IMDb RATING
7.5/10
68K
YOUR RATING
A police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.A police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.A police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.
- Director
- Writers
- Stars
- Awards
- 38 wins & 43 nominations total
Jessica Dinnage
- Iben
- (voice)
Omar Shargawi
- Rashid
- (voice)
Johan Gotthardt Olsen
- Michael
- (voice)
- (as Johan Olsen)
Jacob Lohmann
- Bo
- (voice)
- (as Jacob Hauberg Lohmann)
Simon Bennebjerg
- Junkie
- (voice)
Laura Bro
- Journalist
- (voice)
Caroline Løppke
- Fuld kvinde
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Considering all the action is taking place in one room and happens via phone call in Danish language, it's incredible how it keeps you on the edge of your seat with strong character development, great acting and intriguing plot twists
Your imagination makes this movie. It's like a book. Asgers works at the 911 (112) emergency call, he gets a call from a woman being kidnapped. The film made me angry, disgusted, sad and so on.. Asgers character development was surprising. Really liked it, proud to be a dane.
Jakob Cedergren plays a police officer assigned to a 911 call center who receives a call from a woman who has been kidnapped. The call center is the set for the entire course of the film. The tension is Hitchcock like with enough twists and turns to keep the viewers attention. At 85 minutes the movie moves quickly and the conclusion is a bit disappointing but I recommend The Guilty.
In the vein of Locke, this super low-budget but effective thriller had me on the edge of my seat. It had the appropriate twists and turns to keep the audience guessing. It played with my emotions and had me in tears. How come Danish films are often just so good?
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
I watched this at the festival where after the projection we had a QA session with the director.
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
Did you know
- TriviaThe genesis of the film was a YouTube clip of a kidnapped woman calling an emergency dispatcher while her kidnapper sat nearby. Director Gustav Möller was struck by how much an audio clip could convey on its own with no visual accompaniment.
- GoofsWhen Asger is having a phone conversation (1:11:30) his forefinger is on the cell phone but in the next scene the forefinger is on his cheek.
- Quotes
Vagtleder Nordsjælland: Good job, Asger.
- ConnectionsFeatured in La noche de...: La Noche de... The Guilty (2022)
- SoundtracksUntitled
Composed by Lasse Martinussen
- How long is The Guilty?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El culpable
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $207,140
- Opening weekend US & Canada
- $60,050
- Oct 21, 2018
- Gross worldwide
- $4,598,051
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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