Gaston Lagaffe
- 2018
- Tous publics
- 1h 25m
IMDb RATING
4.5/10
1.2K
YOUR RATING
Gaston gets hired as an intern. With its wacky inventions he puts the daily life of his colleague's on stilts. Our brilliant hobbyist experience crazy adventures with a cat, a gull, a cow an... Read allGaston gets hired as an intern. With its wacky inventions he puts the daily life of his colleague's on stilts. Our brilliant hobbyist experience crazy adventures with a cat, a gull, a cow and the Flat Vid Phone.Gaston gets hired as an intern. With its wacky inventions he puts the daily life of his colleague's on stilts. Our brilliant hobbyist experience crazy adventures with a cat, a gull, a cow and the Flat Vid Phone.
- Director
- Writers
- Stars
Maka Sidibe
- Jeff
- (as Maka Sidibé)
Estéban
- Bertrand Labévue
- (as Esteban)
Anne Benoît
- Le médecin
- (as Anne Benoit)
Stéphane De Groodt
- Voix PDG
- (voice)
Isabelle Nanty
- Voix du hall
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
To start with the plus-side:
Fans of the comics will find literally 100s of details of all kind all over the movie, be it the outfits, Gastons questionable recipes, the evolution of his vehicle, his pets, the archaic instrument, the lighthouse (Ph*** batteries anyone?), the sweet relation to Jeanne....
Jeanne is great and many other essential characters are well transferred to the screen and presence.
One can somewhat live with the decision of some e-commerce startup instead of a publishing company, though, some of the originals subtones and interactions with other people in the office do get lost by that.
Also, the choice of the location with a big open spaces makes sense for storytelling (reminding me of the Jerry Lewis classic "The Ladies Man") and filming, compared to narrow rooms and hallways.
The major fail is the choice and depiction of Gaston himself and the shallow story. Of course, there has to be some story to being pushed ahead and the original cartoons don't have one (apart from the Bravo Brothers).
A better script would have boosted the overall impression.
Fans of the comics will find literally 100s of details of all kind all over the movie, be it the outfits, Gastons questionable recipes, the evolution of his vehicle, his pets, the archaic instrument, the lighthouse (Ph*** batteries anyone?), the sweet relation to Jeanne....
Jeanne is great and many other essential characters are well transferred to the screen and presence.
One can somewhat live with the decision of some e-commerce startup instead of a publishing company, though, some of the originals subtones and interactions with other people in the office do get lost by that.
Also, the choice of the location with a big open spaces makes sense for storytelling (reminding me of the Jerry Lewis classic "The Ladies Man") and filming, compared to narrow rooms and hallways.
The major fail is the choice and depiction of Gaston himself and the shallow story. Of course, there has to be some story to being pushed ahead and the original cartoons don't have one (apart from the Bravo Brothers).
A better script would have boosted the overall impression.
The movie gets a low rating here, but if you grew up reading the Gaston comic books you'll find that they did a decent job bringing the familiar characters to life. Without that background knowledge you probably miss all the little hints and jokes.
As much as I can love Pef (Pierre-François Martin-Laval), I didn't find the magic of Gaston in this movie.
Transforming a comic that works generally with one page gags in a long feature seems an impossible feat (the only examples I can think of French or Belgian comics successfully converted in a movie are full comic books).
To come back to the movie, if the inventiveness of Gaston that perspires in the comic is indeed found in the movie (through Gaston's invention but also through the use of failed manufactured products, Gaston is too much reduced to that aspect and to his sleepiness. I guess to make him the action spring makes difficult to convey the comic Gaston.
To come back to the movie, if the inventiveness of Gaston that perspires in the comic is indeed found in the movie (through Gaston's invention but also through the use of failed manufactured products, Gaston is too much reduced to that aspect and to his sleepiness. I guess to make him the action spring makes difficult to convey the comic Gaston.
10luckske
The score for this movie actually made me write my first review ever in all my years on this site.
I only recently discovered that this movie exists by accidentally finding a trailer on YouTube. My reaction was mixed between cringe and excitement, excitement because I adore the work of Franquin and cringe because usually "live action" adaptations are very difficult to pull off.
It is by no means a perfect film, but I think people underestimate how difficult it is to craft an overarching narrative for a movie based on one or half page comic strip gags. It brings with it a lot of difficulties. In a comic strip readers don't wonder why the lazy mail man doesn't get fired because the world is very small. In a movie however you need to construct character motivation. Additionally, I believe the comic was set in around the sixties, so the writers needed to modernize the setting and the characters a bit, and I think they did well.
Sometimes the choices they make are a little bit hamfisted, for example they turned the policeman antagonist into a meter maid, policeman in training, but in the comic this was his primary role, to give Gaston a hard time for parking without paying, so they had to fit it in somehow. Most of the time, however, I think the choices work.
