Le Pape François - Un homme de parole

Beautiful film about a man with a simple message. We need to respect our planet, our tierra/earth on which our existence depends. We also need a roof/techo over our heads and meaningful work/trabajo to give us dignity. The film traces the early life of Saint Francis of Assisi and his links with our present day Pope. We follow Pope Francis around the world as he interacts with people in the most profound ways. Truly a message not to be missed.

I thought it could have used more direct dialogue with the pope, but in all i loved it. We need this message heard...topic of earth, wages, immigration, family time, and culture of greed and miney money money.

Whether or not you agree with the Catholic Church - its beliefs and actions, etc., the film, shot in documentary and interview style, does provide one with a break from meaningless, shallow viewing. It provides us with the opportunity to contemplate on issues of child abuse, suffering, environmental decline of our planet, freedom, dignity and animal welfare. There were many poignant moments and comments made by Pope Francis. It was time well spent, at the theater.

Directed by Wim Wenders, this French-German-Italian-Swiss documentary covers many interviews with the pope and includes some footage of public speeches and outings as well. His activist attitude on environmental and economic issues is frequently expressed as is his admiration of Saint Francis of Assisi.

For those of us in the know (and with a certain opinion), the current pontiff has been a diamond in the rough compared to his two predecessors, particularly Pope John-Paul II. Francis applies a very intelligent concern (with relevant references to Christ's teachings) to what is truly ailing the world and spends relatively little attention on church dogma regarding same-sex relationships and women's reproductive rights. He also practices what he preaches in living under more modest circumstances compared to the lavish luxury enjoyed by his predecessors. Much of the film's beginning re-emphasizes these beliefs but it eventually becomes rather dull. As a single talking-head, the doc's impact fades for a while.

Luckily, Wenders adds more style in the second half that restores the energy created at the film's earliest moments. There is a very gripping speech given by Francis at the Yad Vashem Holocaust Memorial in Israel. From there, the pope is seen visiting European refugee camps as well as the sick (presumably AIDS patients) in African hospitals. There are also moving scenes as he meets with Jewish and Muslim leaders - both secular and religious - sometimes simultaneously.

It's fair to say the documentary is incomplete in that there are no contradictory opinions to Pope Francis or the Vatican in modern times. In one scene, he speaks eloquently about the need to have women's voices heard when important collective decisions are being made. In a Youtube video of just over twenty-two minutes, Mary McAleese (former president of Ireland) points out how Francis' words need to be put into action. But despite some contradictory moments, this film does give a message of hope that a highly influential religious leader may help contribute to changes this planet actually needs. - dbamateurcritic

Greetings again from the darkness. Director Wim Wenders has had a varied and diverse career dating back 50 years with both narrative and documentary films. He is probably best known for PARIS TEXAS (1984), WINGS OF DESIRE (1987), and PINA (2011). As a filmmaker, he seems to excel at finding a slightly different way of looking at a subject or topic, and because of this, some of his projects are better received than others. This time out he is granted remarkable one-on-one access to Pope Francis, as well as some terrific archival footage obtained from the Vatican.

Jorge Mario Bergoglio from Buenos Aires, Argentina became Pope in 2013, and he chose Francis as his papal name. Director Wenders spends much of the movie making the connection and correlation to his namesake St Francis of Assisi - some 800 years ago. Wenders' artistic flair comes through in the black and white dramatization sequences, which are meant to send us back to the time of Assisi so we can grasp the parallels.

This is no sales pitch for Catholicism, but rather an introduction to the man, his vision and approach. It seems clear that this "reformer" is what was needed after the ultra-conservative Pope Benedict "retired" (an unprecedented step). Rather than harp on the prior missteps, the film focuses on this most engaging and sincere man who is devoted to the causes of poverty and immigrant rights. He believes we should follow the Law of Nature: we should all live in harmony; and that we are all responsible for the world and community in which we live. Pope Francis tells us of his 3 T's: terra (land), trabajo (work), and techo (housing), and how those are the foundation of a future named "hope".

Beyond those elements, this is no sound bite film. It is quite humbling to listen to a man so universal in thought. He has zero tolerance for pedophilia inside the church or out, and he firmly believes in the rewards of listening - yet another dot Wenders tries to connect with St Francis of Assisi. The camera (and hence, us) travels the globe with the Pope - Africa, Brazil, Greece, the United States, Israel and more. So many countries, religions and races are touched. He even symbolically washes the feet of the less fortunate.

There is a good deal of talking head interviews with the Pope himself, and he never shies away from a question ... leading us to the single criticism of the film. Wenders, acting here as narrator and facilitator, simply doesn't push hard enough on some of the difficult topics that could lead to real insight and debate. So we are left to ponder if this wonderful man can mitigate change within a Church that is not much known for it (check out the demographics of the group of Cardinals Francis addresses). Wenders delivers an affectionate glimpse of the man, and we leave with a bit more admiration and hope - not such a bad thing.