An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.
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I wasn't going to review this film until I read the other reviews. But the way a large number of people so negatively react to this film is a testament to how powerful it really is, and perhaps says more about the film than those reviews themselves ever could.
We live in a world that hates the truth. And "Eighth Grade" is pure truth. The most remarkable thing about the film is how it refrains from dramatizing how young people today grow up and interact, and instead tries to simply show things how they are. You can argue how successful they were in this attempt, but I think they got it pretty close. And some things about growing up are timeless. While the technology may have changed, all of the things Kayla did in the film, I also did at that age. I also came from a broken home and background of trauma, and I was also not popular. One review said that you had to be a loser to like this film, and maybe there is more than a nugget of truth there. The kid who was head of the class in Grade 8 might have a tough time relating.
The film does very little to explain all this to the viewer, and does not make any attempt to show why Kayla is how she is. This is fascinating because that is exactly how our society, and in particular teen society, works: it is blind to why people are how they are, and simply ruthlessly sorts them into categories such as attractive/popular and ugly/unpopular. It seems that people who are used to going along with this way of thinking are puzzled and unsettled by the film.
What "Eighth Grade" ultimately is, is a mirror. It simply reflects back to us what our world is. There is no editorialization. So when so many people are recoiling in horror from a mirror, what does that actually say?
We live in a world that hates the truth. And "Eighth Grade" is pure truth. The most remarkable thing about the film is how it refrains from dramatizing how young people today grow up and interact, and instead tries to simply show things how they are. You can argue how successful they were in this attempt, but I think they got it pretty close. And some things about growing up are timeless. While the technology may have changed, all of the things Kayla did in the film, I also did at that age. I also came from a broken home and background of trauma, and I was also not popular. One review said that you had to be a loser to like this film, and maybe there is more than a nugget of truth there. The kid who was head of the class in Grade 8 might have a tough time relating.
The film does very little to explain all this to the viewer, and does not make any attempt to show why Kayla is how she is. This is fascinating because that is exactly how our society, and in particular teen society, works: it is blind to why people are how they are, and simply ruthlessly sorts them into categories such as attractive/popular and ugly/unpopular. It seems that people who are used to going along with this way of thinking are puzzled and unsettled by the film.
What "Eighth Grade" ultimately is, is a mirror. It simply reflects back to us what our world is. There is no editorialization. So when so many people are recoiling in horror from a mirror, what does that actually say?
I understand, that there's a lot of close minded people of the older generation here that don't find this movie to be realistic cause it's different to when they were in Eighth Grade, but the world has changed. All you need to do is go online and find some random kid with 10 subscribers making YouTube videos to understand where the cringe of 'gucci' etc. comes from. I know people somewhat akin to the main character, and honestly, her inability to express herself is realistic. The dialogue as well, I walk through the halls of my high school, and just want to cringe to death at the way the younger kids speak, and I think it's great that it is being explored through this film, something a lot of people have and will never understand. Anyway I thought it was a good film, no one's going to read this but who cares, I wrote it in 5 minutes.
While the cringe genre usually brings to mind over the top characters like Michael Scott and Larry David breaking unwritten social rules and making grand buffoonish displays, it rarely cuts this close to home, making you cringe because of how easy it is to relate to. That feeling when there's a conversation around you and you don't know how to jump in. That feeling when you know your lack of confidence is holding you back but you don't have the confidence to do anything about it. While we may carry these feelings into our adult lives, it was the perfect combination of hormones and naiveté that made them hit like a ton of bricks in our formative years. This film is a deep dive into this awkward anxiety that feels oddly personal while being universally relatable. Elsie Fisher is fantastic to the point where you forget she's acting and not just living as the character. The script is equal measures sweet and funny when it's not just downright uncomfortable. Whether or not you grew up with social media (and thank God I didn't), this film will bring you back to your youth and make you appreciate that it's something you only have to go through once.
Don't get me wrong, the movie is amazing. It's just so damn embarrassing. Like I had to pause it several times because of the second hand embarrassment I was having. It feels sooooo real.
Unlike so many of a similar vein, 'Eighth Grade (2018)' isn't about 'kids gone wild' or 'the corruption of a constantly online world'. Rather, it's simply about a good person trying to figure out what it means to be herself. It's both a tender reflection and an in-the-moment snapshot, one that's not fuelled by nostalgia so much as empathy. It's wonderfully authentic and, as such, is incredibly relatable. There's nothing flippant about the flick, either. It comments on the internet, and social-media in particular, without being dismissive of it, never reducing social-media to some sort of blanket 'evil'. It's more nuanced than that, understanding where the root of most problems come from, and wholly accepts the world as it is. It tells a small story with small stakes that sort of seem non-existent - that is, until you remember just how big everything seemed when you were a child. Social anxiety as antagonist is a difficult thing to pull off, yet this does it almost impeccably. It also features one of the best father-daughter relationships I've seen on screen, one which culminates in a truly beautiful fire-side scene. Overall, the piece is pacy, nontraditional and entertaining. It's really uplifting, too. In some ways, it sort of functions as one of its protagonist's self-help videos: no matter how old you are, it tells you that everything is going to be okay. It's delightful. 8/10
Did you know
- TriviaAt a screening in San Francisco, director Bo Burnham said he originally intended for all the young characters to communicate with one another over Facebook. When his star, Elsie Fisher, saw his script, however, she said, "No one uses Facebook." He then made that a line in the movie and had the characters use Instagram and Snapchat instead.
- GoofsIn the mall scene where Kayla first walks in to meet Olivia, she walks past a number of mid-mall kiosks. One of them has a mirror and you can see the crew briefly reflected as she moves through the scene.
- Quotes
Kayla: Do I make you sad? I don't know. Sometimes I think that when I'm older, I'll have a daughter of my own or something... and I feel like if she was like me, then being her mum would make me sad all the time. I'd love her because she's my daughter, but I think if she turned out like me that being her mum would make me really sad.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Eighth Grade (2018)
- SoundtracksOrinoco Flow
Written by Enya, Roma Ryan & Nicky Ryan
Performed by Enya
Courtesy of Warner Music UK Ltd
By arrangement with Warner Music Group Film & TV Licensing
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $13,539,709
- Opening weekend US & Canada
- $263,797
- Jul 15, 2018
- Gross worldwide
- $14,347,433
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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