Joan Didion: Le centre ne tiendra pas

Joan Didion was born in 1934, the same year as Gloria Steinham. They both intrigue me as women writers who earned a living as outsiders--reporters--investigating gender, class, community, and the seismic shifts of the larger cultural world from refreshingly different perspectives.

I confess I didn't know much about Didion's personal life--her famous in-laws, her famous friends--and the documentary flicks out photographs, interviews, and archival footage that are a delight to discover. The film gives you a peek into the intimate life of an intriguing person who worked hard to stay hidden, even though her books are so personal. There is a detachment she employed as a writer to report back to us. The documentary strips away some of the distance.

I found the interviews with Dunne fascinating. Her answers surprised me. I loved seeing how the thread of her life weaved through politics, subcultures, music, film, and her own family. And kudos to Griffin Dunne (and several members of her extended family) for putting this together right now. A reflection worthy of your time.

I'm usually cautious around docs with a nepotistic bent to them from which you learn little in what basically turns out to be a valentine on the subject. Writer Director Nora Ephron's son did a hollow one on his mom while photog Annie Liebovitz's sister offered up a cringing love letter to her in American Masters. Maria Riva, daughter of Marlene Dietrich on the other hand has given a warts an all interview (available on You Tube) that cooked from start to finish that is well worth the watch for many reasons.

In Joan Didion: The Center Will Not Hold, her nephew actor Griffin Dunne may have wanted to approach the 80 plus year old Didion gingerly but the feisty 75 pounder was not about to have it showing the same determination in getting the story right as she did nearly half a century ago chronicling the American scene, especially the West Coast. With an incredibly keen sense of observation she displayed a grasp of an era with a clarity and incite while fellow contemporaries such as Thompson, Mailer and Breslin relied on hyperbole and slap happy verbosity.

Brought up on gloom, Donner Party bed time stories, it never seemed to be far from the stoic Didion, questioning what love was regarding her author husband that she partnered with professionally as well. Her adopted daughter found her remote. It is perhaps this distance that made her a superb reporter, memoirist. Always observing, never immersing. When spouse and daughter pass her true love kicks in and she writes a masterpiece around the husband, a play around the daughter.

Director Dunne has superior entry and makes the most of old newsreels along with an avalanche of family photos to give the doc a fine look including impressive visual backdrops, such as snow draped NYC, to her words. We find out Warren Beatty had the hots for her but he does step gently around her emaciated ( anorexia?) look as well obvious MS symptoms. But when queried about a scene 50 years earlier of witnessing a 5 year old on LSD she bluntly calls it "gold." Classic JD, honest and objective to the core. A rare quality to be found in today's world of blatantly bias journalism.

This film is a tribute to Ms. Didion, who was an amazing writer, and her writings were incredible that they were so easy to read and understand. Griffin Dunne does a fantastic job with this. I was actually surprised at how much I enjoyed this film and how much it made me think and maybe tear up a bit. She was an amazing woman whose writings were concise and she was completely unafraid to relate the truth, no matter how unpleasant or downright ugly - or how painful. We have all lost loved ones, children sometimes and certainly spouses, and even innocence in the political and social systems - she really was able to convey the feelings - the reality of loosing major parts of your life and to still survive. This is a wonderful film, and encompasses more than just a tribute to a wonderful Aunt. She is an amazing person.

Confession: until I watched this documentary, I had never heard of and obviously therefore, never read, any of Joan Didion's novels. So what attracted me to watch this when it was suggested to me on Netflix? Well, the era that it covered, the fact that it said she is a literary icon, and the fact that she is Griffin Dunne's aunt and that he directed it (big fan of Griffin Dunne). The style, grace and beauty of the subject also intrigued me. Having finished watching it, I then watched the trailer here on IMDB and I am so glad that I didn't see the trailer first as it gives everything away and, even though you might guess at a few things along the way, it would most definitely have lessened my enjoyment of the story unfolding at the pace that the director/writer/producer would have liked me to.

This is a beautifully crafted piece of work. It has a gentleness and fragility about it that makes you want to whisper for the rest of the day. It was such a delight to be able to really focus on this film without the sensationalised over the top music screaming at me in short bursts, that is so prevalent now in programming. Thank you so much Griffin Dunne.

Writer Joan Didion's distant relatives crossed the frontier to the Promised Land (California), but not before traveling some stretch of the journey with the doomed Donner party, who separated from the Didions to cross uncharted terrain. Preparing for disaster is something Didion was taught at a young age, knew with certainty as an adult, and then maybe forgot about and had to learn again in 2003 when her adopted daughter, Quintana, became sick and was hospitalized just before Didion's husband, writer John Gregory Dunne, died of a heart attack. This stylishly-presented documentary on Didion's life, produced and directed by Didion's nephew, Griffin Dunne, promises to be a heady spread for Netflix and, indeed, we get a thorough blueprint of Joan Didion's long and winding journey. Tracing the author's path from University of California, Berkeley graduate to Vogue magazine writer in New York City in the 1950s, to author of her first novel, "Run, River" in 1963, to becoming Dunne's wife, to their move to Southern California in 1965 and adopting a baby, we get a sense of Didion's spirit as she speaks but nothing much in the way of her personality. What Griffin Dunne extracts from his subject in a recent interview is lovely frosting--listening to Joan and watching her expressive hands reaching out, pell-mell, in dramatic emphasis--but there isn't a substantial, emotional base underneath this. Vintage interview footage of Didion from cable shows and "60 Minutes" actually tell us more about Joan than what we're getting from Griffin Dunne. Interviews with friends and fellow writers add a dash of color, but no insight (actor Harrison Ford, Didion's carpenter in the early '70s, sits down just long enough to tell us how nice Dunne and Didion were to he and his family). Joan's path in life led her back to New York City, where she turned her 2005 book about grieving, "The Year of Magical Thinking", into a Broadway play starring Vanessa Redgrave. It helps to close the film on a warm note, though interested parties will learn far more about Didion just by reading one of her books--or, if pressed for time, her Wikipedia page. **1/2 from ****