Boy Erased

Boy Erased is the adaptation of Garrard Conley's memoirs published in 2016. Jared is nineteen years old when his parents learn about his homosexuality. He is then taken, more or less voluntarily, to a conversion center as part of a therapy called 'Source' during which he is subjected to a veritable mental torture to force him to change and correct his alleged deviance, within a childish and humiliating environment.

It is overall excellent, with a small damper: throughout the movie, all adult men are systematically as religious as obtuse. Jared will be accepted and understood by only one person: his mother. This context is excessively negative and the movie probably loses some credibility. Unless it's unfortunately the reality ... That being said, it's clearly a good movie.

Moreover, the author Garrard Conley is 34 in 2019, we can legitimately deduce that the film takes place in 2004. So, very recently, almost yesterday. Personally, I was absolutely unaware of such practices. Incredible and appalling!

Never have I been so uncomfortable so long a period of time. Normally movies have a scene that shifts into the distressing/uncomfortable and you're like "wow, what a great scene."

That's the whole movie. Except for about 3 light moments scattered throughout the subject matter of conversion therapy and the environment our protagonist Jared is literally TRAPPED in is awful. The homophobia and control that the Love In Action conversion program enforces over the poor souls inducted into this brainwashing camp becomes increasingly extreme. The way it causes distress and breaks people is shown differently through the various side characters and none of it is good. This is a tragic story of the real abuse of LGBT people happening in the US (and gay conversion therapy isn't explicitly banned everywhere in Aus either).

I was on the edge of my seat, deeply breathing, sighing, putting my hands to my face in awe and distress, the whole way through. Just when I thought this movie couldn't get more uncomfortable it finds a new height.

It achieves all this through plot and intimate performances. Everything else is so stripped back and naturalistic. There's barely any music, or at least not very noticeable background music (with the exception of the song Revelation by Troye Sivan/Jonsi, which will likely vie for a nomination for best original song). It looks like they almost didn't have a lighting crew for more of the film, instead relying on house lighting for a dark, moody, or contrasting aesthetic. The whole thing feels not like a stylistic piece of cinema, but a realistic look at a person's life. Which is the point given it is inspired by the real experiences of someone who suffered through the abuse of conversion therapy. This film is so well put together.

I never want to watch it again. Which is weird for a film I love so much. But this movie is harrowing. It haunts me. I don't get very emotional over film but this subject and execution was just so deeply uncomfortable for such a long period of time that I don't feel the need to ever subject myself to that again. Which is a great recommendation if you want something to make you feel sad/distressed for nearly 2 hours straight.

The son of an Arkansas preacher goes to gay conversion therapy, first willingly, then reluctantly. Therapy includes religious (casting out demons), pop-psychoanalytical (family tree, family anger), and behavioral (learning stereotypical male mannerisms). While demanding truth, the conversion leader insists that what his subjects claim to have experienced is insufficient to be truthful.

I have seen movies on this theme before, the most recent being The Miseducation of Cameron Post. However, this hews closely to an autobiography, and at the Toronto International Film Festival, the actual mother and son showed up at the Q+A.

Lucas Hedges and director Joel Edgerton are wonderful as the main protagonists - the son and the therapy leader. Nicole Kidman only plays a supporting role as the mother, still a role bigger than Russell Crowe as the loving but misguided father. This is very much an advocacy film against gay conversion, and has the star power to get to a general audience.

I enjoy horror films. I have watched hundreds of them, everything from the classic 1930s Universal titles like Dracula and Frankenstein, to some of the more modern high-tech efforts. In general they don't scare me. This film does. The amount of ignorance and cruelty portrayed in this film should warrant it an X rating. The truth is, I wasn't even sure at the beginning whether it was for or against its subject matter. You'd think in the 21st century that there would be more members of The Flat Earth Society than people who truly believe you can "pray away the gay." Obviously I'm wrong. In fact, the VP candidate of a major party is a strong advocate for that belief. So I'm not sure what this film really is. Is it a documentary? Is it a melodrama? Is it just a flat-out horror film? Whatever it is, it put me squarely in touch with the amount of ignorance and cruelty that exist in my fellow humans. We criticize other cultures who practice female genital mutilation, yet we - decent Christian folks - do this? If I go see a film about some shape-shifting mutant who eats human brains for dessert, I wouldn't be particularly troubled by it (other than the graphic FX). At the least, I know that there were no shape-shifting mutants in the theatre audience with me. I wish I I had the same confidence about who sat in the theatre with me watching this film on any given night. Folks like this are out there, and the unspeakable pain they subject others to in the name of their religious beliefs is truly frightening. This is a good film, competently cast and acted, and well written and directed. I hope it finds the audience it deserves. I hope it alleviates some pain and suffering somewhere, which is an odd mission for a horror film.

It is scary what we do to ourselves and our families. This is a dramatization of a real life horror. Well written, well acted and well directed.