Manto

Class movie which would take us to the pre and post Independence Day's of India. Well scripted and directed by Nandita man and as usual Nawazuddin Siddiqui as Manto stole the show. Other stars done justice to their respective roles especially Rasika as Safia (Manto's Wife). And the last scene of Toba Tek Singh was touching. The movies revolves around Manto's life at pre independence India at bombay and post independence Pakistan at Lahore. And at Lahore his artistic choices and words were challenged by censors and he had to face court and system ruling the state. We could clearly see a liberal writer fighting for his rights and also his life transformation from Bombay to Lahore.

If you are one of those people who hate English subtitles in a Hindi movie, my sincere suggestion to you is to check before-hand if the subtitles are shown in the show you are going to watch.

I watched this movie, at INOX Bhubaneswar. God knows, who is the culprit behind this idiocy.

Apart from that, the movie is good, atleast from what I was able to make of it, despite the difficulty and frustration in understanding the dialogues, because of the subtitles. The acting of Nawaz is terrific. The insertion of his short-stories, into the film, is also well-done and blends near perfectly.

One thing, which I didn't like and was clearly avoidable, was the fact that the movie is not completely sincere, honest and accurate in it's depiction of Manto's life. For example, Manto started facing court trials in India only, and it did not start in Pakistan. He faced fine in only one of the total of six trials he faced. I am not fully aware of the financial hardships faced by him, but the effect and impact of the fine or the court decision, certainly seemed a bit exaggerated.

A film based on the celebrated writer Saadat Hasan Manto is as riveting and overwhelmingly haunting as his work. Like Manto's stories, this film never fails to give goosebumps. Blending seamlessly between the depiction of some of Manto's stories like Ten Rupees, Khol Do, Thanda Gosht and Toba Tek Singh and his life, the film adds extreme depth and an insight to Manto's thinking. Set in the pre-partition era, that is, mid 1940s and 1950s Manto transports you to that era, the life in Mumbai(then Bombay), and Lahore, Bombay film sets and coffee shops, rickety magazine offices, courts, gardens, hooded convertibles and tongas in the sepia coloured tones. The film also grasps the intellectual conversations between Manto and Ismat Chughtai (Rajshri Deshpande) well. Nawazuddin Siddiqui has embodied the character of Manto. With that I mean, he IS Manto in the film. He is backed by an equally talented cast, with his wife Safiya(Rasika Dugal), who portrays a controlled and strong demeanour, his dear friend and actor Shyam(Tahir Bhasin), and a host of talented actors in special appearances. Divided like the fonts used in the film, Siddiqui brings out the inner divide, conflict, the hidden rage, the disgust, the hurt, the inner turmoil, the helplessness and fear, the urge to write the truth along with managing his household, the continuous court appearances to perfection. The hurt and regret speaks volumes with his incessant cigarette puffs and chugging of alcohol. With memorable dialogues and truthful portrayal of the characters, this is one of the films which will talked about for years. Worth watching a 100 times. The only fault? - The film got over too soon.

After reading Thanda Gohsht I was mesmerised by the literary style and excellence of Sadat Hasan Manto. This movie has been a good portrayal of Manto's life. Manto was a literary genius who transformed literature forever. Impressed by movie and obviously flawless acting of Nawaz. They could have made it a little more better (but there's always room for improvement and critics will always find something to blame). But overall it was a great journey watching this movie and experiencing a view in Manto's life and his thinking(although it feels like grotesque and abominable). Do watch it.

The movie is so string tied with beautiful acting of all the actors, that you tend to ask for another showtime. I wished the movie didn't end on 112 minutes, but effortless. What a direction and screenplay, mind-boggling experience, like said by the director in her interviews, I brought some Mantoniyat with me.