IMDb RATING
5.3/10
1.8K
YOUR RATING
A gifted musician inherits a mansion after her long lost father dies under mysterious circumstances. She discovers his last musical masterpiece riddled with cryptic symbols that unravels an ... Read allA gifted musician inherits a mansion after her long lost father dies under mysterious circumstances. She discovers his last musical masterpiece riddled with cryptic symbols that unravels an evil secret.A gifted musician inherits a mansion after her long lost father dies under mysterious circumstances. She discovers his last musical masterpiece riddled with cryptic symbols that unravels an evil secret.
- Director
- Writers
- Stars
- Awards
- 2 wins & 10 nominations total
Jurijs Kruze
- Taxi Driver
- (as Jurijs Krüze)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The photography in this film is quite marvellous, as well as the atmosphere and, certainly, the music. The story is a bit lacking and it's been poorly executed. Overall, it was enjoyable, if one doesn't ask questions or even tries not to think. It had a promise of being an outstanding movie, but turned out weak.
"The Sonata" excels at creating a haunting and immersive atmosphere. The film's gothic setting, complete with a decaying mansion and eerie landscapes, effectively establishes a sense of dread and unease. The cinematography beautifully captures the dark and mysterious ambiance, drawing viewers into its chilling world.
The storyline, revolving around a young violinist who inherits a mansion and discovers her father's sinister compositions, is compelling. The integration of classical music with supernatural elements provides a fresh and intriguing twist on the horror genre. The mysterious sonata and its hidden messages keep the audience engaged and curious about the unfolding mystery.
Freya Tingley, who plays the protagonist, delivers a convincing and emotive performance. Her portrayal of the tormented musician navigating through grief, curiosity, and terror is compelling. Rutger Hauer's role, although limited, adds a significant presence and gravitas to the film, enhancing its overall impact.
The film suffers from uneven pacing, with moments that drag and others that feel rushed. The build-up to key plot revelations can be slow, testing the audience's patience. Conversely, some critical developments occur too abruptly, leaving viewers wishing for a more gradual and fleshed-out progression.
Despite its intriguing premise, some of the plot twists in "The Sonata" are predictable and lack the intended shock value. Horror enthusiasts might find certain elements cliché, as the film occasionally relies on familiar tropes and predictable scares, diminishing the overall tension.
While the lead characters receive adequate attention, several supporting characters are underdeveloped. The motivations and backstories of the characters are not fully explored, leaving the narrative lacking in depth that could have been added. This underdevelopment makes it harder for the audience to form a strong connection with or investment in these characters.
The storyline, revolving around a young violinist who inherits a mansion and discovers her father's sinister compositions, is compelling. The integration of classical music with supernatural elements provides a fresh and intriguing twist on the horror genre. The mysterious sonata and its hidden messages keep the audience engaged and curious about the unfolding mystery.
Freya Tingley, who plays the protagonist, delivers a convincing and emotive performance. Her portrayal of the tormented musician navigating through grief, curiosity, and terror is compelling. Rutger Hauer's role, although limited, adds a significant presence and gravitas to the film, enhancing its overall impact.
The film suffers from uneven pacing, with moments that drag and others that feel rushed. The build-up to key plot revelations can be slow, testing the audience's patience. Conversely, some critical developments occur too abruptly, leaving viewers wishing for a more gradual and fleshed-out progression.
Despite its intriguing premise, some of the plot twists in "The Sonata" are predictable and lack the intended shock value. Horror enthusiasts might find certain elements cliché, as the film occasionally relies on familiar tropes and predictable scares, diminishing the overall tension.
While the lead characters receive adequate attention, several supporting characters are underdeveloped. The motivations and backstories of the characters are not fully explored, leaving the narrative lacking in depth that could have been added. This underdevelopment makes it harder for the audience to form a strong connection with or investment in these characters.
