1969. Four strangers check in at the El Royale Hotel. The hotel is deserted, staffed by a single desk clerk. Some of the new guests' reasons for being there are less than innocent and some a... Read all1969. Four strangers check in at the El Royale Hotel. The hotel is deserted, staffed by a single desk clerk. Some of the new guests' reasons for being there are less than innocent and some are not who they appear to be.1969. Four strangers check in at the El Royale Hotel. The hotel is deserted, staffed by a single desk clerk. Some of the new guests' reasons for being there are less than innocent and some are not who they appear to be.
- Awards
- 2 wins & 12 nominations total
London Morrison
- Angela Harris (Vesta's Backup Singer)
- (as London A. Morrison)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For the most part this is a really good, if not excellent film, with a fantastic central performance from Jeff Bridges, ably supported with an equally compelling performance from Londoner Cynthia Erivo who I recently saw in Stephen King's The Outside TV series. beautifully shot and confidently and surely constructed to have us spellbound but not fully aware of just what is going on. Is it the hotel that is weird or just the people? Jon Hamm is great in the early stages and looked a bit like a young Robert de Niro. Things really only go wrong, for me, in the last half hour. The film is certainly some fifteen minutes too long and there is simply too much time allowed for Chris Hemsworth to unconvincingly develop his character and similarly with Lewis Pullman who had been great as the hapless bellboy cum hotel manager but with whom we spend a little too long in the end. Disappointing end or not this is well worth a watch and always going to be worth it for a late great showing from Jeff Bridges, and those 60s songs where even just a line or two can be surprisingly effective, indeed it is 'strange how potent cheap music is.'
First off let me say, Bat Times at the El Royale is most certainly not for everyone. The way the story unfolds and how information is withheld/presented is quite complex. Although this may make it a bit too convoluted for some, it makes it an absolute treat for anyone willing to dig beneath the surface and get analytical. Not unlike Cabin in the Woods (Drew Goddard's directorial debut), Bad Times plays with your expectations. Goddard takes painstaking care to build tension throughout a scene, only to have it all upended by a sudden twist. For that reason, I anticipate the reaction to this film will be divided, as many moviegoers simply don't like surprises or being unsure of what will happen. However, if you are a fan of Goddard's previous work, it's a safe bet that you'll like this one. I also need to talk about the cast, as they deliver an absolute treasure of an ensemble performance. Each person plays their part incredibly well, but Cynthia Erivo and Chris Hemsworth are the definite stand outs. Hemsworth especially shines, showing us that he can do more than play a quippy Norse god. This movie has so much to unpack both visually and in terms of foreshadowing that I cannot wait to see it again. If you're looking for a smart, stylish, and generally thrilling way to spend a few hours, look no further than Bad Times at the El Royale.
Bad Times at the El Royale is an incredibly captivating mystery / thriller, and completely subverts expectations within the first 10 minutes. With an all-star cast, the acting is solid from start to finish, and Lewis Pullman (Miles, the hotel manager) steals the spotlight even with Chris Hemsworth in the mix. The structure of the film feels fresh and simulating, with non-linear storytelling and scenes from multiple perspectives, though at times, the pacing does tend to drag at certain parts. The more energetic scenes are accompanied by an incredible soundtrack, with classics from the 60's; that create a warm and versed vibe. The topics of ultimatums and self reflection are presented, and exceptionally highlight by the cinematography. Several scenes have the character looking through a one-way mirror, presenting a shot with what the character sees and, in the reflection, his/her reaction. There are also parts with vivid color and or contrast paired with beautiful composition that forms a stylistic vintage look. One of the film's problems is leaving open plot threads to hang, one character is believed to be promising and crucial in the beginning of the film but slowly dwindles away all, and connection and potential is lost. Overall Bad Times at the El Royale does a phenomenal job at luring the audience into a story that is at points unpredictable.
I didn't expect much from this movie when i started it but it was very interesting and good. The story is pretty interesting and the build up is also perfect. It keeps you waiting shrouding you with mystery. The cast is perfect. Personally i thought Jeff bridge's performance was perfect. The other cast also give a solid performance. All in all the movie is very enjoyable and i definitely recommend it
A pretty solid crime thriller with loads of retro cool, a well-stocked cast and gorgeous cinematography - and a glut of extraneous flashbacks. If Bad Times at the El Royale has a weakness, it's pacing. It's not a problem during the opening act, as the hotel's emptiness (as well as who the hell are these people?) offers ample intrigue. Plus, there are the sets, I mean this looks incredible. But eventually night falls, backstories start piling up and ... it's enough already.
I have the same problem with El Royale that I did with The Hateful Eight; lots of talent and craft put into the film overall, but it's never again as good as its opening.
And absurdly long-winded.
I have the same problem with El Royale that I did with The Hateful Eight; lots of talent and craft put into the film overall, but it's never again as good as its opening.
And absurdly long-winded.
Did you know
- TriviaThe El Royale was built from scratch on a sound stage with much of the furniture and decor being custom made (including branded matchboxes and coasters for the bar). The color scheme was meticulously set out so that the California side was mostly yellows and oranges, while the Nevada side was purples and blues. Red was reserved for the borderline, jukebox, and chandelier, while green is almost entirely absent until the end.
- GoofsMental degradation or impairment in the elderly that was diagnosed in the 1960s would have been lumped under the commonly understood designations of "senility" or "dementia" rather than Alzheimer's, especially when discussing the diagnosis with a patient. Alzheimer's as a common diagnosis was still almost two decades away.
- Quotes
Father Daniel Flynn: Miles, I fell down. I'm old. Shit happens, get the whiskey.
- Crazy creditsThere are almost no opening credits. Only the film's title is shown after the first scene.
- ConnectionsFeatured in Tamara Just Saw: Bad Times at the El Royale (2018)
- Soundtracks26 Miles (Santa Catalina)
Written by Bruce Belland and Glen A. Larson (as Glen Larson)
Performed by The Four Preps
Courtesy of Capitol Records
Under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Malos momentos en el Hotel Royale
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $32,000,000 (estimated)
- Gross US & Canada
- $17,839,115
- Opening weekend US & Canada
- $7,132,647
- Oct 14, 2018
- Gross worldwide
- $31,882,724
- Runtime
- 2h 21m(141 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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