BlacKkKlansman : J'ai infiltré le Ku Klux Klan

Disturbing and infuriating.

Wonderfully acted by John David Washington, Adam Driver and Topher Grace.

It gets your blood boiling and makes you wanna do something.

It's also full of great comedic moments and one hell of an ending

Based on a true story, the first black detective at the Colorado Springs Police Department infiltrates the Ku Klux Klan with the help of a white undercover officer.

Not content with the battles portrayed on the screen between black civil rights groups and the Klan, Spike Lee has squared up against Donald Trump and the political state of America today. Throughout the film, there are not-so-subtle nods to the US President's rhetoric and how it echoes the KKK's leader David Duke: at one point he says he wants 'to make America achieve its greatness again' and chants 'America first!' during a speech.

The messages the film is trying to get across are not subtle, but it doesn't have to be when the messages have never been irrelevant. At one point, the true and horrific story of the public torture and execution of 17-year-old Jessie Washington in 1916 is told. This story is unfolding as the camera cuts back and forth to the Klan's initiation meeting which makes for a powerful scene of intense juxtaposition (Lee explained in the post-film Q&A that, ironically, this cross cutting technique was invented by the director of Birth of a Nation, an intensely racist pro-KKK 1915 film).

The final minutes are fearful to watch as Lee brings us to the present time and the last few shots (which I won't spoil here) left me with a genuine tear in my eye and an uneasy feeling in one of the most basic, primitive part of my being - fear for the minds of my fellow man and the state of the world I'm meant to be leaving to my children.

Best Quote: "America would never elect someone like David Duke as President." - "Coming from a black man, that's pretty naïve."

Hi, I'm french and I'm 16. We saw the movie in the cinema with my english class and our english teacher asked to us to write a revue of this movie, and after put in on this website. Blackkklansman is a movie birected by Spike Lee in 2018. This film is based on the true story of Ron Stallworth, a black police officer who wanted to infiltrate the KKK. Inspired by the book, Spike Lee made a film. In the movie we have funny moments and romance too; Ron falls in love with Patrice, a beautiful blanck woman who fights racism. It is certainly at the top od my list of good movies because it is not only about racism, but about several kinds of discrimination, anti-semitism and gender inequality. And so I think that a lot of people can indentify to both characters and realise that discrimination must be fought. And I think that Spike Lee did a good work because hemanaged to make in making a comedy with a dramatic issue, and Adam Driver and John David Washington have a really good actor's game, it couldn't be other actors! So yes I think that this film is compelling, convincing, realistic, startling and funny, don't miss it!! And there is a lot of reseach from the film director about the KKK, who is a secret organisation of white supremacists directed by Donald Duke and created in 1865 after the Civil War, a war between Northen and Southen states of the USA, the North wanted to abolish slavery and the South didn't. In the movie, we can also see the KKK rites, with the white costums and all tradition. I really enjoyed that because you get out less stupid than you were before seeing the film.

In conclusion, it's a fantastic film, with good actors on the top of that, and you learn a lot about discrimination and humanity, but with funny moments as well. It's a hit and a freat piece of film-making. Go see it!!

Good work, Mr Spike Lee.

Valentine B.

Spike Lee has created an almost unimaginably uneven career in films, but it has never been in doubt, that he is one of the most talented American filmmakers of his generation. And should you have forgotten that, now you can remind yourself by watching the amazing "BlacKkKlansman", which won the Grand Prix at Cannes in May.

"BlacKkKlansman" tells the true story of a rookie African American police officer who in the 70's infiltrated in the KKK, but that's certainly not what the movie is about. Lee tackles head-on the contemporary hot topics of racism, the police killing black Americans, and white supremacy to create an overwhelming pamphlet about the American identity - which has been hurled into a state of great confusion after the last presidential election.

Movies don't come much more political as this one. In a way, "BlacKkKlansman" is a companion piece to "The Post" - a movie that similarly discussed the current political climate in a 70's setting - but with loads more of blackness, humour, anger and attitude. It's a better movie, too.

Though not perfect. Form-wise, "BlacKkKlansman" is sometimes paced oddly and feels needlessly long: not overlong, exactly, because you're not going to be bored for a minute. Visually it could have used a little more of the delicious textures typical of those 70's blacksploitations it makes references to.

But Lee is such a virile storyteller, that you can't help but get sucked in it all. And he has SO much to say. "BlacKkKlansman" is at its savage best when putting in perspective the official holier-than-thou image of the white Americans: Harry Belafonte cameos as an eye-witness of the beastly lynching of Jesse Washington in 1916.

Actors in "BlacKkKlansman" are great. John David Washington excels in the lead role. Adam Driver signs what is arguably his best role to date. Ryan Eggold is terrific as the local boss of the KKK, and the Finnish Jasper Pääkkönen impresses as his right hand man. The biggest surprise of all is Topher Grace, who is near-ingenious as David Duke, a well-mannered bag of sleaze in a three-piece.

"BlacKkKlansman" is an incredibly rich and stirring piece of contemporary cinema with enough stuff to fuel a conversation for hours. Or days. You can get a lot less with a price of a movie ticket these days.

Amazing true story of a small team of police infiltrating a local klan chapter to try to stop looming violence.

Driver is first class as the white undercover presence, with Washington himself oozing presence throughout as the black officer who conceives the plan, runs the show and in a number of hilarious high points gains the respect and trust of the big Klan chief over the phone.

Whilst there is arguably room for a little bit of trimming, this remains highly engaging throughout with a great script and fine performances. The amazing trick here is how Lee seems to very cleverly shift from laugh out loud comedy to troubling sometimes fairly intense scene and back without missing a beat.