its own good. Maybe the film should had stuck with Sheila's story and then ended.
Majority of the movie has you guessing if the dress is cursed or if it is some type of illusion that these characters are experiencing. A lot of it is very confusing, especially the lead sales character who we aren't sure what she is. Is it a cult? Is she a witch? Why is her being bald so important? I couldn't tell you. Her strange henchman that never says anything also threw me off. I assume he is the owner of the department store, but what was their relationship and what was he whispering to her that made her snap out of her current emotion? Also couldn't tell you.
I like the theme of consumerism is killing us all, controlling our minds and it works well I suppose. I think what turned me off was that the dress could fly, float, crawl, make rashes appear on the skin but without an explanation to of WHY. Again, was the department store a cult who put a spell on this fabric or dress? I don't know! Maybe I'm missing the mark here. I enjoyed it for the most part. It's odd, creepy, eerie, beautiful and whimsical. But I don't think it deserves another above a 6 or 7. Seems like the director/writer just wanted a fancy art movie so he could complain about capitalism.
That's what I thought I was getting for the first 30 to 40 minutes of the film but then it seemed to lose its way. The atmosphere, the sympathetic but troubled protagonist played by Marianne Jean-Baptiste, the strange and perverted department store in an eccentric Thames Valley Town - I was loving it and couldn't wait to see what happened next. Then it just failed to pay off, carried on going, carried on failing to pay off, then half-heartedly tried to become a compendium story and meandered off into nowhere. There was a belated attempt to give it a kind of shocking climax but by then all atmosphere and interest had gone out of the film.
I find that when I try to describe the film, it sounds a lot better than it actually turned out on screen. The idea of this film is something I really wanted to see but it didn't deliver on its promise. A lot of interesting and unsettling ideas are just thrown together without tying it together into something that maintains the viewer's interest. It didn't have to make sense, it didn't have to explain, it didn't have to do what I was expecting. But it should have been better and it ended up being very disappointing.
Did you know
- TriviaThe 01632 dialing code used by characters throughout the movie does not exist - it is specifically reserved for use in works of fiction created in the UK such as movies, TV shows and books.
- Goofs1:38:58 Into the movie, an animal can be seen darting across the screen.
- Quotes
loudspeaker in department store: A dramatic affliction has compromised our trusted department store. Get out graciously.
- Crazy creditsIncludes a credit for "Mannequin Pubic Hair".
- SoundtracksRemote Control
Written by James Ferraro
Published by New Age Tapes
Performed by James Ferraro
Courtesy of The Artist
- How long is In Fabric?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Маленька червона сукня
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $197,592
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1