Les Éternels

ASH IS PUREST WHITE - Chinese Director Zhangke Jia's (A TOUCH OF ZEN) latest is a sprawling drama about a two-bit local hood Bin (Fan Liao) and his moll Qiao (Tao Zhao; the Director's wife & muse). The first part of the story about their rise and fall takes place in the early 2000s and is the most purely entertaining with verve and visual impact, even if it covers a mostly familiar trajectory. We pick up the story several years later and the couple is estranged. Clearly the years (and a forced separation) has changed the individuals (especially Bin). The final section takes place in the present (more or less). ASH is a longish movie (136 minutes), not just in terms of time, but, also how the screenplay unfolds over the 17 year period. The acting and details are spot on (Zhao is particularly exceptional), but, the story drags after the sparkling opening section. Part of this is by design, without question, however, ASH is an example of a movie with so many apparent endings that one loses interest, rather than gains it. And, when we come to the conclusion, it is neither fully satisfying, nor, more importantly, seems worthy of the additional time spent to arrive at it. Still, ASH is a decent drama with some considerable merits (a long hotel sequence is deeply moving). The performances, Jia's direction and Eric Gautier's (MOTORCYCLE DIARIES) cinematography (combining 35mm with digital) are its strongest suits.

This is an intense movie. It's is less about the story, which is long, both in terms of movie length but also the time period of 2001 to 2018, than it is about the lead character and her protagonist, her love. Both Tao and Fan are exceptional. Understated yet convey such power. The hotel scene is superb.

This is a film of character. Of stoicism. Of progress but indomitable tradition. A pseudo love story but rather one of belief and strength. An excellent and absorbing character study.

An enjoyable journey into a land and character unfamiliar.

I felt privileged to watch this on its premier at the Cannes Film Festival 2018, with Zang-ke Jia and the cast. The film revolves around Qiao (Played by Tao Zhao) who is the girlfriend of Bin (Fan Liao) a mobster in a small town, who likes to believe he is a big fish in this small pond.

The film shows how the couple drift away along with their youth and optimism, captured in a three act structure, the undying love of Qiao for Bin and how it remains just as strong through the passing of time. Both Qiao and Bin are very well written characters and the cinematography is flawless, on a lighter note Carl and Biddu's 'Kung Fu Fighting' plays a vital role in this movie.

You should definitely watch this movie if you are a fan of Zhao and Liao, also watch this if you liked 'Mountains May Depart'.

Qiao (Zhao Tao) lives in a mining town in the Chinese province of Shanxi. Her boyfriend Bin (Liao Fan) is a mob boss. As years go by, crime life brings consequences to their lives - individually and as a couple.

Though the film is long at two and a quarter hours, it is rarely dull. The two lead performers, especially Zhao, are engaging as are the occasional rural landscapes especially the ones captured by train travel.

The middle sequence is the most fascinating. When Qiao is on a mission in a strange place, she might act in terrible ways but it is still tempting to root for her; she's not much different from the corruption that surrounds her.

Overall, "Ash Is Purest White" is a fascinating journey albeit a cynical one that begins in 2001 and finishes seventeen years later. Whether it's taking place in a corrupt small town, a prison, or a chaotic travel experience, it is always intriguing in a mostly quiet way. - dbamateurcritic

Found this on the film channels, and it looked fascinating. You know what? It very much lived up to that billing despite not following initial expectations.

We have here a tale surrounding a young lady in love with a gangster who are top dogs in their local area, but then the usual story stops. It's set with the backdrop of the rapidly captalising China, with the light & dark sides that come with that, and we see the young lady's travails through this as well as her obsession for her selfish man.

Personally, I was a bit surprised to come on here and see that this has been little watched & reviewed. It's a wonderfully made film, and the story is an existential look at life, possibly absurdist, with an apathetic world waiting for no one and evolving crushing all those whose lives are on hold.

It's slow in tone, but it's very beautifully filmed and acted. It deserves more attention. Even though it will clearly tick more with those of a Chinese background, there are some very strong parallels for many of us in the Western World to learn from too.

It's cerebral, arty and unforgiving. That's actually a compliment, and I think I'm going to dig out more from this director. Clearly, very much recommended from me.