Sonora

Alejandro Springall' s 6th feature film tells a story at the beginning of the century in northern Mexico, when the United States closed its southern border and Chinese Mexicans were victims of discrimination. Cinematography is interesting. However, the use of aerial shots is abused, so the viewer soon gets tired. The soundtrack is totally nondescript. But "Sonora"s main problem is its lack of a good script. At one point we have up to ten individuals, perhaps more, traveling through the desert in a car, but the script does not focus on any of them to tell the story from their point of view. If the script had focused, for example, on the Chinese immigrant's family, and four or five characters had been erased from the script, an interesting, even poignant, story could have been told. As it stands, the film feels like bad editing of a much longer story. However, if you like desert aerial shots, you wont be disappointed.

You know those films which you can not take your eye off. Well, this is one is like this. From minute one to the end you feel like we're there, with the characters. Goof performances, great direction and beautiful photography. I really recommend it.

This Mexican film is passable, it has good actors, a correct plot and good settings.

Uneven but nonetheless worthwhile. Besides some surprising acting and the Sonora's desert deathly beauty, this film's unquestionable merit is uncovering an buried chapter in Mexican history: the sistematic persecution of Chinese immigrants in the 1930s.

I'd dare to say that this movie is a failed attempt to assert a political message by drawing on historical events and manipulating them. The acting is pathetic, cheesy and over-dramatic. The whole movie is filled with cliches and unnecessary conflicts, so much that it reminded me of the kind of poorly written prose my professors warned me to stay away from. The world isn't just black and white - it is obnoxious to state that all rich men are good and all poor men are bed, but at the same time it is quite stupid to declare that all rich men are evil and all poor men are good. This is what this movie does: sailing from one prejudice to the other, while constantly claiming to denounce "racism" and "discrimination". Left-winged naivety at its best.