Pavarotti
- 2019
- Tous publics
- 1h 54m
IMDb RATING
7.5/10
4K
YOUR RATING
Life, works and achievements of opera legend Luciano Pavarotti.Life, works and achievements of opera legend Luciano Pavarotti.Life, works and achievements of opera legend Luciano Pavarotti.
- Director
- Writers
- Stars
- Awards
- 1 win & 6 nominations total
Luciano Pavarotti
- Self
- (archive footage)
Vittorio Grigòlo
- Self
- (as Vittorio Grigolo)
Madelyn Renée Monti
- Self
- (as Madelyn Renée)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am not an opera fan (to put it mildly). I have always had respect for Pavarotti, but knew little about him. This movie takes the viewer on a journey, and the more I've been wathcing, the more I got sucked into the world of Pavarotti. It is long, but felt suprisingly short, and I kind of felt sad when it was over....though also felt that i have learnt a lot. It is an inspiring story, perhaps even more so because it is true...and it's not a pink-clouded nostalgic fairytale either: it shows the flaws and exposes the weeknesses of the man too, yet somehow these just made him all more likeable and more...human. I was in awe by the end of film, and was so glad that I've decided to give it a go (not being an opera fan and all): i think that is time very well spent, with lasting impressions and inspiration.
No being real familiar with Opera but somewhat with Pavarotti I was not sure what to expect, but decided since Ron Howard does not make bad movies, bound to be good. After watching and learning so much about Pavarotti the Opera Star and Man was very moved. What an Incredible Performer and even better Human Being. I very much want to visit Italy to see his Musuem and Hometown. See an Opera. I saw the Film at a neat little theatre in Downtown Monterey CA
Pavarotti (2019) was directed by Ron Howard. It's a solid biography of the extraordinary tenor, with archival footage and interviews with Pavarotti's colleagues, family, and friends.
No one questions Pavarotti's genius. It's certainly on full display in the film. His personal choices may have been less than exemplary, so it's necessary to separate your thoughts about the artist from your thoughts about the man.
The good news is that, as far as I can tell, director Howard is presenting Pavarotti's story in an honest, unbiased way. At least, that appears to have been his goal. How well he succeeded is something that opera experts will have to tell us.
We saw the movie at Rochester's excellent Little Theatre. It will work well enough on the small screen, although certainly you need to see it with a system that has good sound .
The film has a solid IMDb rating of 7.5, which I think is just about right. Opera lovers won't want to miss it. I think it's worth seeing even if you don't love opera.
No one questions Pavarotti's genius. It's certainly on full display in the film. His personal choices may have been less than exemplary, so it's necessary to separate your thoughts about the artist from your thoughts about the man.
The good news is that, as far as I can tell, director Howard is presenting Pavarotti's story in an honest, unbiased way. At least, that appears to have been his goal. How well he succeeded is something that opera experts will have to tell us.
We saw the movie at Rochester's excellent Little Theatre. It will work well enough on the small screen, although certainly you need to see it with a system that has good sound .
The film has a solid IMDb rating of 7.5, which I think is just about right. Opera lovers won't want to miss it. I think it's worth seeing even if you don't love opera.
My Review- Pavarotti
My rating 8:10
This film directed and produced by Ron Howard is a labour of love and quality documentary making.
Luciano Pavarotti reached millions of different audiences and crossed generation gaps at times slapping the snobby opera cliques in their face with his pop / opera fusion . This happened late in his life after he had attained equal fame to the previous King of Opera Enrico Caruso.
Ron Howard's film celebrates his fame and glorious voice but at the same time reveals his inner demons and insecurities and infidelities.
The most impressive part of the film for me was Pavarotti's sheer joy of life and his generosity to important and needy charitable causes .
There's an iconic image of tenor Luciano Pavarotti and Diana, Princess of Wales: he looking fresh and invigorated after an open-air performance in Hyde Park, she looking absolutely soaked through with rain because she'd been watching said performance.
She looks absolutely charmed, no doubt because the legendary tenor had just dedicated a Puccini aria to her in front of hundreds of thousands of people: They became great friends and he joined her in her charitable quest for the elimination of land mines world wide.
