When Mia, a social media star, becomes the target of an online terror campaign, she has to solve a series of games to prevent people she cares about from getting murdered. But is it real. Or... Read allWhen Mia, a social media star, becomes the target of an online terror campaign, she has to solve a series of games to prevent people she cares about from getting murdered. But is it real. Or is it just a game at her expense.When Mia, a social media star, becomes the target of an online terror campaign, she has to solve a series of games to prevent people she cares about from getting murdered. But is it real. Or is it just a game at her expense.
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Alas, it was not to be.
Shook made me sad.
While there are some nice twists and turns as the plot unfolds, Shook is woefully underwritten. At no point do we feel anything resembling empathy for our main character, her friends are nothing more than by-the-numbers stereotypes, and the pacing is off. I don't know if the director was trying to do a slow burn in some scenes, but if so, she didn't execute well at all.
And to add a little insult to the viewer's injury, there are continuity issues all over the place, the most egregious happening in the opening minutes of the film.
I give it a 4/10 because there's a good movie hiding in here. As I said, there are some nice, effective twists and turns. But underdeveloped characters and bad pacing doom this one to the bargain bin, if those still exist.
Mia is a social media influencer, leading "Makeup by Mia" with enough followers so that all of her friends would be impressed. She skips an evening with her friends, stays home (where most of the movie takes place) and soon becomes the target of an online terror campaign, where she'll have to solve a series of games to prevent people she cares about from getting murdered. Is it real? Who is the killer? What kind of game is this?
An effortfully twisted one, it is. Director and writer Jennifer Harrington has served us a slasher where all of the characters are low-level social media influencers, hungry for attention, willing to sell out morally, confused in their constant chase for fame. Exhibitionism, sensationalism. These technology-dependent guys are an easy prey for the killer that has made their gadgets into his surveillance. Social commentary, often heavy handed, is present throughout "Shook" and seems to be one of the main tasks for director Jennifer Harrington. A horror satire of Instagram lives. For much of the movie, Mia is in the webs of the mysterious killer, the phone calls, the messages, her tools and her life turned against her. Suspense games resulting in very little suspense. "Shook" is an all-around lackluster when it comes to scares, and atmosphere, which is often damaged by simple realisticity issues. One of the most commendable parts of "Shook" is Dayse Tutor's performance as Mia, well emotional and believable, despite the character never truly resoluting in anything, but suffering for her millennial ways. The second half of "Shook" is twist-heavy, and it feels like the movie crumbles after each next one, for they can be underwhelming and/or improbable. The highly typical ending made me sigh without thinking. "Shook" also shows hit&miss stylistical effort, photography can be creative, Mia's thoughts are sometimes shown in cool ways, text messages and videos appearing on surfaces etc., eventually making it aesthetically feel slightly like "all over the place".
"Shook" is a passable flick, in both senses, it passes as a decent low-budget modern-problem slasher that kind of crumbles under its own weight, and also, You can just pass it, skip it, for it is flawed horror which often feels very lackluster, and improbable, especially because of its wanting-to-be-real setting. The chance that you'll be shook, is little. My rating: 4/10.
Bit boring with the majority of the film being one girl in a house.
Did you know
- Quotes
Mia: [on the phone] What if I just hang up? What if I just stop talking to you?
Kellan: That's not an option. But how about this? I'll meet you halfway. 'Yes, Kellan, tell me more'. Okay well since you asked, we both know you have a big choice coming up, but what if there was a way for you to not have to make that choice? Might that be appealing to you?
Mia: Yes.
Kellan: That's what I thought.
Mia: So?
Kellan: So all you have to do is answer three questions. That's it. If you get them right, then I'll stop this whole thing and let everybody go. But if you get one wrong, then you have to make a choice between Nicole and Santi.
Mia: Okay.
Kellan: Here we go. First question: When administering CPR, maintaining proper rhythm is crucial. What song is recommended for achieving the correct tempo?
Mia: Huh?
Kellan: You have one minute.
Mia: No wait! What? Can you repeat that?
Kellan: 57, 56, 55...
Mia: [can't get the internet on her phone] Dammit!
[runs to the laptop, gets a video message of Santi with a bag over his head begging for help]
Kellan: CPR might come in handy.
Mia: Asshole!
[searching]
Mia: I don't know, I don't know, I don't know any song!
Kellan: Here you are cheating and complaining about it, tsk tsk.
Mia: You didn't say I couldn't.
Kellan: 16, 15, 14... 10 Mississippi, 9 Mississippi.
Mia: Stayin' Alive! Stayin' Alive by the Bee Gees!
Kellan: Ding ding ding ding ding. Get that girl a toaster.
Mia: Is Santi okay?
Kellan: For now. Next question. At what temperature is someone considered to have a fever? No, no interwebs. 59, 58, 57-
[Mia rummages through her mother's medical equipment and printouts]
Kellan: 5, 4, 3...
Mia: 100.4! Hello? Was I right?
Kellan: Yes, that is correct.
Mia: Is Jade okay?
Kellan: So far.
Mia: Okay, what now?
Kellan: Oh, now you're into it now that you're winning.
Mia: Come on, let's finish this.
Kellan: Okay, final question: What were... your mother's last words?
Mia: How would you know what my mother's last words were?
Kellan: 59, 58, 57...
Mia: Why are you asking about my mother?
Kellan: Why not?
Mia: What does she have to do with this?
Kellan: I liked your mom.
Mia: I don't remember her ever speaking about you.
Kellan: Well she didn't speak much about you either.
Mia: Go to hell!
Kellan: She probably forgot you even existed. I mean how often did you come by to visit when she was getting sick? I mean when she was *really* sick. And I don't mean how often you promised to visit, because that's obviously a very different. answer.
- SoundtracksCandy Castle
Written by Johnny Jewel & Ida No
Performed by Glass Candy
Courtesy of Italians Do It Better International
- How long is Shook?Powered by Alexa
Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 2.35 : 1