Confined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child's puppet to abuse the home's residents with dea... Read allConfined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child's puppet to abuse the home's residents with deadly consequences.Confined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child's puppet to abuse the home's residents with deadly consequences.
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There's something inherently terrifying about losing control, and The Rule of Jenny Pen plays into that fear beautifully. Geoffrey Rush is compelling as Stefan Mortensen, a once-powerful judge who suffers a stroke and finds himself in a care home. The isolation and vulnerability he experiences are horrifying, even before the supernatural elements creep in. The fear of being forgotten or dismissed feels almost tangible. However, the film faltered in its execution. While it starts strong, introducing a tense and eerie atmosphere, the plot gets tangled in its own complexity. Some character choices felt exaggerated, and a few plot holes made me question the narrative. Despite that, the sense of dread stayed with me. It's a flawed film, but one that still offers a lot to think about.
A former Judge has a stroke, he enters a nursing home that occupies an elderly psychopath who is fixated on a child's puppet to abuse the elderly residents of their shared nursing home with deadly consequences. Geoffrey Rush and John Lithgow gives a masterclass on acting, the story is good, but the film misses the mark on logic. Where was the security cameras, and the nursing staff on duty when all of this chaos and murder was happening? The protagonist Lithgow kept me glued to the screen & Rush also. I wanted more realism but otherwise it was en enjoyable film. A 6 out of a 10 for the acting alone.
THE RULE OF JENNY PEN (2025) *** Geoffrey Rush, John Lithgow, George Henare. (Dir: James Ashcroft). Unsettling and expertly executed horror film adaptation of Owen Marshall's short story about an acidic judge suffering a stroke and being placed in an assisted living home in New Zealand who finds himself at odd with its resident bully who wields the titular puppet with nefarious actions ensuing. Veteran character actors Rush & Lithgow as the sharp-witted magistrate and the creepily venal force of will respectively have field days matching their wits and combative actions against one another with aplomb. Director Ashcroft keeps things off balance with interesting camera work by cinematographer Matt Henley shifting its plane of existence through out keeping the film off-setting while the dread instills echoes WHATEVER HAPPENED TO BABY JANE? & MISERY in its victim/threat ethos sharply intact.
Not sure why people are giving this such low star ratings, very disturbing movie and Lithgow genuinely makes your skin crawl with the creep factor. This isn't a jump scare or gore scare movie, but even scarier in the idea that for many of us this is what we will face when we get old. Older people get taken advantage of and are very mistreated and this just showed the even darker side to that truth. I am not a fan of horror movies WHAT SO EVER and I am glad I saw this. I will say confused on why this movie is classified as a mystery though that part confused me ? Rush's acting is very believable as well, but Lithgow is the one that takes the movie to a new level. I felt sick to my stomach and had a feeling of dread come over me about getting older, so the movie did what it set out to do. Never have I hated a character than Lithgow ( well maybe the main guy in "nightingale" ) so he makes the movie a 9/10.
This was a truly interesting film but also a fairly unsatisfying one. The premise of having psychological torment in a nursing home is a pretty original idea that was surprisingly well executed given how ridiculous the trailer made the movie look. Lithgow gives a nasty performance as one of the most hatable villains I've seen in a while, while Rush plays his part as protagonist with carefully calculated defiance and cynicism against Lithgow's sadism. The camera angles and editing choices were unique, disquieting, and overall effective in their mission of creating unease. I was a little frustrated with a few key plot points that seemed like they'd be discussed later on but instead were left on the back burner. As far as the psychological horror/abuse went in the film, it was effective. A little too much. The vile representations of sexual torment paired with the overall sadism got on my nerves a bit, even if it may have worked to psych me out. That being said, not a bad movie.
Just not my cup of tea.
Just not my cup of tea.
Did you know
- TriviaDirector John Ashcroft said the film is ultimately about tyranny and described the story as the rise of a dictator in the least likely of places.
- Quotes
Dave Crealy: We don't stop playing because we get old, we get old because we stop playing.
- SoundtracksKa Mate
Composed by Te Rauparaha
Courtesy of Ngati Toa Rangatira
Thanks to Ihaia Ropata, Te Rauparaha Horomona, Taku Parai, Anahera Parata
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Jenny Pen'in Kuralı
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $433,817
- Opening weekend US & Canada
- $254,953
- Mar 9, 2025
- Gross worldwide
- $647,095
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.85 : 1
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