After the war in Bosnia, he financed and established the Pavarotti Music Centre in the southern city of Mostar to offer Bosnia's artists the opportunity to develop their skills. For these contributions, the city of Sarajevo named him an honorary citizen in 2006.
His foundation continues today to contribute millions of dollars and each year in his hometown of Modena Italy he is honoured for supporting refugee causes all over the world.
In 2001, Pavarotti received the Nansen Medal from the UN High Commission for Refugees for his efforts raising money on behalf of refugees worldwide. Through benefit concerts and volunteer work, he has raised more than any other individual.
A great documentary about a great man.
My rating 8:10
This film directed and produced by Ron Howard is a labour of love and quality documentary making.
Luciano Pavarotti reached millions of different audiences and crossed generation gaps at times slapping the snobby opera cliques in their face with his pop / opera fusion . This happened late in his life after he had attained equal fame to the previous King of Opera Enrico Caruso.
Ron Howard's film celebrates his fame and glorious voice but at the same time reveals his inner demons and insecurities and infidelities.
The most impressive part of the film for me was Pavarotti's sheer joy of life and his generosity to important and needy charitable causes .
There's an iconic image of tenor Luciano Pavarotti and Diana, Princess of Wales: he looking fresh and invigorated after an open-air performance in Hyde Park, she looking absolutely soaked through with rain because she'd been watching said performance.
She looks absolutely charmed, no doubt because the legendary tenor had just dedicated a Puccini aria to her in front of hundreds of thousands of people: They became great friends and he joined her in her charitable quest for the elimination of land mines world wide.
After the war in Bosnia, he financed and established the Pavarotti Music Centre in the southern city of Mostar to offer Bosnia's artists the opportunity to develop their skills. For these contributions, the city of Sarajevo named him an honorary citizen in 2006.
His foundation continues today to contribute millions of dollars and each year in his hometown of Modena Italy he is honoured for supporting refugee causes all over the world.
In 2001, Pavarotti received the Nansen Medal from the UN High Commission for Refugees for his efforts raising money on behalf of refugees worldwide. Through benefit concerts and volunteer work, he has raised more than any other individual.
A great documentary about a great man.
It's highly unlikely that in our lifetime we will ever see another Luciano Pavarotti.
A man whose voice was beloved across the world and a man whose image was instantly recognisable for many, a rare achievement for a modern day opera singer, Pavarotti was that rare breed of human being that managed to share an incredible gift with millions upon millions of admirers and if this Ron Howard documentary does one thing unquestionably well, it's that it reminds us all of the privilege it was to get to witness this talent be shared with the masses.
As a documentary, Pavarotti pales in comparison to other recent examinations of famous figures such as Amy, Diego Maradona or Whiteny and continues on a trend for Howard to direct films in a solid fashion without ever trying to push the boundaries or his abilities but it's a workmanlike effort that is hard to not enjoy as we witness the young Luciano ply his trade from simple beginnings in his home country, right through to his defining stints in the 3 Tenors or his highly sought after live shows.
What we see throughout and what we hear about from those that knew Luciano best, is that Pavarotti was a fiercely determined man, one that was hell-bent on ensuring he never once took his gift for granted as he set about improving his workmanship in the field right through to his later years.
There's a power in watching Pavarotti perform and Howard's extensive access to archival footage and previously unseen home video footage helps create perhaps not the quintessential hard look exploration of his life, but an inside look into what a one in a billion talent looks like.
Despite the fact we are often watching decades old clips of performances or interviews there is also a clear and definable charm and showmanship that Pavarotti possessed.
As he walks into a room full of people, talking to students at a masterclass or simply sitting one on one with an interviewer, he was a consistently open and honest figure who at the very core of his being was nothing more than a devilishly charming rogue that faced many of the similar fears and worries we everyday people had, even though he had to be on top of them frequently to be able to deliver on the name and magic that he built his life around.