This movie will not stimulate your brain nor will it scare you. However, it was very atmospheric and moved at a nice pace. It started off quite good then for some reason, took a nose dive about half way through. The protagonist was also somewhat unlikeable and we never really get to know her in order to like her better. I found myself not really caring what happens to any of the characters. It started off well, but needed more character development and more of a story. The ending was overly simplistic. But I can't say it was boring.
A decent horror flick that overall feels like a missed opportunity. About 20 minutes more for some backstory adding a touch more character development and I think we could have had a right winner. That and CGI looked like it came out of a video game. That all being said, I enjoyed it for the movie it should have been.
A brilliant young violinist inherits the music of her estranged father, a mysterious composer, but it leads her down the path to darkness ...
Curious case of an ordinary tale with extraordinary potential. I was looking forward to a cinematic treatment of an evil phenomenon in music, but it didn't go there in the end, although I do think the idea was covered in the score.
Instead, we get a traditional story with a puzzle in the symbolologicaltastic manner of Dan Brown - clever, but not enlightening, and nothing that couldn't have been dealt with in a 60m TV episode.
The performances are good, with an odd difference in height between the two leads. There is material for the actors to get their teeth into, but the characters remain fairly simple, despite the dark past of family estrangement (the mother's story wasn't followed up) and alcoholism. I'm also thinking of the housekeeper, who really just shows up for exposition - in a film noir or in David Lynch she would serve several purposes at once and deepen our unease, focus the drama.
The cinematography is quality. Not so sure about the direction, and certainly the editing and story line are a bit plain. The opening scene is effective, but had the feel of a first person POV sequence in an old video game. The choice of location at the old mansion was way over the top, immediately raising all sorts of irrelevant questions - it's not Dracula's Castle!
The evil phenomenon in the music is the Devil's interval, which the lush score hits repeatedly - that unresolved discord made familiar through so many genres of disturbing music, and I hoped the story would somehow turn on this. Hard to say how to do it without ending up as '60s psychedelia, but I think it would need a shift of perception, a shift in the story-telling itself, to provide an interval in reality through which we slide down to Hell. Ahem. You know what I mean. But not this time.
Overall: Good production, but lack of depth in the story.
Curious case of an ordinary tale with extraordinary potential. I was looking forward to a cinematic treatment of an evil phenomenon in music, but it didn't go there in the end, although I do think the idea was covered in the score.
Instead, we get a traditional story with a puzzle in the symbolologicaltastic manner of Dan Brown - clever, but not enlightening, and nothing that couldn't have been dealt with in a 60m TV episode.
The performances are good, with an odd difference in height between the two leads. There is material for the actors to get their teeth into, but the characters remain fairly simple, despite the dark past of family estrangement (the mother's story wasn't followed up) and alcoholism. I'm also thinking of the housekeeper, who really just shows up for exposition - in a film noir or in David Lynch she would serve several purposes at once and deepen our unease, focus the drama.
The cinematography is quality. Not so sure about the direction, and certainly the editing and story line are a bit plain. The opening scene is effective, but had the feel of a first person POV sequence in an old video game. The choice of location at the old mansion was way over the top, immediately raising all sorts of irrelevant questions - it's not Dracula's Castle!
The evil phenomenon in the music is the Devil's interval, which the lush score hits repeatedly - that unresolved discord made familiar through so many genres of disturbing music, and I hoped the story would somehow turn on this. Hard to say how to do it without ending up as '60s psychedelia, but I think it would need a shift of perception, a shift in the story-telling itself, to provide an interval in reality through which we slide down to Hell. Ahem. You know what I mean. But not this time.
Overall: Good production, but lack of depth in the story.
Did you know
- TriviaShot almost entirely in Latvia, mainly in the nineteenth century Cesvaine Palace.
- GoofsThe guy in the bar asks for a pint of lager, but is seen drinking what looks like a pint of Guinness.
- How long is The Sonata?Powered by Alexa
Details
Box office
- Gross worldwide
- $180,849
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 2.35 : 1
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