Leo, 2, is the son of the acting manager of a chemical plant. When employees find out that the direction is about to close the factory, Bruno, a more radical worker, kidnaps Leo to negotiate... Read allLeo, 2, is the son of the acting manager of a chemical plant. When employees find out that the direction is about to close the factory, Bruno, a more radical worker, kidnaps Leo to negotiate ...Leo, 2, is the son of the acting manager of a chemical plant. When employees find out that the direction is about to close the factory, Bruno, a more radical worker, kidnaps Leo to negotiate ...
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Featured reviews
Unique storytelling through the eyes of an infant. Totally Gripping and fascinating from the beginning to the end.
"Les petites mains" is , first, just an experience. A film about a terrible mistake as result of angry. With a surprising, moving, fascinating end. The cinematography is just great and the scenes of the man and child in the forest, the looks, the touches, the silence are magnificent. A film about a profound change and one of the most cinematographic inspires definitions of the essence of life. Absolutely, splendid.
Greetings again from the darkness. Staging a kidnapping is one of the quickest ways to create cinematic tension. When that kidnapping involves a toddler, the emotions and tensions fly off the charts. With only his third film, writer-director Remi Allier won France's Cesar Award for Best Short Film. Mr. Allier co-wrote the film with Julien Guetta and Gilles Monnat, and their film will have you on the edge of your seat for the full 15 minute run time.
We first see emotions erupting during labor negotiations between the workers' Union and the shareholders of a factory that is being shut down. The negotiations are raucous, and the factory manager's wife (on site for some inexplicable reason) decides its best if she takes their toddler son Leo home. In the blink of an eye, a mother's poor decision leads to an even worse spontaneous decision by Bruno, one of the frantic workers.
Screen vet Jan Hammenecker plays Bruno, and Emile Moulron Lejeune is little Leo. Much of what happens next is shown from the toddler's point of view, and it's the faces of Leo and Bruno that tell the story ... very little dialogue is heard after the opening sequence.
Director Allier's film displays class disparity and how emotions can lead to decisions so bad that lives are forever altered. Some of the camera work here is excellent, and the tension as a viewer is at maximum capacity.
We first see emotions erupting during labor negotiations between the workers' Union and the shareholders of a factory that is being shut down. The negotiations are raucous, and the factory manager's wife (on site for some inexplicable reason) decides its best if she takes their toddler son Leo home. In the blink of an eye, a mother's poor decision leads to an even worse spontaneous decision by Bruno, one of the frantic workers.
Screen vet Jan Hammenecker plays Bruno, and Emile Moulron Lejeune is little Leo. Much of what happens next is shown from the toddler's point of view, and it's the faces of Leo and Bruno that tell the story ... very little dialogue is heard after the opening sequence.
Director Allier's film displays class disparity and how emotions can lead to decisions so bad that lives are forever altered. Some of the camera work here is excellent, and the tension as a viewer is at maximum capacity.
In this gripping film told from the point of view of a toddler, Remi Allier has succeeded in articulating this young child's perspective through a masterful use of cinematography and flawless performances. Little Hands brilliantly addresses the complexities at hand in today's ever evolving global economy with its child protagonist providing a microcosmic and humbling view of a power struggle much greater than any one of us.
Totally gripping. Photography, actors, direction... Everything is perfect in this short
Did you know
- TriviaWhen Emile Moulron Lejeune is looking at his father in the office, or walking through the crowd at the beginning of the film, the actors were asked to act softly and silently when the baby was on set, so that he would not be scared. So Rémi Allier asked him to look for his father, as a game. That way he was really focused, and intrigued at the same time, because he was facing a group of 50 strangers, standing still and he knew that his father was in the middle of them.... At the end of the take, in the rushes, he starts to laugh proudly, because he finally found his daddy .
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- Little Hands
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- 15m
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- 2.35 : 1
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