Burning Cane

Burning Cane - I have followed this movie ever since Ava DuVernay (director of When They See Us / Selma) mentioned it on her Instagram. Her company Array Now would inevitable distribute it on Netflix, who Ava has sustained a good working relationship with.

The film has been successfully screening both in the US and UK and has mostly mixed reviews. However, being a fan of independent films, I found this film to be quite intriguing. I found its characters relatable to most families today. I found its subject matter to be quite profound. Althought, at times, different decisions could have been made with the placement of the camera, it is the humble beginnings of a director who is bound to go far.

The films director, a 19 year old Phillip Youmans demonstrates his ability to tell a story without the need for flashy cars and over the top CGI.. The film is anything but that. It is a simple story at heart. Youmans also shows his ability to make a movie without the need of a major studio backing him, although this is where he is headed next.

After winning the top prize at the Tribeca film festival, many people came out with mixed feelings for the film. Many even went as far as to say the film is boring and amateurish. I however, disagree. If you're interested in how a story can be and should be told, then you'll enjoy this. If not, im sure theres a screening of some franchise film playing somewhere you can waste your money on.

Independent film, at its core is about human emotion, disasters, pain, grief, suffering, loss, happiness and love. Youmans showcases this in his film BURNING CANE.

The reason for my score is purely based on Youmans decisions for camera placement and at times, a fluctuating audio level.

A solid effort from a director who is about to become noticed.

This is definitely not the worst movie I have ever seen! But it definitely moves very slowly with a depressing storyline that is very difficult to follow. An hour in, frankly, I'm still not very sure of the storyline itself. Honestly, I had to refer to online reviews to understand it other than the fact that it revolves around lost, broken black men and religion. In fact, the storyline is so poorly drawn compounded with the way the camera often pans in and out, one initially believes there may be sexual abuse of Jeremiah by his father given the heavy use of alcohol in some of the scenes. Thankfully I guess that's not the case. The cinematography really threw me because some of the scenes are so dark that I literally cannot make out what's happening. At other times, the outdoor scenes are really beautiful and well done. The characters are quite one-dimensional which is also unfortunate. Jeremiah is something of a prop because we really don't know anything about him. The father is also largely just a shadowy drunk. Toward the end, we get rushed information about him through a single narrative/conversation but it would have been nice to have found out more about his life progressively throughout the film. We don't really understand how he came to be a drunk. Obviously, he wasn't born a drunk. Did he ever work? Did he ever leave this area and come back? Was he ever NOT depressed? He nearly becomes a ghost before we know anything about how he actually lived. Same with the stereotypical Pastor. By now, I think we've seen enough films from scarred black people who have been to churches with fallen pastors. Not every Pastor in the black church is shady though. Just want to put that out there. Anyway, the film could have been clearer but for a 19 year old, I'm going to give him some leeway.

"You will never be truly happy and fulfilled if you try to hang on to possessions." Reverend Tillman (Wendell Pierce)

You can almost smell the cane burning in Phillip Youmans' Burning Cane on Netflix. Such is the synesthetic cinematic experience that every word and every image carry weight on the sense and sensibility not ordinarily given to short films. While we can easily rely on the meaning of the pastor's familiar intonation, the demanding drama will depict lives looking for meaning not in possessions.

The isolation characters feel and their lack of trust in God and each other form the dramatic foundation of this still beautiful and memorable film as homily. This brooding tone poem briefly lets you into the personal lives of deeply spiritual and flawed folks in the cane fields of rural Louisiana.

Tillman struggles with the depression of being a recent widower, and the demon bottle helps little. Just the same with Daniel (Dominique McClellan), only he's a job widower, who listens little to mother Helen (Karen Kaia Livers), who listens to the Lord through the Bible. He is indeed her Shepard.

Not always bound to the dreamy world of worship, Helen reminds Daniel that his father died of AIDS. Besides the poetic qualities of this drama is the reality of life in general and rural poverty in particular. Youmans' camera lingers in the passageways and corners to let you live with these complicated characters, never imposing anything more that deeply-felt emotion sometimes embodied in gospel tunes or in simple dialogue that says much more than it is.

Writer, director, cinematographer, and editor Philip Youmans won Best Narrative feature at the Tribeca Film Festival 2019 as well as Best Cinematography. Pierce won best actor. In other words, this well-pedigreed first feature from Youmans is worth your 77 min, for it embraces small lives with feeling. An enjoyable emotional experience.

BTW, Youmans was 19 when he launched this gem, a senior in high school.

Slow-burn wouldn't be a problem if it wasn't repetitive - there's barely any narrative and slice of life portrayal of depressing squalor quickly grows thin. Smoking, drinking and monotonous sermons are atmospheric and naturalistic, which would be a welcome addition to some story, but there is none. Hopefully the young director will build upon this achievement and not get stuck in more of the same.

I absolutely loved this movie. Very well done. I felt left hanging at the finale, however. Can anyone tell me who Helen shot at the end? It's driving me crazy'