El diablo es magnífico

It is properly hearthwarming to see how films like this delve in Chilean's national cinema and more and more chileans lifes, undoubtly a huge advance over the last years for respect and integriry on historically segregated, discriminated and forgotten minorities. It is in this contexts where Manu's story moves us into new, and current, positions that shares a common reality: LGBTQ+ discrimination. And not referring to the legal discrepancies that exist in Chile, more centred on the personal's difficulties of development and social positioning in an already marked by the forgetness of this faction, our people, even so in an first world and developed country in this matter. It forces us to think in the treat we make.

Interesting is, even more, the artistic proposal that is taken letting us in first person to suffer the protagonist needs. We are always by her side, we live with her too. Her mood changes affects us inevitably like water going down the gutter. We may try to ignore this situation, but it is precisely this which gives the film its most negative aspect. Force us, in some way, to suffer how she does glimpes the feelings we do not want to remember, and that is why its a real, but raw movie.

Recomended more to what as a documentary and not so much as a movie of pure recreatrive entretainment.