Le Retour du Héros

Hilarious, stylish, French, quirky, it's a riot of laughs. Our hero is a total slimeball, but very likeable. A gem of a movie.

For acting, twists, atmosphere, tension, dialogue and, not last, for opportunity for Jean Dujardin to use his character like a piece of clay , Le retour du heros is pure charming.

Indeed, the heart of film is the splendid performance of Melanie Laurent and the inspired use of beginning of french XIX century for a chain of letters, lies, eccentric stories and a pragmatic business around a not existent diamonds mine.

The story of a clever crook and naive victims, about some drops of Bovarism and a society finding the cure for boredom. And , sure, about a great hero serving, in impecable manner, his interests.

LE RETOUR DU HÉROS turned out far better than I had expected. Director Laurent Tirard is an unknown to me, but he does a competent job and the film generally flows, punctuated by some exceedingly funny moments, and others which reflect keen observation of human nature.

In addition, despite its palaces and smartly dressed people, the action and dialogue are firmly 21st Century. One of the highlights is the returning hero, played by Jean Dujardin, looking dirty and fallen from grace, accidentally spits on a passing baby. Dujardin, an Oscar winner with THE ARTIST, is in good form but it is Mélanie Laurent who steals the show with her intelligent eyes, beautiful face, and impeccably timed delivery, at times delightfully dry, at others quite ebullient.

The exaggerated accounts of Dujardin's "bravery," and the way Laurent lifts or deflates them, according to her interests, are a real pleasure to watch.

I think the film should have ended with the marriage, the last 5-10 mins are the weakest, but by then I felt I had had my money's worth. 8/10

It's a nice amalgam of influences: the returned-from-the-dead officer is taken from Le colonel Chabert, the two sisters with contrasting personalities from Sense and Sensibility, and the domestic setup from any French historical film. Jean Dujardin is splendid as the fraudulent hero, Melanie Laurent is very adept as the conniving older sister Elisabeth, and Noemie Merlant is the fiery younger sister who first falls for Dujardin. I admit I was led to watch by Merlant's performance in Portrait of a Woman On Fire, an amazing turn.

Laurent Tirard is a capable director of comedy; he'd already done Moliere with Romain Duris, and the very funny Mensonges et trahisons et plus si affinites... I look forward to his next film.

At least, a good movie that I've seen from head to toe without a second of boreness, and with a stupid grin on my face. I'm tired of all those formated movies, where you know the end from the first image on, because it's so conventional and obvious, because you've seen it a thousand times already... Here, nothing of the sort. A funny story, a perfect interpretation, a cunning ending... No, really, it's been a long time since I had seen a movie that good. I'll see it again with pleasure !