Creation of the Gods I: Kingdom of Storms

The original novel was published 400 years ago and have too many memorable moments. So it is very unsuitable for movie use. Moreover, Chinese classical novels, especially this type of novels, (hua beng) do not have the sublimation of characters in modern Western novels, so they are not necessarily suitable for movies. So the director made simplifications and trade-offs here. Many familiar scenes have not been retained. The perspective of the movie is abandoned and the change of a character is the most important driving force for the movie. The visuals have improved a lot. It is already very good to have such a performance.

It's a phenomenal movie, it revolves around the core of the prophase of the Chinese civilization--fatherhood and inheritance. The director has excellent taste in history and Chinese myth. Very clear storyline and character shaping, all of them correspond to the ancient Chinese value system, the kind intent to manipulate his sons equals he wants to dominate the whole regime, but he has the ambition to eliminate his ancestors to build his surmountable power which makes he be seemed as a villain in Chinese culture. The cinematography is top-notch, I am appealed to the whole time in the movie! Highly recommended, it's a stunning epical representation of the Shang Dynasty and Chinese myth!

GoT meets Shogun meets Indiana Jones meets LOTR meets Wheel of Time! Such a great show with interesting characters and plot, well-balanced with action and drama!

I love Chinese culture, and there are so many references to hostoric China and customs that I really enjoyed.

I am American but have always been interested in the concepts of Chinese culture from Taoism to the Tao De Ching. There is so much to learn.

The cinematography was beautiful as are the actors and actresses. I was hoping for a dragon throughout but there are some satisfying mystical elements for those who seek that type of thing. ENJOY!

An absolutely needed movie for Chinese cinematography. Surprisingly edgy and mystical that makes one wonder how did it ever pass the "bar". Many scenes reminded me of the Red Wedding from Game of Thrones, and indeed as many lauded, this could very well be the Chinese version of GOT or Lord of the Rings. At the same time, the film has so many things that is so distinctly Chinese in terms of its value system and culture. No doubt, I hope the sequels gets the green light, as these films could really push our culture and stories forward to a larger stage. Only gripe is that there is still a sense of awkwardness in some of the acting, most specifically with the King. Nevertheless, it is still one of the greatest villains I've seen in a Chinese film and the casting of the younger actors are fantastic, finally some masculinity again!

Since its detonating release in the mainland, this movie was praised as legend among the viewers. Indeed, Feng Shen represents China's highest standard of film production, whether VFX, production and costume design, screenplay adoption, choreography, and performance. Despite the few scenes at Kunlun with questionable green screen utility, the visual effect is much better than that in The Flash, as the extreme wide shots of the coronation or the sacrificial pyre depict architectural grandeur without forgetting the details of men. In terms of bringing one of China's most famed mythology into life, the movie succeeds once more in modifying the intent of Daji the Fox Demon and adding the Army of Hostages; my personal favorites are Nezha's Fire Wheels and Red Sash, which are exactly what I pictured from the original text. Performance wise, Fei Xiang and Na Ran are doubtlessly the best castings for the devious tyrant and the animalistic temptress.

Onto the negatives, the movie seems to portray plot-driven characters instead of having the characters pilot the storylines. Especially approaching the final act, the deaths and arcs of numerous characters, including the protagonist, either appear scripted or simply do not convince me. This could be the result of extensive editing and condensation in regards to the length, which is always an issue for commercial films with adopted screenplay. The work is enough as entertainment, but if the trilogy wants to become classic, it still needs a push.

Can't wait to see the second.