Sweet Country

This movie is an absolute masterpiece of Australian cinema. The way it tells the story is nothing short of amazing. The Cinemaphotography is a joy to take in, it really shows the Australian outback in all of its glory. This film is a must see for anyone looking for a film that will impact your life in a very real way. This is real cinema in all of its glory

When Australian cinema is good ,its usually really good and this one can hold its head high in any cinema in the world. Director Warwick Thornton who also made Samson and Delilah has excelled again with this Aussie period Western set in 1929 in the Northern Territory. It has the feel and ingredients of a Western , the Lawman, the fugitive, the posse, even the Saloon gal and the town vigilantes but Its much more than an action Western and even reminded me at times of Harper Lee's To Kill a Mockingbird set in the Australian outback. The stars are Hamilton Morris as Sam the hunted fugitive Aboriginal stockman and Bryan Brown as Sergeant Fletcher the hunter . Sam Neill as the minister, is also terrific in his role , showing the only compassion and acceptance to the indigenous population in the entire movie and Matt Day as the judge is also impressive. The cinematography is superb and at times resembles an Albert Namatjira landscape, which is understandable but it takes great skill to capture the light and timelessness of the outback landscape, it should wow overseas audiences . After the dismal film we saw yesterday this was a joy to watch and what good cinema is all about.

When a good cinematographer gets behind a movie landscapes reveal all their beauty and possibilities, and movies become as much about art as about a story. Such is the case here. The story itself is a very real example of what aboriginals in Australia must have suffered for decades. As such it is a most important document. The story is more than that though, and is a very sober and insightful look at the depth, or lack of depth, in people's characters, both for the oppressed and the oppressors. And it has some surprising moments, is genuinely authentic, and leads us to a very real hero. Fantastic performances by all the cast, this is a very fine example of Australian film.

It's tempting to say that I wanted to like "Sweet Country" more than I did, but I have used that line before, and I think it should kind of go without saying: of course I wanted to like it. I don't watch movies wanting to hate them.

However, the line seems relevant in this case because "Sweet Country" starts so promisingly. It's well shot and located, and features Sam Neill, Bryan Brown, and the long absent Matt Day (remember him?).

Trouble is, the movie seriously lost me in its middle section. I stopped paying attention to it. It needed more... something on the screen to focus on during all the silence and loose activity. It was overlong, like every other movie made these days.

The plot is, of course, about the trial of an Aborginal man who kills a "whitefella" in self defense. Something similar has already been done, and better, in "The Chant of Jimmie Blacksmith", which is a masterpiece. This one is too long and empty, like the part of the country it's set in.

I've read here two reviews by Australians, one hated the film, the other loved it. I've seen the film in the company of two other Australians, they both loved it. Yes, I agree to the point made, by the hating reviewer: the movie does judge the past according to modern morals and sensibilities. But this would be a valid point if we were discussing an academic paper or a movie that was made back then. This is neither it's a movie about Australian past that was made at the present and it feels so true it hurts. It hurts because the only way we can see it is with our modern eyes. Saying people thought differently back then, is true but it's beside the point. We, the viewers are here and now and that's the only time and place we can watch it.

So lets speak about other aspects of the film: cinematography, acting and story telling are superb. But I liked most of all the editing, with these tiny flashes forward and backward throughout the movie, flashes we can fully understand only when we've seen the movie all the way through. Please do, I think you won't regret it.