It's not the warts and all experience some documentarians would've gone for, but as a piece of fan service and carefully put together reminder of the genius that was, Pavarotti does its job without ever attempting to over work itself.
Final Say -
For long term fans and those that might simply need a showcase for the amazing voice that was Pavarotti, Howard's documentary will provide exactly what keen viewers will be seeking and while it never threatens to become a grand documentation, Pavarotti is a finely tuned ode to one of the modern era's great entertainers and popular figures.
3 ½ handkerchiefs out of 5
A man whose voice was beloved across the world and a man whose image was instantly recognisable for many, a rare achievement for a modern day opera singer, Pavarotti was that rare breed of human being that managed to share an incredible gift with millions upon millions of admirers and if this Ron Howard documentary does one thing unquestionably well, it's that it reminds us all of the privilege it was to get to witness this talent be shared with the masses.
As a documentary, Pavarotti pales in comparison to other recent examinations of famous figures such as Amy, Diego Maradona or Whiteny and continues on a trend for Howard to direct films in a solid fashion without ever trying to push the boundaries or his abilities but it's a workmanlike effort that is hard to not enjoy as we witness the young Luciano ply his trade from simple beginnings in his home country, right through to his defining stints in the 3 Tenors or his highly sought after live shows.
What we see throughout and what we hear about from those that knew Luciano best, is that Pavarotti was a fiercely determined man, one that was hell-bent on ensuring he never once took his gift for granted as he set about improving his workmanship in the field right through to his later years.
There's a power in watching Pavarotti perform and Howard's extensive access to archival footage and previously unseen home video footage helps create perhaps not the quintessential hard look exploration of his life, but an inside look into what a one in a billion talent looks like.
Despite the fact we are often watching decades old clips of performances or interviews there is also a clear and definable charm and showmanship that Pavarotti possessed.
As he walks into a room full of people, talking to students at a masterclass or simply sitting one on one with an interviewer, he was a consistently open and honest figure who at the very core of his being was nothing more than a devilishly charming rogue that faced many of the similar fears and worries we everyday people had, even though he had to be on top of them frequently to be able to deliver on the name and magic that he built his life around.
It's not the warts and all experience some documentarians would've gone for, but as a piece of fan service and carefully put together reminder of the genius that was, Pavarotti does its job without ever attempting to over work itself.
Final Say -
For long term fans and those that might simply need a showcase for the amazing voice that was Pavarotti, Howard's documentary will provide exactly what keen viewers will be seeking and while it never threatens to become a grand documentation, Pavarotti is a finely tuned ode to one of the modern era's great entertainers and popular figures.
3 ½ handkerchiefs out of 5
Ron Howard: The Power of True Stories
Ron Howard: The Power of True Stories
Oscar-winning director Ron Howard reveals why he is drawn to true stories, from drama Apollo 13 to his latest documentary about the life of opera legend Pavarotti.
Did you know
- TriviaEpilogue: "As of his death in 2007 Luciano Pavarotti had sold more than 100 million albums and performed live for more than 10 million people. The Pavarotti International Voice Competition, which Luciano founded in Philadelphia, launched the careers of countless opera singers, many of who are still performing. Luciano had built aid centers in Bosnia, Guatemala, Kosovo, Tibet, Cambodia and Angola. His charities and foundations have raised millions of dollars for children in conflicts around the world. This work continues to this day through La Fondazione Luciano Pavarotti."
- GoofsDuring one of his talking-head interviews, Maestro Zubin Mehta is mis-credited as 'pianist'.
- Quotes
Luciano Pavarotti: I was very lucky to have my father singing in the church. Even for a little boy, by imitation, you always *do* what your father is doing. So, he was my teacher.
- ConnectionsReferenced in OWV Updates: Blu-Ray Update (27/03/2020) (2020)
- SoundtracksA Vucchella
Written by Francesco Paolo Tosti and Gabriele D'Annunzio
Performed by Luciano Pavarotti and Leone Magiera
- How long is Pavarotti?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Паваротті
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,600,249
- Opening weekend US & Canada
- $144,032
- Jun 9, 2019
- Gross worldwide
- $8,083,942
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content