Strange Angel

I've watched the first 6 episodes so far. I think the story line is good and the casting is fab. I think the show explores a lot of social restrictions and thinking from this era in an accurate way. The story of Jack Parsons is an interesting one, and it works well as a TV series.

It's not heavy on shock value (lazy writing) which could have been a problem with the topics of occult and sex parties. I think the pace is a little slower than I would like but it's acceptable. Surprised by the low rating as this show is definitely higher quality than most of the stuff that is out there. Most comments are favorable.

Strange Angel, even in todays wide array of television shows, is truly a unique experience worth watching by seasoned media fans.

A description I like is combining the film the Aviator with David Lynch's new Twin Peaks. This may not be accurate, but it gives an idea of what one will be getting into. The presentation is really pretty strait forward - there aren't many cryptic film making techniques. The weirdness comes in the shape of reality bending scenes, and the crazy content. I would say if a viewer likes Man in the High Castle, they would probably also like Strange Angel. Strange Angel is way more grounded, being based in historical non-fiction, but both have very unique content, a slow pace, and a similar approach to main vs surrounding characters.

Strange angel is a period piece, taking place in the late 30's Los Angeles. The main character is a blue collar worker at a chemical plant, but has dreams of realizing practical rocket technology which he pursues with his academic, best friend. Combine this with an indoctrination into a sex cult, and hallucinations that both the main characters experience regularly? Things get pretty interesting. There is a beautiful mix of logic, science, science fiction and the occult.

But nothing moves in too much of a hurry. Despite rocket technology playing a major role, the pace of Strange Angel is pretty dang slow. This will be the limiting characteristic to many viewers, but it shouldn't be. This show is wildly entertaining. Episodes build up to big scenes, and the entire season builds up to an excellent final episode.

The casting is as good as TV gets. The two main characters, husband and wife, are immediately likable, and easy to route for. Both are textured, flawed individuals searching... for a better life? success? happiness? Interesting, because their goals are never really crystal clear, and there is a lot of dealing with daily events - just like in real life. But in spite of distractions, difficulties, set backs and conflict - the two are constantly trying to grow and evolve, while overcoming challenges. I'm not saying the viewer will always agree with choices made, or all their motivations, but everything is always so intriguing! Surrounding characters are equally well cast, and their activities always intertwine with the story of the Parsons (the main characters). There is a clear vision to the scripting, which likely took a great deal of work to refine.

I'm obviously a fan of everything this season has achieved, but the number one quality may be the camera work, cinematography. The visuals, their construction (effects), the design of shots, and the pace established is top notch. Really all the production is excellent, and Strange Angel lives up to the new norm of incredible, movie like episodes, that many recent shows achieve.

So why an 8, not a 9 or 10? Occasionally, even I want the show to get on with the content - where you know a big moment is coming, but the build up can at times feel delayed. I would have liked the season to include at least one more episode. While I loved the last episode, I was surprised how many questions were left unresolved. Really, Strange Angel has a lot of room to improve. I hope for not only a second season, but a completed vision (5 seasons to complete is what I read) - the unique nature of the show (and delivery method) makes me wonder about it's future.

But hopefully my concerns are for not, and the second season will get made. If this happens, this new intellectual property will likely gain the following it deserves. With all the entertainment fluff out there, it is nice to have some mature programming for adults.

Forget the ridiculously low reviews, this is a well done, interesting and imaginative show, most of the complaints are about the slow pace, which for most grown-ups who do not suffer from some form of ADD, is just fine. The three main characters are well played, the plot based on a true story has great potential, and the fantasy sequences are superb. And we haven't even started with the cult business yet which, based on Crowley's sexually charged form of occultism, will surely give us some compelling cinematography.

It's a shame the only few bad reviews left here are unrealistically low to the point that they obviously have a problem giving credit where it's due. Everyone is entitled to an opinion but a 1 or 2 rating for a show that clearly is deserving of more only exposes the fact that these people lack the attention span to read a novel or even a comic book all the way to the end. They are likely best suited to read the funnies section in a newspaper and that's about it.

Strange Angel is only 2 episodes in and it's a slow build so far but an intriguing one. If you have any interest in scientific history or the occult, there is more than enough here to keep you interested.

Parsons is a rebel and free thinker at heart forced by societal and financial conditions to maintain a pretense of normalcy for the time being. You really get the sense however that it's all eating at him and he only needs to be presented with the right opportunity to become reacquainted with his true self.

Enter the quirky unpredictable neighbor "Ernest" who lives by his own rules. He's not your typical rebel without a cause however, quite clearly he is driven by a deeper philosophy. On the surface Jack feigns rejection and they clash a little in the first couple of episodes though there's something about him that Jack finds undeniably compelling.

I'm looking forward to seeing where this story leads as Jack is inevitably introduced to Aleister Crowley the infamous British Occultist & Philosopher. This will be where things get interesting and the story will truly take off.

The is an excellent show that I desperately hope finds its audience. It is an excellent portrayal of late1930s/early 1940s California--as well as the seeds of the counter-culture movement and the ground-work for the evolutionary technological leaps made in California's aerospace industry (and ,later, silicon valley). It is told through an examination of Jack Parsons, a 'real-life' founder of the Jet Propulsion Lab (JPL) at Cal tech that would go on to become the center of the intellectual world for all things related space exploration.

Much like Kerouac's New York of the 1950s, California in the 30s was chafing against the "High Church" Protestant paradigm of what it meant to be 'American'. It was a hotbed of spiritualist movements, with reading groups and acolytes of Blavatsky, Gurdjieff, and a variety Rosicrucian/Kabalist/Hermeticist, teachings, popping up on every corner.

Into this mix, add the influx of serious intellect from Europe as it sought to escape Hitler's rise, and you have an extremely fertile ground for open-minded questioning of 'established truth' and important intellectual break-throughs. You also have the ingredients of what may become a ground-breaking tv show.

One thing that truly sets this series apart is that whenever this period of exploration into the Western mystical tradition is treated at all (in TV or Movies), it usually turns into a cheap excuse for regurgitating tired "Manson Family" tropes. Eastern Spiritual traditions = Good; Western Spiritual Traditions = satanic/bad. This show offers hope for avoiding this dichotomy as it explores the spiritual yearnings of occult seekers as essential to their creativity in the non-spiritual (real-world) realm.

I do worry a bit it will eventually play up the sensationalist, 'manson family/satanic panic', trope; If for nothing else, simply to attract more eyeballs. But at least the first handful of episodes are truly an excellent exploration of a unique cauldron of sociological, historical, and spiritual ingredients that work in California at the time.