What surprises me is no one seems to notice how much LOVE and respect went into this movie. It doesn't come off as a mindless cash grab at all. The boy who plays Gaston is a perfect choice, he has the posture, the looks and is very very endearing, but also annoying and a bit awful in his own ways. The readers of the comic surely remember that Gaston could sometimes be a bit of a jerk, but overall likeable. And I feel they captured this spirit. Also they did right by the characters, Prunelle does well, as does mademoiselle Jeanne and they definitely nailed the spirit of Lebrac. What gave me so much joy was seeing Jules de chez Smith en face and Bertrand. With those two they took the essence of the characters of Gastons slacker friends and they modernized them in a respectful way. Applause!
The story is all in all quite thin and serves mostly as a vehicle to get a lot of visual gags out there, but I think it works. They pay homage to visuals from the comics from the get go and you'll find a lot of recognizable tidbits all throughout the movie if you know the comics well. I like how they made De Mesmaeker the antagonist and how we learn what the contracts are for. The antics and inventions ramp up in the function of the plot, in my book it works.
I really feel like the people who created this movie really came from a place of respect and love for the comic and they did their utmost best to construct a movie around the world of Gaston. Their efforts are commendable and I strongly lament the negativity of the reception of this movie. What did people expect?? How would they have wanted to see it different? It's never gonna be exactly the same, but I honestly think they stayed as close to the source material as they could or should. This movie gave me a lot of joy and is a great expansion of the Gaston universe.
I really really hope the movie was successful enough, made back a good amount of money and that the people who worked on it and the actors are proud of what they made. Honestly the low score breaks my heart! It's not deserved. Thank you for this very adequate slice of nostalgia! I love it.
It is by no means a perfect film, but I think people underestimate how difficult it is to craft an overarching narrative for a movie based on one or half page comic strip gags. It brings with it a lot of difficulties. In a comic strip readers don't wonder why the lazy mail man doesn't get fired because the world is very small. In a movie however you need to construct character motivation. Additionally, I believe the comic was set in around the sixties, so the writers needed to modernize the setting and the characters a bit, and I think they did well.
Sometimes the choices they make are a little bit hamfisted, for example they turned the policeman antagonist into a meter maid, policeman in training, but in the comic this was his primary role, to give Gaston a hard time for parking without paying, so they had to fit it in somehow. Most of the time, however, I think the choices work.
What surprises me is no one seems to notice how much LOVE and respect went into this movie. It doesn't come off as a mindless cash grab at all. The boy who plays Gaston is a perfect choice, he has the posture, the looks and is very very endearing, but also annoying and a bit awful in his own ways. The readers of the comic surely remember that Gaston could sometimes be a bit of a jerk, but overall likeable. And I feel they captured this spirit. Also they did right by the characters, Prunelle does well, as does mademoiselle Jeanne and they definitely nailed the spirit of Lebrac. What gave me so much joy was seeing Jules de chez Smith en face and Bertrand. With those two they took the essence of the characters of Gastons slacker friends and they modernized them in a respectful way. Applause!
The story is all in all quite thin and serves mostly as a vehicle to get a lot of visual gags out there, but I think it works. They pay homage to visuals from the comics from the get go and you'll find a lot of recognizable tidbits all throughout the movie if you know the comics well. I like how they made De Mesmaeker the antagonist and how we learn what the contracts are for. The antics and inventions ramp up in the function of the plot, in my book it works.
I really feel like the people who created this movie really came from a place of respect and love for the comic and they did their utmost best to construct a movie around the world of Gaston. Their efforts are commendable and I strongly lament the negativity of the reception of this movie. What did people expect?? How would they have wanted to see it different? It's never gonna be exactly the same, but I honestly think they stayed as close to the source material as they could or should. This movie gave me a lot of joy and is a great expansion of the Gaston universe.
I really really hope the movie was successful enough, made back a good amount of money and that the people who worked on it and the actors are proud of what they made. Honestly the low score breaks my heart! It's not deserved. Thank you for this very adequate slice of nostalgia! I love it.
As a lot of people i grow up with Gaston the comics and it was some kind of genius on our kid's eyes. French do great thinks but to make a funny movie with a belgian icon as gaston you need... the Belgian touch you don(t heve here so... it's a fail
Did you know
- TriviaGaston is a film based on a comic strip created in 1957 by Belgian cartoonist André Franquin which first appeared in the Franco-Belgian comics magazine "Spirou".
- GoofsWhen Boulier is hit by the spring door, the blackened tooth used to give the impression he lost a tooth in the process is very visible in several shots.
- Crazy creditsThe end caption reads "fin" ("end" in French), then changes to "M'en fin!", Gaston's catchphrase in the comic.
- ConnectionsReferences La Panthère rose (1963)
- SoundtracksAt Last
Performed by Etta James
- How long is Gaston Lagaffe?Powered by Alexa
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross worldwide
- $4,348,198
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.85 : 1
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