Arctic Circle

I just finished both seasons of Arctic Circle ("Ivalo"). I liked it. Yes, there were some strange twists of plot that strained credulity and were quite farfetched. That said, the drama was marked by good acting, sympathetic characters, an engaging storyline, and gorgeous Nordic vistas. I was going to give it a seven, but the surprises that unfolded late in the second season caused me to add a point and bump it up to eight.

Arctic Circle met my criterion for a good drama: I cared about all the major characters. Lina Kuustonen was a strong lead as policewoman Nina; both her sister Marita and her ex (and baby daddy) Esko became sympathetic characters as the story unfolded. And I can't say enough about actress Venla Ronkainen, an actress with Down Syndrome, who played Nina's special needs daughter, also named Venla. Often I find that kids in dramas don't add much to the storyline. But Arctic Circle was the exception. Venla was possibly the most endearing character I've ever seen in a drama. She played an important role in the flow of the action, and lit up every scene she was in. The actress was great. I don't know if she'll ever act in another production, but she did herself proud with her performance in 16 episodes of Arctic Circle.

As I write this, I have no idea whether there will be a third season, but I would watch it.

This series has it all: interesting story with multiple plot lines, nice balance between drama and thriller, good acting by everyone involved (Finnish actress Iina Kuustonen is a marvel to watch), and beautiful shots of vast snowy landscapes in Lapland. 8/10.

This series started out strong, but then it got tangled up in it's own convoluted and unbelievable plotting. The actors and actresses are great, and especially the child actress Venla does a great job. The sense of family really comes across. The filmography is incredible and the beauty of winter in Lapland comes across wonderfully. These are the reasons I'm giving this a 6 instead of a 5/10.

But if you could give an outstanding award for plot holes and ridiculousness, it would go to this series, I'm sad to say. I lost interest after the halfway-point and barely watched the last two episodes.

What is most irksome is how the lead characters are excused all their flaws--the German man cheats on his wife and the whole storyline is about her being a "psycho crazy woman". To give the depiction of her mental breakdown some balance, perhaps his cheating could've been in some way even mentioned, but it's literally never addressed and he's depicted as the victim to her inexcusable mental breakdown while he is heroically trying to save lives. Nina's character has a similar problem, her actions as a police officer in the last episodes are not believable and for her to be barely reprimanded for them is irksome.

Overall, not a very good watch.

(How is it that mine is the only review here? That's just mental.)

While the British TV makers are farting about with blurry vision, wobbly cameras, pointless flashbacks, insane diversity quotas, incomprehensible accents and disco-volume 'background' music, the Finnish (and the rest of Europe) are quietly making riveting TV drama the way it should be made.

Nobody is crying or shouting... people are making sensible decisions and every camera has a working tripod that anchors it to the floor. It's truly awesome to see television like this and you really have to wonder why the UK have lost their touch when it comes to quality crime drama.

Anyway... Russian prostitutes are showing up in Lapland dead, or nearly dead. The one thing they have in common is the virus they share... and the infection runs deep into this ice cold rural area.

This has attracted the centers for disease control in Germany and Helsinki and experts are sent to figure out what's going on.

The local police team up with the Russian cops and the bio experts bring in their own teams of investigators. Nobody is sharing information, so of course, the situation deteriorates rapidly.

Watching this drama unfold is simply a joyous way to spend time. The dialog is about half in Finnish and half in English. Top notch TV and a master class in how television drama should be made.

I have to say that some of the plot lines are somewhat fantastical but I enjoyed them for all that. The acting was good and once more I am just so impressed at the proficiency of so many European actors in English. And a special mention, as so many others have done, for the young woman who played Venla so incredibly well.

The second season is freshest in my mind as I just saw it last week and I was left with an impression that the series was grappling with ethical and moral dilemmas as well as being a cop drama. The writers took the position that any form of vigilantism is completely wrong even if it were a considered, researched one. And extrapolating from the events in season two, that the death penalty is wrong if only for the fact that the executed person might be innocent.

Tension built as new revelations about the characters grew and explained their motivations. We also saw the very real difference between Finland, the supposedly least corrupt country in the world, and Russia where the authorities collude in lawlessness and corruption.

We also had human interest themes - the aforementioned Venla, infidelity and betrayal, the grisly fate of gays in Russia, relationships with parents.

I hope I'm not making this sound terribly worthy and boring as it isn't. Both seasons were fast paced and gripping. I hope there will be a third.